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Orchestre d'harmonie
68
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31
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26
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17
Batterie
11
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6
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5
Jazz combo
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AUTRES
Vous avez sélectionné:
Take Five
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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1
Take Five
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1241417
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1241417 By Paul Desmond. By Paul Desmond. Arranged by Ron Swim. Jazz,Standards. 26 pages. Ron Swim #836782. Published by Ron Swim (A0.1241417). Take Five by Paul Desmond is one of the most recognizable jazz songs ever written. With the moving base line and the syncopated off beats this piece keeps the listener ingaged throughout the piece. The arrangement has the melody moving from player to player with the B section going to a four measure fuge ending with the tuba bringing everything back together. Accessable in range and rhythm this arrangement is a great addition to any library.
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Paul Desmond
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Ron Swim
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Take Five
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Ron Swim
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SheetMusicPlus
Take Five
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Paul Desmond. By Paul Desmond. Arranged by Diego Marani. 20th Century, Film/TV, I…
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By Paul Desmond. By Paul Desmond. Arranged by Diego Marani. 20th Century, Film/TV, Instructional, Jazz, Standards. Score and parts. 36 pages. Diego Marani #4276171. Published by Diego Marani
$22.99
21.09 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Paul Desmond
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Diego Marani
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Take Five
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Diego Marani
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Patricia: A Ragtime Composition
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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F
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
Bach Little Fugue in G Minor for Brass Quintet BWV 578
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.796864 Composed by Johann Sebas…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.796864 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque. Score and parts. 29 pages. Stephanie Daige #3368125. Published by Stephanie Daige (A0.796864). This little fugue is one of Bach's most famous and beloved keyboard works. Re-imagined for brass quintet, it is a challenging and fun setting for this fugue. The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments add a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these brass instruments, which obviously wasn’t an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students,or professionals. It would do well in a chamber music concert, a church, or between acts of a larger ensemble concert,perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There is also a version of this piece available for woodwind quintet. Please check out my other arrangements at:http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$9.99
9.16 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Brass Quintet BWV 578
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Stephanie Daige
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.41 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Themes from the Eine Klein Natch Musik
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.913323 Composed by Wolfgang Ama…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.913323 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Hardy. Classical. Score and parts. 37 pages. Chris Hardy #4353889. Published by Chris Hardy (A0.913323). The main themes from Mozart's most popular string serenade arranged for Brass Quintet. The arrangement retains the light but expressive style of the original score to illuminate the major themes from the work in four movements.There are parts for 2 Trumpets/Cornets in Bb, Horn in F, Tenor Horn in Eb, Trombone (Bass Cleft), Trombone in Bb, Tuba, Euphonium in Bb and score. The piece takers about five and half minutes to perform.
$19.99
18.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolfgang Amadeus Mozart
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Chris Hardy
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Themes from the Eine Klein Natch Musik
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Chris Hardy
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SheetMusicPlus
Choral from the Cantata BWV 77 (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1470726
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1470726 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048194. Published by Rodrigo Faleiros (A0.1470726). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Brass Quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five Brass instruments — two trumpets, french horn, trombone and tuba — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Brass Quintet - two trumpets, french horn, trombone and tuba➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99
7.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
Choral from the Cantata BWV 77 (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1470725
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1470725 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048192. Published by Rodrigo Faleiros (A0.1470725). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for Brass quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five Brass instruments — two trumpets, french horn, trombone and tuba — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Brass Quintet - two trumpets, french horn, trombone and tuba- With Chord Symbols➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99
7.33 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Rodrigo Faleiros
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
O Waly Waly
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1465272
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1465272 By Nigel Williams. By Trad. Scottish. Arranged by Nigel Williams. Celtic,Folk,Irish,Lent,Traditional. 10 pages. Nigel Williams #1043969. Published by Nigel Williams (A0.1465272). Popular folk tune and also used to the hymn text When I Survey the Wondrous Cross. This arrangement starts gently with the horn leading, and builds until the first trumpet takes over. The final phrases are spacious and provide a fitting conclusion. The full score downloads with five individual parts attached. Enjoy browsing my collection of quintet arrangements available to download.
$11.99
11 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Nigel Williams
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Nigel Williams
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O Waly Waly
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Nigel Williams
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SheetMusicPlus
We Three Kings Take Five
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by J.H. Hopkins. Arranged by Todd Marchand. Christian, Sacred, Jazz, Swing, Chris…
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Composed by J.H. Hopkins. Arranged by Todd Marchand. Christian, Sacred, Jazz, Swing, Christmas. 17 pages. Published by Con Spirito Music (S0.180091). - - Christian,Sacred,Jazz,Swing,Christmas - Con Spirito Music
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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J
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Todd Marchand
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We Three Kings Take Five
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Con Spirito Music
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SheetMusicPlus
12 Kleine Stücke (12 Small Pieces) for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Maurer, Ludwig. Arranged by Mathie, David. Romantic Period. 94 pages. Publishe…
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Composed by Maurer, Ludwig. Arranged by Mathie, David. Romantic Period. 94 pages. Published by Cherry Classics (S0.164023). - - Romantic Period - Cherry Classics
Maurer's 12 Kleine Stücke (12 Little Pieces) for five brass were published posthumously in 1881 and were written for two cornets in B?, two horns in E?, and one bass trombone. They are important works for brass in that they are some of the earliest pieces of brass chamber music existing; with Anton Simon?s Quartuor en forme de sonatine, Alexander Glazinov?s In modo religioso and Wilhelm Ramsøe?s five Quartets they remain some of the handful of original brass works from the nineteenth century. This edition is taken from the first version published by A. Büttner of St. Petersburg, Russia. In order to make it more accessible for a modern brass quintet the second horn part is transposed for trombone, and the lowest part may be performed on either tuba or bass trombone. I have tried to resolve the many contradictions in articulations found in the original score while keeping this edition as close to the original as possible. Many brass players may be unfamiliar with the complete version of this piece; I encourage them to perform the entire work as Maurer originally intended.Maurer's 12 Kleine Stücke (12 Little Pieces) for five brass were published posthumously in 1881 and were written for two cornets in B?, two horns in E?, and one bass trombone. They are important works for brass in that they are some of the earliest pieces of brass chamber music existing; with Anton Simon?s Quartuor en forme de sonatine, Alexander Glazinov?s In modo religioso and Wilhelm Ramsøe?s five Quartets they remain some of the handful of original brass works from the nineteenth century. This edition is taken from the first version published by A. Büttner of St. Petersburg, Russia. In order to make it more accessible for a modern brass quintet the second horn part is transposed for trombone, and the lowest part may be performed on either tuba or bass trombone. I have tried to resolve the many contradictions in articulations found in the original score while keeping this edition as close to the original as possible. Many brass players may be unfamiliar with the complete version of this piece; I encourage them to perform the entire work as Maurer originally intended.
$30.00
27.52 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Maurer, Ludwig
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Mathie, David
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12 Kleine Stücke
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Cherry Classics
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SheetMusicPlus
El Choclo (“Kiss of Fire”)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
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