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6
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19
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11
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7
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5
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5
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5
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4
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4
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3
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3
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3
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1
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1
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1
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1
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84
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25
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15
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9
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7
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Partitions à imprimer
19 partitions trouvées
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1
The Charleston (1923) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1276031 Composed by James P. Johnson. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1276031 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Ragtime. 21 pages. Charles Decker Music Press #867780. Published by Charles Decker Music Press (A0.1276031). From the Music of Black Composers Series at Charles Decker Music Press is the “The Charleston†which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F with a substitute flugelhorn part, trombone or euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.â€Â Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.99
My Ragtime Baby for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Fred S
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Charles Decker
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My Ragtime Baby for Brass Quin
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Mult...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1242857 Composed by Fred S. Stone. Arranged by Charles Decker. 19th Century,Jazz,March,Multicultural,Pop,World. 24 pages. Charles Decker Music Press #837904. Published by Charles Decker Music Press (A0.1242857). My Ragtime Baby was the 1898 mega hit featured in the Sousa Band European 1900 tour that introduced European audiences to American Ragtime. Fred Stone was a prominent African-American composer and conductor in the early Ragtime movement. The rag is arranged for two B-flat trumpets, horn in F, trombone and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
After the Cake Walk for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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R
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Charles Decker
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After the Cake Walk for Brass
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Cen...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1047456 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Contest,Festival,Jazz,Pop,Ragtime. 24 pages. Charles Decker Music Press #652018. Published by Charles Decker Music Press (A0.1047456). This entertaining and playful cakewalk, forerunner of ragtime style, is by the prominent Canadian-American Black composer Nathaniel Dett who studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. Scored for two trumpets in B-flat (with alternate C trumpet parts), horn (with flugelhorn substitute), trombone (with treble clef euphonium substitute) and tuba, the arrangement has wide audience appeal and is very accessible for less experienced players. The recoding is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others..For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
Five Miniatures for the Aspiring Brass Quintet, Op. 134
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Dr
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Five Miniatures for the Aspiri
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedm...
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Brass Quintet - Level 2 - SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedmusicpress.com/ #1066349. Published by https://gildedmusicpress.com/ (A0.1489486). This collection of short compositions for brass quintet was conceived specifically to supplement a dearth of appropriate and artistic original compositions for the young aspiring brass quintet. These pieces are most fitting for a good high school quintet or a beginning college ensemble that wants a conquerable challenge. With a variety of keys, styles, and tempos, they lend themselves well for deep work on the core ensemble skills of rhythmic accuracy, intonation, and dynamic balance. These brief works are also quite enjoyable for the professional quintet to perform for ever-popular school shows, or simply to read as a warmup with the focus of improving ensemble skills. Performance time for all five pieces is approximately five minutes.“Blackhawk” (duration 0:45) was originally composed in D-sharp minor as a melody to be used in Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 39). The quintet version is in concert D minor for more manageable execution. This brisk four-four work is perhaps the most difficult in the collection, with demands of multiple tonguing for all the instruments as well as fairly advanced intervallic jumps. “Lamb of God” (duration 1:00) is one of many hymn tunes originally composed by Dr. Thrower for use in Comprehensive Trumpet Skills, Book 7: Ensemble Skills (p. 54), intended to be used to tune unisons and octaves. As a tuning study it was published in the key of F major for B-flat trumpet, or concert E-flat major. The quintet version retained the original key of concert E-flat. The reverently subdued four-four tempo makes this the easiest piece in the collection, technically, though the three core ensemble skills listed in the introductory paragraph (rhythm, intonation, and balance) must still be extensively addressed. The horn part is perhaps the most demanding in “Lamb of God,” with arpeggiated discant lines toward the end.“Summer Solstice” (duration 1:10) was started on June 21, 2023, which was the summer solstice. It is a bright, cheerful piece in concert F major with a lot of interest in all the parts. One source of the title’s inspiration came from my family’s new situation living in Tokyo, Japan, where the dawn sky brightens around 4:00 AM on the longest days of the year, which obviously coincide with the summer solstice. The 70-second piece was completed four days after conception while the long days started at their earliest.“Triumph: Children’s March” (duration 1:00) was the catalyst for this collection. It started as a cute little brass quintet piece in the key of concert B-flat major, to be performed for children, such as for school concerts. The cut-time tempo is very brisk for a march, but animated little legs (or a more manageable audience activity of clapping hands) can easily handle the task. Although the first trumpet part ends up on a high C, there is an alternate note for a more comfortable ending.“Waltzing Puma” (duration 0:30) is an evocative title for an evocative piece. Like “Blackhawk,” this melody was composed as a melody for Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 36). The melodies in that series took on titles of military aircraft, and this one was the helicopter “Puma.” Since this tune is in a fast three-four, it became the “Waltzing Puma.” The quintet version retains the original key of concert F minor.
