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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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144
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209
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122
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50
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25
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16
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14
Orgue
8
2 Pianos, 4 mains
8
1 Piano, 4 mains
3
Ligne De Mélodie, Piano
2
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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55
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50
Ukulele
31
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29
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24
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3
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Mandoline
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34
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14
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12
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5
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5
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1
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1
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1
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1
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18
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14
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8
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7
Clarinette
6
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
3 Hautbois
1
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1
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1
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1
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1
Cor Anglais
1
Hautbois, Piano (duo)
1
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1
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Ocarina
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1
2 Clarinettes (duo)
1
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor
3
Tuba
3
Trombone et Piano
2
Euphonium, Piano (duo)
2
Trompette
2
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
Cor Anglais
1
Instruments en Sib
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
7
Violon et Piano
5
Alto seul
3
Alto (partie séparée)
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
2
Harpe, Voix
2
2 Violons (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
Alto, Piano
1
Trio à cordes: 3 altos
1
Contre Basse
1
2 Violoncelles (duo)
1
+ 12 instrumentations
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Orchestre d'harmonie
21
Orchestre
12
Orchestre à Cordes
10
Ensemble de cuivres
7
Ensemble Jazz
4
Cloches
3
Orchestre de chambre
3
Fanfare
2
Jazz combo
2
Ensemble de Percussions
2
Batterie
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Coventry Carol
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Unknown
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Del Ahlin
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Coventry Carol
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Del Ahlin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissance,Sacred. 6 pages. Del Ahlin #923210. Published by Del Ahlin (A0.1337391). The Coventry Carol text is based on the Gospel of Matthew (2:16–18) and deals with the Massacre of the Innocents in which Herod the Great, king of Judea, orders the execution of all male children who are two years old and under in the vicinity of Bethlehem.The music tends to use a lot of Picardy Third (the practice of raising the third of a chord at the end of a cadence, and changing the quality of a minor chord to a major chord). I took the Picardy Third thing one step further and modulated to the relative major (Cmaj from Amin), and fanfared on a bright, C major chord -indicating Christ the Savior's successful conquest despite all odds. Then quickly modulate once again to C minor (C major's parallel minor, and up a minor third where the piece started), to bring back the somber feeling the piece is supposed to have.
$1.99
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00
Reindeer Rampage - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Anne Christopherson at
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Anne L Christopherson GRSM ARC
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Reindeer Rampage - Brass Quint
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Music-Scores.com
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.721118 Composed by Anne L Christopherson GRSM ARCM. Christmas,Concert,Jazz. Score and parts. 16 pages. Music-Scores.c...
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Brass Ensemble - Level 3 - SKU: A0.721118 Composed by Anne L Christopherson GRSM ARCM. Christmas,Concert,Jazz. Score and parts. 16 pages. Music-Scores.com #3882711. Published by Music-Scores.com (A0.721118). Reindeer Rampage: Santa's reindeer are having a bit of fun before their work begins at Christmas. They try to sing some carols, but cannot agree on which one, so they return to jumping around and then home again to Santa.Brass Quintet: Horn in F, 2 Trumpets, Trombone and Tuba.Playing time just under 2 minutes.By Anne Christopherson at https://www.music-scores.com
$11.95
Toot, Toot, Tootsie!
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
De facto Anthems of the Confederate States of America
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles W
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Keith Terrett
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De facto Anthems of the Confed
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emm...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
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