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Various authors
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Adeste Fidelis - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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John IV, John Reading, and Joh
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Javier MartÃnez Maya
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Adeste Fidelis - Brass Quintet
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Arte Nova Music Lab
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.742369 Composed by John IV, John Reading, and John Wade. Arranged by Javier MartÃnez Maya. Children,Christmas,Clas...
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Brass Ensemble - Level 2 - SKU: A0.742369 Composed by John IV, John Reading, and John Wade. Arranged by Javier MartÃnez Maya. Children,Christmas,Classical,Concert,Standards. Score and parts. 8 pages. Arte Nova Music Lab #2150649. Published by Arte Nova Music Lab (A0.742369). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol which has been attributed to various authors, including John Francis Wade (1711–1786), with the earliest copies of the hymn all bearing his signature, John Reading (1645–1692) and King John IV of Portugal (1604–1656).[1][2][3]The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. The English translation of O Come, All Ye Faithful by the English Catholic priest Frederick Oakeley, written in 1841, is widespread in most English speaking countries.[2][4] The present harmonisation is from the English Hymnal (1906).[2]. Taken from https://en.wikipedia.org/wiki/O_Come,_All_Ye_FaithfulAn original manuscript of the oldest known version, dating from 1751, is held by Stonyhurst College in Lancashire.[5]
$5.00
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Contemporain
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Josef Weinberger
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arr
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later additions included
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Hermine - Josef Weinberger arr
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contempo...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00
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