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695
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544
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37
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26
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19
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9
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4
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2
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1
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12
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8
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6
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3
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2
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1
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1
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1
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1
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1
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264
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82
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68
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46
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17
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Voix duo
11
Voix duo, Piano
9
Chorale
7
Voix haute
7
Voix seule
5
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Voix Baryton, Piano
1
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1
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1
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1
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1
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VENTS
2 Saxophones (duo)
64
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28
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23
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22
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21
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19
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17
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16
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15
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14
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10
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9
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3
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Piccolo
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1
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1
Cor Anglais
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1
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1
2 Flûte à bec (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
89
Trompette
24
Trompette, Piano
22
Trombone et Piano
20
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15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone
13
Trombone (partie séparée)
13
Cor
13
Tuba et Piano
10
Cor et Piano
10
Trompette, Saxophone (duo)
9
2 Trombones (duo)
9
Cor (partie séparée)
9
Quatuor de Cuivres
9
2 Trompettes (duo)
8
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 cors
3
Euphonium, Piano (duo)
3
Tuba
3
Quatuor de cuivres: 4 trombones
3
4 Tubas
2
Trompette, Violoncelle et Piano
1
Euphonium
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Cor Anglais
1
Ensemble de Trompettes
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Orgue
1
2 Tubas (duo)
1
Ensemble de Trombones
1
Cor anglais et Harpe (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
37
Violon
37
Harpe
32
Alto, Piano
24
Violoncelle, Piano
24
Violoncelle
17
2 Violons (duo)
14
Alto seul
14
Violon (partie séparée)
14
2 Violoncelles (duo)
9
Violon, Violoncelle (duo)
9
2 Harpes (duo)
7
Piano Trio: Violon, Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
7
Violon, Alto (duo)
6
2 Altos (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
3
4 Violoncelles
3
Violoncelle (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
2
Contre Basse
1
Violoncelle, Orgue
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Autoharp
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
Harpe, Voix
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
598
Orchestre à Cordes
74
Ensemble Jazz
61
Orchestre
54
Ensemble de cuivres
48
Fanfare
18
Cloches
18
Ensemble de Percussions
16
Orchestre de chambre
16
Batterie
10
Jazz combo
9
Percussion (partie séparée)
8
3 Marimbas
4
Marimba
4
Timbales (partie séparée)
2
Quintette à Vent
2
Percussion
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Timbales
1
Quatuor à Vent : 4 instruments à vents
1
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AUTRES
Vous avez sélectionné:
The South
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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De facto Anthems of the Confederate States of America
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
18.28 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Charles W
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Keith Terrett
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De facto Anthems of the Confederate States of America
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Keith Terrett
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SheetMusicPlus
The Duke of Alva's entry into Brussels for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged…
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Brass Ensemble - Digital Download SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00
10.97 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into Brussels for brass quintet
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Brassery Publications
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SheetMusicPlus
I Sit Here on the Barren Hill
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
12.79 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. C…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.
$20.00
18.28 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Herbert L
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Geoffrey Bergler
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Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Saba Regional Anthem for Brass Quintet & Percussion
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.1157522 Composed by Christina Maria Jeurissen,. …
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Level 3 - Digital Download SKU: A0.1157522 Composed by Christina Maria Jeurissen,. Arranged by Keith Terrett. 20th Century,Historic,Multicultural,Traditional,World. 16 pages. Keith Terrett #757854. Published by Keith Terrett (A0.1157522). Arranged for Classical Brass Quintet & Optional Percussion, Saba, you rise from the ocean is the regional song of the Caribbean island Saba, a special municipality of the Netherlands. The anthem was written and composed by Christina Maria Jeurissen, a Dominican nun, in 1960. It was established by the Island Council on 6 December 1985 and officially ratified on 10 October 2010. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Many of my national anthem are now available on Nomadplay app. Saba (/ˈseɪbÉ™/ (listen); Dutch: Saba, pronounced [ˈsaËbÉ‘] (listen) is a Caribbean island which is the smallest special municipality (officially “public bodyâ€) of the Netherlands. It consists largely of the active volcano Mount Scenery, which at 887 metres (2,910 ft) is the highest point of the entire Kingdom of the Netherlands. The island lies in the northern Leeward Islands portion of the West Indies, southeast of the Virgin Islands. Together with Bonaire and Sint Eustatius it forms the BES islands. Saba has a land area of 13 square kilometres (5.0 sq mi). The population was 1,933 in January 2020, with a population density of 148 inhabitants per square kilometre (380/sq mi). It is the smallest territory by permanent population in the Americas. Its towns and major settlements are The Bottom (the capital), Windwardside, Zion's Hill and St. Johns.