$24.95
Spiritual: Listen to the Lambs for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Robert Nathaniel Dett
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Richard Decker
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Spiritual: Listen to the Lambs
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 23 pages. Charles Decker Music Press #654420. Published by Charles Decker Music Press (A0.1050020). Early 20th century Canadian-American composer, conductor and pianist Robert Nathaniel Dett's Listen to the Lambs choral anthem combines his neo-romantic style and advocacy for spirituals in this engaging arrangement for brass quintet. Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Always looking to improve his compositional capabilities, Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. This brass quintet arrangement is scored for two B-flat trumpets (alternate C trumpet parts included), horn in F (alternate flugelhorn substitute part), trombone and tuba. The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99
The Peanut Vendor (el Manisero)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Si...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Huron Carol — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Traditional French Melody
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Todd Marchand
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The Huron Carol — brass
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Ch...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 16 pages. Con Spirito Music #747929. Published by Con Spirito Music (A0.1147711). “The Huron Carol†is the popular name for a Christmas song written in the language of the Wendat, an indigenous people of Canada — their name meaning “people of the island†or “dwellers on a peninsula†— nicknamed “Huron†(“boar's headâ€) by French explorers and traders due to the bristly hairstyle of Wendat men.The song began as a tool for teaching and converting the Wendat to Christianity, and it was likely written in the early 1640s by the French Jesuit missionary, Jean de Brébeuf. In Wendat, the song is titled “Jesous Ahatonnia,†which means “Jesus is Born.†The song's melody is based on a traditional French folk song, “Une Jeune Pucelle†(“A Young Maidâ€). Jean de Brébeuf’s lyrics present the Nativity story using images and ideas that would have been familiar to the Wendat. Angels are “spirits†and “sky peopleâ€; the Magi (wise men) are “elders,†and as an act of reverence they oil Jesus’ scalp, a practice Wendat people would have recognized. Today, “The Huron Carol's†most well-known lyrics, beginning “'Twas in the moon of winter-time,†were written by Canadian poet Jesse Middleton and published in 1927 in a small illustrated book titled “The First Canadian Christmas Carol.â€Middleton’s text is not a translation, but a complete rewriting of “Jesous Ahatonnia†for English speakers, and bears almost no relation to the original Wendat text. Middleton relied on stereotypes, critics say, painting a picture of an indigenous Nativity in a “lodge of broken bark,†with “hunter braves†replacing shepherds, and “gifts of fur and beaver pelt†delivered by “chiefs from far.†Still, the carol has long been popular, perhaps in part due to its refrain, “Jesus your King is born, Jesus is born. In excelsis gloria!†and its pairing with the easily singable “Une Jeune Pucelle†tune.This arrangement for brass quintet takes a contemplative, lyrical approach, featuring rich harmonies to the chant-like tune and contrasts in dynamics and tempo that evoke both the quiet peace and solemnity accompanying the birth of Christ.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Lorena: A Brass Quintet Setting
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Chicken Dance
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Terry Rendall and Werner Thoma
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Aaron Hettinga
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The Chicken Dance
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Aaron Hettinga
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SheetMusicPlus
Level 3 - SKU: A0.781970 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Multicultural,Standards,Wor...
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Level 3 - SKU: A0.781970 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Multicultural,Standards,World. 12 pages. Aaron Hettinga #6014805. Published by Aaron Hettinga (A0.781970). This wedding reception/dance party standard is presented here in an arrangement for Brass Quintet. As this song meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time taking the D.S. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle! Flexibility: The 5 core brass parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm. This arrangement’s package includes a sub part for Alto Sax in place of the F Horn. Find more from this arranger at https://aaronhettinga.com Â
$14.99
Swing Along! for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
Still Alarm
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Harry J
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Bill Wilson
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Still Alarm
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.774847 Composed by Harry J. Lincoln. Arranged by Bill Wilson. March. 31 pages. Alexander Wilson #42077. Published by A...
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Brass Quintet - Level 3 - SKU: A0.774847 Composed by Harry J. Lincoln. Arranged by Bill Wilson. March. 31 pages. Alexander Wilson #42077. Published by Alexander Wilson (A0.774847). Still Alarm is a fast-paced, upbeat march by Harry J. Lincoln, written as part of a fireman-themed set by this composer. It works well as a cheerful end to a program or first half of a performance. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Includes world parts (horn in Eb, trombone in Bb TC, tuba in Eb TC, and tuba in Bb TC). Performance time is approximately 2:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
It Had to Be You
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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age 26 the Chicago tenor saxop
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 2...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Allegro - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Solo Trumpet Player
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ed
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical...
