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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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The Sans Day (St. Day) Carol - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726137 Composed by Traditional Cornish carol. Arranged by Todd Marchand. Celtic,Christian,Christmas,Irish,Traditional. Score and parts. 16 pages. Con Spirito Music #6559473. Published by Con Spirito Music (A0.726137). The Sans Day (St. Day) Carol, also known as Now the Holly Bears a Berry, is a traditional Cornish Christmas carol named after the village of St. Day, Cornwall, England, where it was found around the turn of the 20th century. It is closely related to the more well-known carol, The Holly and the Ivy, and it is thought that the two are variants of the same song.In this arrangement, this simple yet lovely song is presented by various combinations of instruments within the brass quintet, in different keys for each verse and with differing harmonizations in each. ©Copyright 2021 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
13.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional Cornish carol
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Todd Marchand
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The Sans Day
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Con Spirito Music
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SheetMusicPlus
Toot, Toot, Tootsie!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.38 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gus Kahn, Ernie Erdman and Dan Russo
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Western Suite (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.964566 Composed by Betsy Bright…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964566 Composed by Betsy Bright. Children,Concert,Folk,Holiday,Patriotic. Score and parts. 55 pages. Bright Music Company #6247007. Published by Bright Music Company (A0.964566). This original, 3 movement brass quintet composed by Betsy Bright conjures images of the Wild West. The first movement opens with a nod to the Copland Americana sound, and then quickly dives into an adventurous theme that feels like a hero racing on horseback. Every instrument gets some solo features throughout the movement. The second movement, Lonesome paints the picture of a sorrow that can sink even through the most beautiful desert landscape, casting forlorn shadows in every direction. And finally, the third movement, Rowdy depicts a wild rodeo! This movement is in Rondo form, and with every return of the theme, we have the sensation of another rider bursting through the gate taking a ride on another bucking bronco.This piece is a major crowd pleaser, whether on a standard recital or a pops program. And any individual movement works perfectly for education shows. Every player has great solo features, yet at no point is this piece tiring or physically painful in any way, so it’s super fun to play too!Duration: 8 minutes
$30.00
27.38 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Betsy Bright
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Western Suite
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Bright Music Company
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SheetMusicPlus
Contrapunctus XII from "The Art of Fugue" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792494 Composed by Johann Sebas…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792494 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 18 pages. Gordon Cherry #4988347. Published by Gordon Cherry (A0.792494). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Twelve is a four-voice, mirror fugue in 3/2 meter-the only fugue in this meter. It uses the original Art of Fugue theme in the Rectus and then all the voices are turned upside down in the Inversus. About 5 minutes in length.
$20.00
18.25 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus XII from "The Art of Fugue" for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Contrapunctus XIII from "The Art of Fugue" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792495 Composed by Johann Sebas…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792495 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 22 pages. Gordon Cherry #4988353. Published by Gordon Cherry (A0.792495). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Thirteen is a three-voice, mirror fugue that introduces a new form of the original Art of Fugue theme in the Rectus and then turns everything upside down in the Inversus. About 5 minutes in length.
$22.50
20.53 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Ralph Sauer
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Contrapunctus XIII from "The Art of Fugue" for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Mardy Bum
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1356849
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1356849 By Arctic Monkeys. By Alex Turner. Arranged by Chris Knapp. Pop. 31 pages. Chris Knapp #941487. Published by Chris Knapp (A0.1356849). This Arctic Monkeys hit is always a firm request from audiences so it seemed right that I do an arrangement of it. Works partcularly well with a bit of swagger.Although this arrangement was originally written with two trombones (one on part 3 and one on part 4), there is a Horn in F and a Horn in Eb part for part 3 included for those who have a more conventional Brass Quintet set up. A selection of flexible parts are available.
$19.99
18.24 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Arctic Monkeys
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Chris Knapp
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Mardy Bum
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Chris Knapp
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SheetMusicPlus
El Condor Pasa (If I Could)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
13.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Daniel Alomia Robles, Jorge Milchberg, and Paul Simon
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
America the Beautiful ( Materna )
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Samuel Augustus Ward. Arranged by Todd Marchand. Fourth of July, Patriotic, Am…
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Composed by Samuel Augustus Ward. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. 9 pages. Published by Con Spirito Music (S0.181925). - - Fourth of July,Patriotic,Americana - Con Spirito Music
Samuel Augustus Ward (1848-1903), composer and organist at Grace Episcopal Church, Newark, New Jersey, composed his tune ?MTERNA? to accompany the hymn text ?O Mother Dear, Jerusalem? in 1882, and it was first published in 1892. Katherine Lee Bates (1859-1929), poet and teacher, wrote the poem ?Pikes Peak? during a visit to Colorado Springs, Colorado, in 1893, and it was published under the title ?America? in the church periodical, The Congregationalist, in 1893. Bates's poem, which she revised in 1904 and 1913, was first published with Ward's music in 1910 under the title ?America the Beautiful.? Samuel Ward never met Katherine Bates, having died in 1903; yet ?America the Beautiful? has become one of the best-loved American patriotic songs. This very accessible yet effective arrangement features an introductory fanfare followed by a straightforward presentation of the tune, a return of the fanfare and modulation to new key with extended harmonies, and a concluding return of the fanfare. ©Copyright 2014 Todd Marchand / ConSpiritoMusic.comSamuel Augustus Ward (1848-1903), composer and organist at Grace Episcopal Church, Newark, New Jersey, composed his tune ?MTERNA? to accompany the hymn text ?O Mother Dear, Jerusalem? in 1882, and it was first published in 1892. Katherine Lee Bates (1859-1929), poet and teacher, wrote the poem ?Pikes Peak? during a visit to Colorado Springs, Colorado, in 1893, and it was published under the title ?America? in the church periodical, The Congregationalist, in 1893. Bates's poem, which she revised in 1904 and 1913, was first published with Ward's music in 1910 under the title ?America the Beautiful.? Samuel Ward never met Katherine Bates, having died in 1903; yet ?America the Beautiful? has become one of the best-loved American patriotic songs. This very accessible yet effective arrangement features an introductory fanfare followed by a straightforward presentation of the tune, a return of the fanfare and modulation to new key with extended harmonies, and a concluding return of the fanfare. ©Copyright 2014 Todd Marchand / ConSpiritoMusic.com
$15.00
13.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Samuel Augustus Ward
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Todd Marchand
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America the Beautiful
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Con Spirito Music
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SheetMusicPlus
How Can I Keep From Singing? ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marcha…
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Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.180831). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. ©Copyright 2016 Todd Marchand / ConSpiritoMusic.com?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. ©Copyright 2016 Todd Marchand / ConSpiritoMusic.com
$15.00
13.69 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Robert Lowry
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Todd Marchand
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How Can I Keep From Singing? ? brass quintet
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Con Spirito Music
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