$8.99
8.22 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Christina Maria Jeurissen,
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Keith Terrett
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Saba Regional Anthem for Brass Quintet & Percussion
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Keith Terrett
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SheetMusicPlus
Nagorno-Karabagh Regional Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1168948 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1168948 Composed by Ô±Ö€Õ´Õ¥Õ¶ Õ†Õ¡Õ½Õ«Õ¢ÕµÕ¡Õ¶ (Armen Nassibian) Arranged by Keith Terrett. Arranged by Keith Terrett. Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #769292. Published by Keith Terrett (A0.1168948). The regional anthem of Norgorno- Karaabakh arranged for Classical Brass Quintet.Free and independent Artsakh (Armenian: Ô±Õ¦Õ¡Õ¿ Õ¸Ö‚ Õ¡Õ¶Õ¯Õ¡Õ Ô±Ö€ÖÕ¡Õ) (Russian: ГоÑударÑтвенный гимн РеÑпублики Ðрцах) is the national anthem of the Republic of Artsakh, a breakaway state in Transcaucasia. Adopted in 1992, the anthem was written by Vardan Hakobyan and composed by Armen Nasibyan.Artsakh, officially the Republic of Artsakh (/ˈɑËrtsÉ‘Ëx, -sæx/)[e] or the Nagorno-Karabakh Republic (/nəˌɡɔËrnoÊŠ kærəˈbæk/), is a breakaway state in the South Caucasus whose territory is internationally recognised as part of Azerbaijan. Artsakh controls a part of the former Nagorno-Karabakh Autonomous Oblast, including the capital of Stepanakert. It is an enclave within Azerbaijan. Its only overland access route to Armenia is via the 5 km (3.1 mi) wide Lachin corridor which is under the control of Russian peacekeepers.The predominantly Armenian-populated region of Nagorno-Karabakh was claimed by both the Azerbaijan Democratic Republic and the First Republic of Armenia when both countries became independent in 1918 after the fall of the Russian Empire, and a brief war over the region broke out in 1920. The dispute was largely shelved after the Soviet Union established control over the area, and created the Nagorno-Karabakh Autonomous Oblast (NKAO) within the Azerbaijan SSR in 1923. In the leadup to the fall of the Soviet Union, the region re-emerged as a source of dispute between Armenia and Azerbaijan. In 1991, a referendum held in the NKAO and the neighbouring Shahumyan Province resulted in a declaration of independence. Ethnic conflict led to the 1991–1994 Nagorno-Karabakh War. Conflict has sporadically broken out since then, most significantly in the Second Nagorno-Karabakh War.The Republic of Artsakh is a presidential democracy with a unicameral legislature. The country is reliant on and closely integrated with Armenia, in many ways functioning as a de facto part of Armenia. The country is very mountainous, averaging 1,100 metres (3,600 ft) above sea level. The population is 99.7% ethnic Armenian, and the primary spoken language is the Armenian language. The population is overwhelmingly Christian, most being affiliated with the Armenian Apostolic Church. Several historical monasteries are popular with tourists, mostly from the Armenian diaspora, as most travel can take place only between Armenia and Artsakh.
$9.99
9.13 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ô±Ö€Õ´Õ¥Õ¶ Õ†Õ¡Õ½Õ«Õ¢ÕµÕ¡Õ¶
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Keith Terrett
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Nagorno-Karabagh Regional Anthem for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Trail of Tears, Op. 144
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N…
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Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
18.24 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Down by the Riverside - Brass Quintet ( 2 B Flat Trumpets; Horn in F; Trombone/ Euphonium; Tuba and
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.
$7.95
7.27 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional
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Raymond Fenech
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Down by the Riverside - Brass Quintet
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Raymond Fenech
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SheetMusicPlus
Blessed Are They That Mourn (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Bra…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.27 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
SOUTHLAND SKETCHES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1273845
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1273845 Composed by H. T. Burleigh. Arranged by Arr. Becky Dugan. Chamber,Folk,Jazz,Spiritual. 57 pages. B. L. Dugan #865967. Published by B. L. Dugan (A0.1273845). H. T. Burleigh's charming SOUTHLAND SKETCHES provides advanced brass quintets with African-American melodies and dance-like movements. The four untitled movements give brief, nostalgic glimpses of life in the Old South. Movements include: Andante; Adagio ma non troppo; Allegretto grazioso; Allegro. This work is suitable for festivals, concerts, recitals and other special occasions.
