Partitions Numériques de Simple Change pour Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

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TRI ET FILTRES

Tri et filtres :

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Non classifié 116

PIANO & CLAVIERS

Piano seul 104 Piano Facile 69 Piano, Voix et Guitare 28 Piano, Voix 15 Instruments en Do 12

Piano grosses notes 7 Orgue 7 Accompagnement Piano 4 1 Piano, 4 mains 3 Piano (partie séparée) 1 Clavier 1

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GUITARES

Guitare notes et tablatures 16 Guitare 16 Guitare (partie séparée) 2 Basse electrique 2 Piano, Guitare (duo) 1

3 Guitares (trio) 1 2 Guitares (duo) 1

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VOIX

Chorale SATB 56 Chorale 2 parties 25 Chorale 3 parties 18 Chorale Unison 8 Chorale TTBB 8

Chorale SSAA 7 Voix duo 6 Voix seule 1 Voix Alto, Piano 1

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VENTS

Flûte traversière et Piano 10 Clarinette et Piano 8 2 Saxophones (duo) 7 Saxophone (partie séparée) 5 Hautbois, Piano (duo) 5

Ensemble de Flûtes 4 2 Flûtes traversières (duo) 4 Flûte traversière 3 Quatuor de Clarinettes: 4 clarinettes 3 Flûte et Guitare 3 Saxophone Alto et Piano 3 Saxophone, Clarinette (duo) 3 Clarinette, Trompette (duo) 2 Quatuor de Saxophones: 4 saxophones 2 Flûte, Hautbois, Clarinette, Basson 2 Saxophone Tenor et Piano 2 Clarinette 2 2 Hautbois (duo) 2 Clarinette, Violon (duo) 2 Flûte, Violon, Piano 2 2 Clarinettes (duo) 2 Ensemble de Clarinettes 2 Clarinette Basse, Piano 2 Saxophone Alto 2 Clarinette Basse 1 Flute (partie séparée) 1 Hautbois, Basson (duo) 1 Ensemble de saxophones 1 Saxophone Tenor 1 Saxophone Baryton, Piano 1 Hautbois, Clarinette (duo) 1 Cor anglais, Piano 1 Flûte, Clarinette (duo) 1 Clarinette et Alto 1 Hautbois, Guitare (duo) 1 2 Hautbois, 2 Cors et 2 Bassons 1 Flûte, Trompette (duo) 1 Hautbois, Flûte 1 Flûte, Saxophone (duo) 1 Hautbois 1 Saxophone Soprano et Piano 1 Quatuor de Flûtes : 4 flûtes 1

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CUIVRES

Trombone (partie séparée) 7 Cor et Piano 6 Trombone et Piano 5 Quatuor de Cuivres : 2 trompettes, trombone, tuba 4 Trompette (partie séparée) 4 Trompette, Piano 4 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4

2 Trompettes (duo) 3 Quatuor de Cuivres 2 Trombone 2 2 Trombones (duo) 2 Trompette 2 Trompette, Saxophone (duo) 2 Cor (partie séparée) 1 Quatuor de cuivres: 4 trombones 1 2 Tubas (duo) 1 Tuba (partie séparée) 1 Trompette, Trombone (duo) 1 Cor anglais, Piano 1 2 Cors (duo) 1 Cor 1 Tuba et Piano 1

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CORDES

Harpe 68 Violon et Piano 16 Quatuor à cordes: 2 violons, alto, violoncelle 11 Violoncelle, Piano 8 Violon, Alto (duo) 7

Alto, Piano 7 Violon, Violoncelle (duo) 6 2 Harpes (duo) 6 Violon 5 2 Violons (duo) 5 Trio à Cordes: 2 violons, violoncelle 4 Trio à Cordes: violon, alto, violoncelle 4 Contrebasse, Piano (duo) 3 Violon (partie séparée) 3 4 Violoncelles 2 3 Harpes 2 2 Violoncelles (duo) 2 Harpe, Violon (duo) 2 Contrebasse (partie séparée) 2 5 Harpes 2 2 Altos (duo) 2 Alto seul 2 Contre Basse 1 Harpe, Flûte (duo) 1 Violoncelle 1 Harpe, Voix 1 Alto et Harpe 1 4 Contrebasses 1 2 Contrebasses (duo) 1 Violoncelle (partie séparée) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 70 Cloches 33 Orchestre à Cordes 19 Ensemble Jazz 15 Orchestre 9

