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The Free Lance
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43
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186
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17
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9
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3
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1
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1
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6
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2
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6
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1
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6
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4
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4
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2
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2
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2
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2
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1
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1
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1
Alto seul
1
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19
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1
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Vous avez sélectionné:
The Free Lance
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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The Free Lance
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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The Free Lance
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1320896 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1320896 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 26 pages. Matthew Nunes Music #909335. Published by Matthew Nunes Music (A0.1320896). Recycled from Sousa’s operetta of the same name, this is one of Sousa’s longest marches. Personally, the euphonium part is one of the most difficult and demanding excerpts I’ve seen on auditions. Though I’ve followed the Marine Band edition section titles I disagree with their designations. I see mm. 22-33 as an Interlude, not a Strain, while mm. 52-68, though it adds a flat, is less a Trio melody and more an additional Strain. No matter the semantics, this is a charming and unique march close to my heart. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Free Lance was composed in 1906, and the referenced edition was made Public Domain in 2018. The piece is catalogued as Volume 4, No. 64.
$1.99
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
Suite No. 1 for Brass Quintet (I. Train Station; II. Waltzing with Conflict; III. Surprise Attack)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Annabella Cervero
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Suite No. 1 for Brass Quintet
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Annabella Cervero Fulmizi
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - SKU: A0.1069753 Composed by Annabella Cervero (Annabella Fulmizi). Contemporary,Jazz. Full Performance. Duration 412. Annab...
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Horn,Trombone,Trumpet,Tuba - SKU: A0.1069753 Composed by Annabella Cervero (Annabella Fulmizi). Contemporary,Jazz. Full Performance. Duration 412. Annabella Cervero Fulmizi #5713445. Published by Annabella Cervero Fulmizi (A0.1069753). Suite No. 1 for Brass Quintet is a fun, original composition by Annabella Fulmizi containing three movements. Movement 1 Train Station is upbeat, fun and jazzy. Movement 2, Waltzing with conflict is slower and more contemplative. Movement 3 Surprise Attack, is faster and energetic. This recording was performed live at the FreeLAncer season 2 concert series opening concert, hosted by Stephen Nutt.
$1.99
Call Me Irresponsible
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Jazz
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Dinah Washington
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Peet du Toit
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Call Me Irresponsible
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by Peet du Toit. Jazz. 9 pages. Peet du Toit #1071801. Published by Peet du Toit (A0.1495281). Call Me Irresponsible is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963.According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on the seventh episode of the show.However, in 1988, Sammy Cahn said during an interview with freelance writer Harlan Conti, in San Francisco, that the song was originally written for Fred Astaire to sing in the film Papa's Delicate Condition in which Astaire was to star. Cahn personally auditioned the song for Astaire's approval, which was given. However, Astaire's contractual obligations prevented him from making the film and the role went to Jackie Gleason, who introduced the song. It won the Academy Award for Best Original Song at the 36th Academy Awards held in 1964.Cahn is said to have had a particular satisfaction in the number of five-syllable words in the lyrics of Call Me Irresponsible.Being born in 1963, you can call me irresponsible for orchestrating this lovely jazz standard. Nevertheless, live has begun! Enjoy with me.
$13.00
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