$30.00
27.43 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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H
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Arr
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Adagio ma non troppo
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SOUTHLAND SKETCHES
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B. L. Dugan
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SheetMusicPlus
God is Seen (Southern Harmony) for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1440293
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1440293 Composed by The Southern Harmony. Arranged by Nathaniel Hontz. Christian,Folk,Religious,Sacred,Traditional. 19 pages. TigerSong LLC #1020243. Published by TigerSong LLC (A0.1440293). Variations on the haunting Southern Harmony tune Captain Kidd, the musical setting for the text God is Seen, arranged for Brass Quintet. The text celebrates presence of God in the natural world, both through its beauty and its power. As such, this arrangement moves through multiple moods, highlighting different members of the quintet.
$12.99
11.88 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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The Southern Harmony
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Nathaniel Hontz
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God is Seen
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TigerSong LLC
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SheetMusicPlus
Hark, I Hear the Harps Eternal
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1278878
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1278878 Composed by William Walker. Arranged by Nathaniel Hontz. 19th Century,Christian,Religious,Sacred,Traditional. 21 pages. TigerSong LLC #870424. Published by TigerSong LLC (A0.1278878). A stirring classic American hymn from the hymnal The Southern Harmony by William Walker, arranged for brass quintet. Hark I Hear the Harps Eternal is set to the hymn tune Invitation. This exciting arrangement passes the melody while allowing the Hallelujahs to soar.
$12.99
11.88 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Walker
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Nathaniel Hontz
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Hark, I Hear the Harps Eternal
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TigerSong LLC
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.39 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Theme From The Sweeney
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By Harry South. By Harry South, Bob Russell, and Bobby Scott. Arranged by Geoff Clok…
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By Harry South. By Harry South, Bob Russell, and Bobby Scott. Arranged by Geoff Cloke. 20th Century, Film/TV, Jazz. Score and parts. 34 pages. Published by Geoff Cloke
$12.99
11.88 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Harry South
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Geoff Cloke
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Theme From The Sweeney
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Geoff Cloke
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.88 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
South Sea Isles
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775117 Composed by George Gershw…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775117 Composed by George Gershwin. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #3468730. Published by Alexander Wilson (A0.775117). Master composer George Gershwin's South Sea Isles is a lackadaisical song, starting in minor and changing to major at the chorus. This arrangement features both the first trumpet and French horn on melody. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:50. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.66 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Gershwin
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Bill Wilson
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South Sea Isles
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Alexander Wilson
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SheetMusicPlus
South Rampart Street Parade (Instrumental)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463332
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463332 Composed by Ray Bauduc and Robert Haggart. Arranged by Will Corbin. Jazz. 22 pages. Will Corbin #1042023. Published by Will Corbin (A0.1463332). Here's a rousing Dixieland tune from 1937, first performed by Bob Crosby and The Bobcats. (Really.) This arrangement is adapted from an old stock chart of mixed instrumentation. Had to tame the clarinet fireworks to make it possible for brass players.If you want alternative instrumentation, please contact me at wilcor@aol.com.
