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Suite gothique
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CORNET
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Crtitères actifs :
Suite gothique
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
2 partitions trouvées
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Suite Gothique for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Boëllmann
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Graham Boag
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Suite Gothique for Brass Quint
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Graham Boag
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.780117 Composed by Boëllmann. Arranged by Graham Boag. Contemporary. Score and parts. 123 pages. Graham Boag #6474...
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Brass Ensemble - Level 4 - SKU: A0.780117 Composed by Boëllmann. Arranged by Graham Boag. Contemporary. Score and parts. 123 pages. Graham Boag #6474535. Published by Graham Boag (A0.780117). Originally written for Pipe Organ this piece has become popular with British Style Brass Bands around the world. This arrangement working from the original Organ version is going to prove to be just as popular with players and audiences alike. Every player in the quintet had their moments to shine and to show off lyrical qualities and technical prowess. Alternative parts have been included for Tenor Horn and Basses.The attached auto is the whole suite and for guidance each movement is at the following time code:1. 0.00 Introduction & Choral2. 1.59 Menuet Gothique3. 5.10 Priere a Notre Dame4. 10.55 Toccata  .
$32.99
Minuet Gothique
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Leon Bolleman
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Trevor Wharton
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Minuet Gothique
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Bumpmusic Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1258610 Composed by Leon Bolleman. Arranged by Trevor Wharton. 19th Century,Chamber,Wedding...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1258610 Composed by Leon Bolleman. Arranged by Trevor Wharton. 19th Century,Chamber,Wedding. 25 pages. Bumpmusic Editions #851869. Published by Bumpmusic Editions (A0.1258610). The 'Minuet Gothique' is the second movement from Leon Boellman's 'Suite Gothique' Opus 25 composed in 1895 for the Organ.The Minuet opens quietly stating the main themes which it develops through dynamically contrasting sections becoming increasingly modal in its feel. The middle section has a rising broken chord theme which is developed through new keys. Gradually ideas from the opening minuet are quietly introduced into the music like distant echos. Eventually the opening Minuet return in all its stately elegance to close the movement.This music needs good focus on dynamic control and articulation both in the ensemble sections and the solo portions. The quiet 'echo' sections need to keep the same energy in their forward movement without diminishing the tempo or relaxing the musical style.
$19.75
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