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Vous avez sélectionné:
The Campaigner
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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Give of Your Best to the Master (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Musique Sacrée
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Charlotte A
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Dan Boone (ASCAP)
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Give of Your Best to the Maste
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Dan Boone
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.809212 Composed by Charlotte A. Barnard. Arranged by Dan Boone (ASCAP). Christian,Sacred. Score and parts. 10 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.809212 Composed by Charlotte A. Barnard. Arranged by Dan Boone (ASCAP). Christian,Sacred. Score and parts. 10 pages. Dan Boone (ASCAP) #4803075. Published by Dan Boone (ASCAP) (A0.809212). Performance time 2:10, moderately easy version of an old hymn. Melody gets passed around. Arranged as a prelude for a worship service - perfect for church giving/pledge campaign theme or missions/service theme.
$9.99
Hello, Dolly!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. ...
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Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
Liberty Loan
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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Liberty Loan
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1355859 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1355859 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #940578. Published by Matthew Nunes Music (A0.1355859). Written for the Fourth Liberty Loan campaign of World War I and dedicated to the officers and men of the 40th United States Infantry. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Liberty Loan was composed in 1917, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 76.
$1.99
Vers l'avenir - Brass Quintet (2 trumpets in B flat, French Horn, Trombone, Tuba)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Francis Kayali
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Vers l'avenir - Brass Quintet
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Francis Kayali
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.973052 Composed by Francis Kayali. Concert,Graduation,Holiday,Wedding. Score and parts. 45 pages. Francis Kayali #635...
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Brass Ensemble - Level 4 - SKU: A0.973052 Composed by Francis Kayali. Concert,Graduation,Holiday,Wedding. Score and parts. 45 pages. Francis Kayali #6353591. Published by Francis Kayali (A0.973052). Vers l’avenir (French for Toward the Future) was a commission from Saint Anselm College (Manchester, New Hampshire) for the inauguration of its tenth president. The title, which echoed the college’s recently-announced Faith in the Future campaign, announces the mood of the piece: energetic, festive, with open and bold harmonies, but also incorporating more lyrical, reflective sections. I rarely set out to emulate a particular composer, but familiar voices or sounds do often emerge. To me, this piece has echoes of Giovanni Gabrieli, LeosÌŒ JanaÌcÌŒek, Maurice Ravel, Igor Stravinsky , Eric Ewazen, and Sonny Rollins, among others.
$10.00
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