\\\"Resonet in Laudibus\\\" (\\\"Let the voice of praise resound\\\") is a Medieval carol known in Europe at least since its appearance in the Moosburg Gradual of 1360, and probably much earlier. Today, it is well-known as the tune accompanying the text of the traditional German carol, \\\"Joseph Lieber, Joseph Mein\\\" (\\\"Joseph Dearest, Joseph Mine\\\") and John Mason Neale\\\'s \\\"Christ Was Born on Christmas Day.\\\"

The tune appears in the Medieval songbook, Piae Cantiones (Pious Songs), compiled by the Finnish priest and headmaster Jaakko Suomalainen (aka Jacobus Finno, or \\\"James the Finn\\\") and published in 1582. Ralph Vaughan Williams harmonized the tune and included it in the English Hymnal (1906), of which he was music editor.

This lovely, lilting tune is an ideal vehicle for a sonorous arrangement for brass quintet.

�Copyright 2020 Todd Marchand / www.ConSpiritoMusic.com

?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. �Copyright2015 Todd Marchand / ConSpiritoMusic.com

The Big Book of Christmas Carols for Brass Quartet, Volume III, Arranged by Joel Jacklich 1. Break Forth, O Beauteous Heavenly Light (J. S. Bach) 2. Ding Dong Merrily on High (Traditional French) 3. The Holly and the Ivy (Traditional English) 4. In the Bleak Midwinter (Gustav Holst) 5. It Came Upon a Midnight Clear [British] (Sir Arthur Sullivan) 6. Lullay My Liking (15th C., Arr. Gustav Holst) 7. Noel Nouvelet (Traditional French) 8. Nous Voici Dans la Ville (Traditional French) 9. Nowell We Sing, Both All and Some (Medieval English) 10. Once in David?s Royal City (Henry John Gauntlett, Harm. Arthur Henry Mann) 11. Past Three O'Clock (Traditional English) 12. Pat-a-pan (Traditional French) 13. Personent Hodie (German, 1360, Arr. Gustav Holst) 14. Puer Nobis (Piae Cantiones, 1562) 15. The Rocking Carol (Traditional Czech) 16. Sans Day Carol (Traditional Cornish) 17. See Amid the Winter's Snows (Sir John Goss) 18. The Seven Joys of Mary (Traditional English) 19. The Shepherds's Farewell from L'Enfance du Christ, Op. 25 (Hector Berlioz) 20. Still, Still, Still (Traditional Austrian) 21. The Wexford Carol: Good People All (Traditional Irish) 22. While Shepherds Watched (Este's Psalter, 1592) adds 22 more carols to the 40 carols of Volumes I and II. Trumpet parts are available both in C and B-flat, and a Baritone Horn (TC) part is included as a substitute for Trombone.