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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Violin Sonata No.1
Non classifié
124
Piano & claviers
Piano seul
34
Piano Facile
1
1 Piano, 4 mains
1
Instruments en Do
1
Piano Trio: piano, violon, violoncelle
1
Guitares
Guitare notes et tablatures
4
Guitare
2
Piano, Guitare (duo)
1
Voix
Chorale SATB
1
Vents
3 Flûtes à bec (trio)
20
2 Flûtes traversières (duo)
9
Clarinette
6
Flûte traversière et Piano
6
Saxophone Soprano et Piano
3
Clarinette et Piano
3
Saxophone Alto
3
Saxophone Alto et Piano
3
Flûte, Violon et Violoncelle
3
Saxophone Baryton, Piano
3
Flûte à bec Alto, Basse continue
2
Clarinette Basse, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Violoncelle
2
Saxophone Tenor et Piano
2
Flûte, Alto (duo)
1
Flûte traversière
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Hautbois, Basson (duo)
1
2 Saxophones (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Tenor
1
Flûte et Guitare
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
Hautbois, Flûte
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon
1
Flute, harpe et violon
1
3 Clarinettes (trio)
1
Hautbois, Piano (duo)
1
Flûte à bec Soprano, Piano
1
Cor anglais, Piano
1
Clarinette, Violoncelle (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Trompette
2
Trombone et Piano
2
Cor et Piano
1
3 Trombones (trio)
1
Tuba et Piano
1
Tuba
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
Cor anglais, Piano
1
2 Cors (duo)
1
Euphonium, Piano (duo)
1
+ 6 instrumentations
Retracter
Cordes
Violon
178
Violon et Piano
71
Trio à Cordes: 2 violons, violoncelle
41
Quatuor à cordes: 2 violons, alto, violoncelle
40
2 Violons (duo)
28
Violon (partie séparée)
18
Violon, Alto (duo)
16
Violon, Violoncelle (duo)
12
Trio à Cordes: violon, alto, violoncelle
8
2 Violons, Piano
6
Violoncelle, Piano
6
Violoncelle, Contrebasse (duo)
5
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Guitare (duo)
4
Alto, Piano
3
2 Altos (duo)
2
Harpe
2
Alto, Violoncelle (duo)
2
2 Violoncelles (duo)
2
Alto seul
1
4 Violoncelles
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
Contre Basse
1
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Violon, Basse continue
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
8
Orchestre
4
Orchestre de chambre
2
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Violin Sonata No.1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
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