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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SYNTHETISEUR
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TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata g minor
Non classifié
109
Piano & claviers
Piano seul
161
Piano Facile
11
Orgue
5
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano, Voix
1
+ 2 instrumentations
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Guitare
10
Guitare notes et tablatures
7
2 Guitares (duo)
4
Banjo
2
Ukulele
1
3 Guitares (trio)
1
+ 1 instrumentations
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Voix
Chorale SATB
1
Vents
Flûte traversière
17
Flûte traversière et Piano
14
Clarinette et Piano
12
Hautbois, Piano (duo)
7
Flûte et Guitare
6
Flûte à bec Alto, Basse continue
6
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6
Clarinette
5
2 Flûtes traversières (duo)
5
Flûte à Bec
5
Saxophone Alto et Piano
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Tenor et Piano
4
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3
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3
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3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
3 Saxophones (trio)
2
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2
Ensemble de Clarinettes
2
Cor anglais, Piano
2
Saxophone Soprano et Piano
2
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1
Flûte, Violon
1
Flute, harpe et violon
1
Clarinette, Guitare (duo)
1
Quintette de Saxophone: 5 saxophones
1
2 Saxophones (duo)
1
Clarinette, Violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone (partie séparée)
1
Flûte, Basson et Piano
1
3 Flûtes à bec (trio)
1
2 Hautbois et Basson
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
2 Clarinettes (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 35 instrumentations
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4
Euphonium, Piano (duo)
4
Trompette, Piano
3
Trompette (partie séparée)
3
Trompette
2
Cor anglais, Piano
2
Cor et Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
1
Trombone
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
+ 7 instrumentations
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Cordes
Violon
42
Violon et Piano
30
Violoncelle, Piano
24
Violoncelle
14
Alto, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
12
Contre Basse
5
Alto seul
5
2 Violons (duo)
5
2 Violons et Basse continue
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Violoncelle, Basse continue
3
Violon, Basse continue
2
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
1
2 Violoncelles (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Trio à cordes
1
2 Violons, Piano
1
+ 20 instrumentations
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3
Orchestre
3
Orchestre d'harmonie
2
Quintette à Vent
1
Orchestre à Cordes
1
Orchestre, Violon
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Sonata g minor
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Sonata Adagio by Zelenka for Brass Quintet in Schools
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jan Zelenka
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Joseph Judge
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Sonata Adagio by Zelenka for B
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School Ensemble Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1494845 Composed by Jan Zelenka. Arranged by Joseph Judge. Chamber,Classical...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1494845 Composed by Jan Zelenka. Arranged by Joseph Judge. Chamber,Classical. 12 pages. School Ensemble Music #1071412. Published by School Ensemble Music (A0.1494845). From Sonata IV in G minor, ZWV 181,4. Music by Jan Dismas Zelenka is known for being daring, spirited, and complex. His works are sometimes difficult to perform, but always fresh and surprising, with sudden turns of harmony. In particular, his writing for bass instruments is far more demanding than that of other composers of the early 1700s.Duration - 2:43Parts - Trumpet, Trumpet, Horn, Trombone, Tuba.For a full list of arrangements by Joseph Judge, please visit SchoolEnsemble.com. Most are available for multiple ensembles: brass, string, woodwind, saxophone, clarinet.
$8.99
Building a Hypercube (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Dr
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Building a Hypercube
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95
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