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--INSTRUMENTS--
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Vivace for Trumpet
Non classifié
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Vous avez sélectionné:
Vivace for Trumpet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
5 partitions trouvées
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Allegro and Vivace
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georg Philipp Telemann
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Edition Maulwurf
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Allegro and Vivace
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Edition Maulwurf
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1261461 Composed by Georg Philipp Telemann. Arranged by Edition Maulwurf. Baroque. 22 pages...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1261461 Composed by Georg Philipp Telemann. Arranged by Edition Maulwurf. Baroque. 22 pages. Edition Maulwurf #854537. Published by Edition Maulwurf (A0.1261461). Georg Philipp Telemann Allegro and Vivacearrangement for brass quintet2 trumpets (Bb) French horn (F) trombone tubaduration: ca 3m 30sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$10.99
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Gerudo Valley
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Jeux Videos
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Koji Kondo
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Trevor Wilson
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Gerudo Valley
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Trevor's Music Studio
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1278355 Composed by Koji Kondo. Arranged by Trevor Wilson. Video Game. 27 pages. Trevor's M...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1278355 Composed by Koji Kondo. Arranged by Trevor Wilson. Video Game. 27 pages. Trevor's Music Studio #870072. Published by Trevor's Music Studio (A0.1278355). Gerudo Valley is one of the most classic Zelda tunes of all time, being arranged for many different ensembles and instruments. If you like video game music and have played or know about The Legend of Zelda: Ocarina of Time, then you probably have heard of this amazing classic. Arranged for an advanced brass quintet, this takes the listener through the iconic valley and desert. It expands on the original themes and melody, making for a fun and unique piece to add to any pops program. The challenging rhythms and quick tempo make for exciting musical interplay between the voices. Performance time is just over 4 minutes but can vary depending on how fast the vivace at the end is taken, or the slow andante section in the middle.
$19.99
Velocity
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Trevor Wilson
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Velocity
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Trevor's Music Studio
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1278173 Composed by Trevor Wilson. 21st Century,Chamber,Classical. 15 pages. Trevor's Music...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1278173 Composed by Trevor Wilson. 21st Century,Chamber,Classical. 15 pages. Trevor's Music Studio #869870. Published by Trevor's Music Studio (A0.1278173). This brass quintet piece is fast, energetic, and full of life! A short but exciting flurry of rhythms play between instruments, creating a sense of urgency and scherzo-like patterns. Everything seems to be uneasy until the piece's climax when everything finally comes together. Fast articulations is key to keeping up the tempo. Perfect for an intermediate group looking to add something new to their repertoire. Performance time is just over 3 minutes, depending on how fast you want to take the vivace section!
$15.99
Beethoven: Turkish March (Ruins of Athens Op.113) - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Turkish March
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RayThompsonMusic
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Ray Thompson. Classical Period, Repertoire, Wedding, Graduation, Recital. Score, Set of Parts. 7 pages...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Ray Thompson. Classical Period, Repertoire, Wedding, Graduation, Recital. Score, Set of Parts. 7 pages. Published by RayThompsonMusic (S0.190935). - Score,Set of Parts - Classical Period,Repertoire,Wedding,Graduation,Recital - RayThompsonMusic
Turkish March (Ruins of Athens) Op.113 - brass quintet Arranged for standard brass quintet of 2 trumpets, horn. trombone and tuba. The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's "6 Variations on an Original Theme", Op. 76, of 1809. In 1811 Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. The Turkish March appears as item No. 4 of the incidental music. Many music lovers associate the theme with The Ruins of Athens, although that was not its original appearance. The original march is in B flat major, tempo vivace and 2/4 time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. Unlike much of Beethoven's other orchestral music, the woodwinds are the dominant voice rather than the strings. I have transposed it to Eb major to suit the brass instruments' ranges. In my arrangement the melody is held by the three "top" instruments. The tuba takes the bass line, and the trombone adds harmony It is quite short and is tutti throughout.
$7.95
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