$15.00
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ray Bauduc and Robert Haggart
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Will Corbin
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South Rampart Street Parade
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Will Corbin
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SheetMusicPlus
Begin The Beguine Written 1935
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459167
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459167 Composed by Bill Danzeisen. Arranged by Will Corbin. Broadway,Latin,Musical/Show,Pop. 24 pages. Will Corbin #1038137. Published by Will Corbin (A0.1459167). A song doesn't get more traveled than this one. American Cole Porter wrote it in 1935 while on a South Pacific cruise between Indonesia and Fiji aboard a British liner. Its roots are in a Latin dance from the French Caribbean islands of Guadeloupe and Martinique. So it's somewhere between a minuet and a samba. The name of the dance, beguine, is Creole (probably pejorative) for white woman. The song was first performed in a Broadway musical called Jubilee. It didn't get much traction until Artie Shaw recorded it with his big band, in a purely swing mode, in 1938; it became the 3rd best-selling recording of the year and set off a new dance craze. Check out the drummer in the YouTube video of Shaw's band performing the song, with special attention to the drummer. It's a young and relatively quite subdued Buddy Rich. This arrangement, for two trumpets, horn, trombone and tuba, sticks pretty close to a Latin feel except for a swing break in the middle.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Bill Danzeisen
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Will Corbin
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Begin The Beguine Written 1935
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Will Corbin
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SheetMusicPlus
Grazing In The Grass
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460783
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460783 By Hugh Masekela. By Harry Elston and Philemon Hou. Arranged by Will Corbin. Pop. 13 pages. Will Corbin #1039682. Published by Will Corbin (A0.1460783). South African trumpeter Hugh Masekela first recorded this song in 1968 as an instrumental. A year later, The Friends Of Distinction added lyrics and made it a big hit in the U.S.It's mostly an excercise in tonguing, and also a quick measure of just how tight your group is.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Hugh Masekela
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Will Corbin
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Grazing In The Grass
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Will Corbin
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SheetMusicPlus
Two By Grieg: “Sarabande” and “The Last Summer”
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Edvard H. Grieg (1843-1907). Arranged by F. Leslie Smith. Romantic Period, TV,…
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Composed by Edvard H. Grieg (1843-1907). Arranged by F. Leslie Smith. Romantic Period, TV, European, Mother's Day, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.131535). - Score,Set of Parts - Romantic Period,TV,European,Mother's Day,Wedding - Sweetwater Brass Press
In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. In 1880, Edvard Grieg composed twelve songs based on the poetry of A.O. Vinje. Two of those he arranged for string orchestra as Two Elegiac Melodies. Four years later Grieg composed a five-piece suite to celebrate the 200th anniversary of the birth of Ludvig Holberg, the Norwegian-born writer who played a major role in the founding of Danish literature. Originally written for piano, Grieg soon arranged From Holberg?s Time for string orchestra. Nearly one hundred years later, Kathryn Forbes? novel, Mama?s Bank Account, was published, recounting the tale of a Norwegian family living in San Francisco in the early Twentieth Century. Forbes? book inspired a number of dramatic presentations, Broadway and Hollywood productions. Most relevant to ?Two By Grieg,? however, was Mama, a TV series CBS launched in 1949 that ran for eight years. This weekly half-hour program used two Grieg compositions as themes: ?Sarabande? from Holberg Suite and ?The Last Spring? from Two Elegiac Melodies. For many viewers, this was the first time they had ever heard these beautiful songs, and the two melodies have been forever linked thereafter. ?Sarabande? and ?The Last Spring? are the compositions that comprise ?Two By Grieg.? This arrangement is based on Grieg?s string orchestration and stays as close as possible to the original. Completed in 2016, this arrangement runs about 7 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$7.00
6.4 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Edvard H
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F
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Two By Grieg: “Sarabande” and “The Last Summer”
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Sweetwater Brass Press
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SheetMusicPlus
Americana Fanfares, Vol. 2, Op. 137
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
22.81 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Americana Fanfares, Vol. 2, Op. 137
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https://gildedmusicpress.com/
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SheetMusicPlus
Dear Old Southland
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 3 - Digital Download SKU: A0.775077 Composed by John T. Layto…
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Brass Quintet - Level 3 - Digital Download SKU: A0.775077 Composed by John T. Layton, Henry Creamer. Arranged by Bill Wilson. Spiritual. 20 pages. Alexander Wilson #3380049. Published by Alexander Wilson (A0.775077). Master Tin Pan Alley songwriters Henry Creamer (lyrics) and John Turner Layton (music) collaborated to adapt two gorgeous spirituals (Deep River and Sometimes You Feel Like a Motherless Child) into a single lovely song. This features the first trumpet and French horn. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:50. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.66 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John T
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Bill Wilson
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Dear Old Southland
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Alexander Wilson
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SheetMusicPlus
The Good Preacher Wenceslas for Brass Quintet 2017 Holiday Contest Entry
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.983186 Composed by John Mason N…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.983186 Composed by John Mason Neale, Thomas Helmore. Arranged by Peter Cavenagh. Christian,Christmas,Contemporary,Gospel. Score and parts. 3 pages. Blaartart Productions #3244173. Published by Blaartart Productions (A0.983186). This is the third part of a suite of Christmas tunes in various jazz styles. This one takes Good King Wenceslas from Prague to southern USA. Alleluia!!
$20.00
18.28 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Mason Neale, Thomas Helmore
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Peter Cavenagh
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The Good Preacher Wenceslas for Brass Quintet 2017 Holiday Contest Entry
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Blaartart Productions
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SheetMusicPlus
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