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--INSTRUMENTS--
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Thou Art Love Ragtime
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Crtitères actifs :
Thou Art Love Ragtime
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
3 partitions trouvées
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You're Never Fully Dressed Without A Smile
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jeff Kready
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Will Corbin
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You're Never Fully Dressed Wit
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465830 By Jeff Kready. By Charles Strouse and Martin Charnin. Arranged by Will Corbin. Bro...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465830 By Jeff Kready. By Charles Strouse and Martin Charnin. Arranged by Will Corbin. Broadway,Film/TV,Musical/Show,Ragtime. 19 pages. Will Corbin #1044423. Published by Will Corbin (A0.1465830). This song is from the 1977 Broadway musical Annie (and subsequent movie version), based on the old comic strip Little Orphan Annie. Annie's fellow orphans are listening to host Bert Healy and the Lovely Boylan Sisters (Ronnie, Connie and Bonnie) sing it on the radio program, the Iodent Hour Of Smiles. Yeah, it's that hokey. But a fun piece for two trumpets, horn, trombone and tuba with a bouncy ragtime feel.If you need other instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
Sing-along Medley #1 (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Various
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Kenneth Abeling
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Sing-along Medley #1
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Various. Arranged by Kenneth Abeling. Ragtime, Swing, Movies, Old-time. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.2...
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Composed by Various. Arranged by Kenneth Abeling. Ragtime, Swing, Movies, Old-time. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.223335). - Score,Set of Parts - Ragtime,Swing,Movies,Old-time - LINCOLN MUSIC PUBLICATIONS
?Sing-alongMedley #1, arranged here for Brass Quintet is a collection 5 timeless classicsto include: ?Baby Face?, ?Daisy Bell?, ?By the light of the Silvery Moon?, ?Down by the Old Mill Stream?, ?I?m LookingOver a Four Leaf Clover?. This piece isof intermediate level difficulty and is perfect for performances for elderlyaudiences, as a music history-teaching tool for younger audiences as well asother performance applications. Toview and listen to this piece in its entirety as well as hundreds of otherarrangements and transcriptions by Kenneth Abeling at the lowest pricesavailable please visit www.lincolnmusicpublications.com. Playing Time: With repeats 6:05 / withoutrepeats 3:45 Preview this score on YouTube: https://www.youtube.com/watch?v=UfuW2zU8qLU
$14.99
Cinnamon Rolls (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gilde...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
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