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Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00
Allelujah from Motet Exsultate, Jubilate K 615 - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Soprano and Brass Quintet
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Peet du Toit
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Allelujah from Motet Exsultate
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet ...
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Brass Quintet - Level 4 - SKU: A0.1372453 By Soprano and Brass Quintet. By Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Classical. 18 pages. Peet du Toit #956760. Published by Peet du Toit (A0.1372453). This religious solo motet was composed when Mozart was staying in Milan. During the production of his opera Lucio Silla which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the primo uomo Cecilio in Lucio Silla the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in 1978 in St. Jakob, Wasserburg am Inn. In modern times, the motet is usually sung by a female soprano.I was tempted to combine the soprano and a brass quintet. We have performed this arrangement quite successfully at many venues, including a national music festival (Wakkerstroom, South Africa, March 2023).
$25.00
Lassus and Miss Trombone Novelty Rags for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Henry Fillmore
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Charles Decker
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Lassus and Miss Trombone Novel
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817149 Composed by Henry Fillmore. Arranged by Charles Decker. 20th Century,Jazz,Marc...
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.817149 Composed by Henry Fillmore. Arranged by Charles Decker. 20th Century,Jazz,March,Pop,Ragtime. 38 pages. Charles Decker Music Press #5303797. Published by Charles Decker Music Press (A0.817149). These two ragtime trombone solo features by the Father of the Trombone Smear, Henry Fillmore, have entertained generations of audiences. Arranged for brass quintet, the trumpet parts are in B-flat with alternate C versions provided and  flugelhorn/trumpet substitute part for horn. The recording is an actual brass quintet performance and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.95
Bamboula, Opus 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Louis Moreau Gottschalk
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Charles Decker
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Bamboula, Opus 2 for Brass Qui
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Tuba - Level 4 - SKU: A0.817111 Composed by Louis Moreau Gottschalk. Arranged by Charles Decker. 19th Centur...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Tuba - Level 4 - SKU: A0.817111 Composed by Louis Moreau Gottschalk. Arranged by Charles Decker. 19th Century,Historic,Jazz,Multicultural,Romantic Period,World. 32 pages. Charles Decker Music Press #3541167. Published by Charles Decker Music Press (A0.817111). Bamboula is from Gottschalk's three Lousiana Creole Pieces, composed from 1844 to 1846 by the 19th century superstar pianist and composer born in New Orleans. The shifting moods and cakewalk characteristics made it one of his most popular and enduring works as well as a precursor to ragtime. The arrangement is scored for two B-flat trumpets with C trumpet alternate parts, horn in F with flugelhorn/trumpet substitute for horn, trombone and tuba. Â The audio file is an actual brass quintet performance and not a computer playback of the score.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â For more of my brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95
Centone IV Three Vocal Works for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Hans Leo Hassler
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Richard Decker
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Centone IV Three Vocal Works f
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.840947 Composed by Hans Leo Hassler. Arranged by Richard Decker. Chamber,Early Mu...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.840947 Composed by Hans Leo Hassler. Arranged by Richard Decker. Chamber,Early Music,Multicultural,Renaissance,World. 62 pages. Charles Decker Music Press #447653. Published by Charles Decker Music Press (A0.840947). Hans Leo Hassler (1562-1612) was truly a Renaissance man. Not only was he a noted composer of sacred (Roman Catholic and Protestant) and secular music both instrumental and vocal, but he was also a talented organist, Kappelmeister in various churches and cities, music businessman and additionally involved in the construction and manufacture of mechanical musical instruments. Though spending most of his professional life in German (Augsburg, Nuremburg and Dresden), Hassler studied with Andrea Gabrieli in Venice alongside fellow student Giovanni Gabrieli. These three vocal works highlight his integration of the leading compositional styles of the time including his foray into significant chromaticism in his Ad Dominum, cum tribularer. Brass quintets will find these three vocal transcriptions a welcome addition to the literature and concert repertoire. The arrangement is scored for two B-flat trumpets with optional C trumpet parts, horn in F, trombone and tuba. The recording is of the entire edition.See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.95
I'm So Excited
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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The Pointer Sisters
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Will Corbin
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I'm So Excited
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Will Corbin
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1518430 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1518430 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Will Corbin. Pop,Rock. 24 pages. Will Corbin #1092530. Published by Will Corbin (A0.1518430). This lively rocker was a modest success (like No. 30 on the Billboard Hot 100) after it was released in 1982 and No. 23 on Billboard's list of all-time greatest girl group songs), but it's an enduring standard in dance clubs and karaoke bars. And covers are rare; the original is still hard to beat. This arrangement for brass quintet (one of those No, don't do it! projects) attempts to capture that spirit. If you like the arrangement but need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com. Yes, I'm that old.
$15.00
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