Ensemble de cuivres 7 Batterie 5 Jazz combo 5 Ensemble de Percussions 4 Orchestre de chambre 3 Fanfare 3 Batterie (partie séparée) 2 Percussion 1 Piano et Orchestre 1

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AUTRES

Vous avez sélectionné:

Simple Change

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Partitions à imprimer

4 partitions trouvées

Lorena: A Brass Quintet Setting

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Compose…(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

$6.99 6.4 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #F #F #Lorena: A Brass Quintet Setting #Sweetwater Brass Press #SheetMusicPlus

Dimension Traveler, Op. 150

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N…(+)

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.

$24.95 22.86 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Dr #A to B is parallel to J-K #Dimension Traveler, Op. 150 #https://gildedmusicpress.com/ #SheetMusicPlus

Orfeo Ed Euridice - Introductory Chorus

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet - Level 3 - Digital Download SKU: A0.1377441 By Parry Library. By Chr…(+)

Brass Quintet - Level 3 - Digital Download SKU: A0.1377441 By Parry Library. By Christoph Gluck. Arranged by Norman Richardson (Arranger) Peet du Toit (Orchestrator). Classical. 21 pages. Peet du Toit #962034. Published by Peet du Toit (A0.1377441). Christoph Willibald Gluck was a composer of the Early Classical period and a main contributor to the opera reform. During the Enlightenment, society as well as the arts was affected. Public concerts became popular and music was able to be enjoyed by anyone not just the upper class. Gluck himself made changes to the opera during the early classical period. Gluckâ€™s goal was to write music that was simple yet beautiful â€“ he didnâ€™t want to take away from the drama of the opera. He achieved this goal in one of his most famous operas Orfeo ed Euridice and his simplistic musical style can be seen in the aria Che faro senza Euridice.Herewith then a brass quintet rendition thereof with the French horn as solo instrument for your enjoyment.

$19.00 17.41 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #Parry Library #Orfeo Ed Euridice - Introductory Chorus #Peet du Toit #SheetMusicPlus

Down to the River to Pray ? brass quintet

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

Brass Quintet - Intermediate - Digital Download Composed by American Folk Hymn. Arranged…(+)

Brass Quintet - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. Score, Set of Parts. 14 pages. Published by Con Spirito Music
"Down to the River to Pray" (also known as "Down in the River to Pray," "Down in the Valley to Pray," and "The Good Old Way") is a 19th-century American folk hymn variously attributed as an African-American spiritual/slave song, Appalachian song, and gospel song. In recent years, it was popularized in the 2000 motion picture, "O Brother, Where Art Thou," and by folk/bluegrass performer Alison Kraus. In this arrangement, the first three presentations, or verses, of the pentatonic tune employ simple, traditional harmony and limited instrumentation, evoking the simplicity of folk-singing style. Verse 4 is characterized by a direct key change up a fourth (from concert Eb to Ab) and more active harmonies. After a short, two-bar modulation up one more step to Bb major, the final verse begins with rising parallel harmonies under the melody in trumpet 1, and continues with more contemporary harmonies. The piece concludes with a simple "Amen"-like ending. ©2019 Todd Marchand / ConSpiritoMusic.com"Down to the River to Pray" (also known as "Down in the River to Pray," "Down in the Valley to Pray," and "The Good Old Way") is a 19th-century American folk hymn variously attributed as an African-American spiritual/slave song, Appalachian song, and gospel song. In recent years, it was popularized in the 2000 motion picture, "O Brother, Where Art Thou," and by folk/bluegrass performer Alison Kraus.

In this arrangement, the first three presentations, or verses, of the pentatonic tune employ simple, traditional harmony and limited instrumentation, evoking the simplicity of folk-singing style. Verse 4 is characterized by a direct key change up a fourth (from concert Eb to Ab) and more active harmonies. After a short, two-bar modulation up one more step to Bb major, the final verse begins with rising parallel harmonies under the melody in trumpet 1, and continues with more contemporary harmonies. The piece concludes with a simple "Amen"-like ending.

©2019 Todd Marchand / ConSpiritoMusic.com

$15.00 13.74 € #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #American Folk Hymn #Todd Marchand #Down to the River to Pray ? brass quintet #Con Spirito Music #SheetMusicPlus