Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
When On
Non classifié
1 717
Piano & claviers
Piano seul
1 227
Piano, Voix
455
Piano Facile
356
Instruments en Do
333
Piano, Voix et Guitare
259
Orgue
215
Accompagnement Piano
63
Piano grosses notes
51
Accordéon
49
2 Pianos, 4 mains
46
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
20
Orgue, Piano (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano (partie séparée)
5
2 Pianos, 8 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Accordéon, Piano
1
1 Piano, 6 mains
1
Clavier
1
+ 17 instrumentations
Retracter
Guitares
Guitare
138
Piano, Guitare (duo)
116
Guitare notes et tablatures
99
Ukulele
45
Ligne De Mélodie, (Paroles) et Accords
30
Basse electrique
21
Guitare (partie séparée)
7
Dulcimer
7
2 Guitares (duo)
5
Mandoline
5
4 Guitares (Quatuor)
4
Paroles et Accords
4
Banjo
4
3 Guitares (trio)
3
+ 9 instrumentations
Retracter
Voix
Chorale SATB
569
Chorale 3 parties
156
Chorale 2 parties
136
Voix Alto, Piano
76
Voix Soprano, Piano
72
Chorale TTBB
65
Chorale Unison
60
Voix Tenor, Piano
55
Voix duo, Piano
49
Chorale SSAA
38
Voix duo
18
Voix haute
11
Voix seule
10
Voix Baryton, Piano
7
Voix moyenne, Piano
5
Voix Tenor
3
Voix basse, Piano
3
Chorale SSAATTBB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix Baryton
1
Voix Soprano
1
Chorale
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
239
Hautbois, Piano (duo)
229
Clarinette et Piano
226
Saxophone Alto et Piano
168
Saxophone Tenor et Piano
149
2 Saxophones (duo)
148
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
120
Quatuor de Saxophones: 4 saxophones
105
2 Flûtes traversières (duo)
91
2 Clarinettes (duo)
70
Quatuor de Clarinettes: 4 clarinettes
65
Clarinette
64
Quintette de Saxophone: 5 saxophones
62
Flûte, Hautbois, Clarinette, Basson
61
Flûte traversière
58
Saxophone, Clarinette (duo)
54
Hautbois (partie séparée)
52
Saxophone (partie séparée)
43
Saxophone Alto
39
Clarinette, Violon (duo)
38
Quatuor de Flûtes : 4 flûtes
34
Clarinette, Trompette (duo)
31
Flûte, Clarinette (duo)
31
Saxophone Tenor
30
2 Hautbois (duo)
23
Saxophone Soprano et Piano
21
Ensemble de Clarinettes
20
Flûte, Violon
20
Hautbois, Flûte
19
Hautbois, Clarinette (duo)
18
Clarinette et Alto
17
Hautbois, Basson (duo)
17
3 Clarinettes (trio)
17
Ensemble de Flûtes
17
Flûte, Saxophone (duo)
17
Flûte, Alto (duo)
16
Saxophone Baryton, Piano
15
Cor anglais, Piano
14
Quintette de Clarinettes: 5 clarinettes
14
3 Saxophones (trio)
14
Flûte, Trompette (duo)
13
Flûte et Guitare
13
Flûte à bec Soprano
12
Trio de Flûtes: 3 flûtes
12
Quintette de Flûte : 5 flûtes
10
Ensemble de saxophones
9
Clarinette, Guitare (duo)
8
Flute (partie séparée)
8
Harmonica
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
6
Cor Anglais
6
Hautbois, Guitare (duo)
5
Flûte à Bec
4
Quatuor de Flûtes à bec
4
Saxophone et Harpe
3
Clarinette, Harpe (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Tenor
3
Saxophone Soprano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Trombone (duo)
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Flûte irlandaise
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Harpe
2
Saxophone et Guitare
2
Saxophone et Orgue
2
Flûte à bec Alto, Piano
2
Hautbois, Basson et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Clarinette (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Piano (trio)
1
Ensemble De Flûte à bec
1
Flûte à bec Alto
1
Saxophone
1
3 Flûtes à bec (trio)
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle
1
Hautbois
1
Flûte, Basson et Piano
1
5 Flûtes à bec
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
+ 89 instrumentations
Retracter
Cuivres
Trombone et Piano
173
Trompette
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
129
Trompette, Piano
90
Quatuor de Cuivres : 2 trompettes, trombone, tuba
68
Trombone
42
Trompette, Saxophone (duo)
41
Trompette (partie séparée)
30
2 Trompettes (duo)
29
2 Trombones (duo)
27
Quatuor de cuivres: 4 trombones
24
Trompette, Trombone (duo)
23
Cor et Piano
22
Trombone (partie séparée)
22
Quatuor de Cuivres
18
Cor
16
Ensemble de Trombones
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
10
Tuba et Piano
10
Tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Euphoniums et 2 Tubas
6
Cor Anglais
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Euphonium
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba (partie séparée)
3
Cor et Harpe
2
4 Tubas
2
3 Trombones (trio)
2
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Harpe
1
Trombone basse
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
2 Cors, Piano
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
245
Violon et Piano
236
Alto, Piano
213
Violoncelle, Piano
172
Violon
118
Harpe
113
2 Violons (duo)
66
Violoncelle
59
Violon, Violoncelle (duo)
56
Alto seul
33
2 Violoncelles (duo)
30
2 Altos (duo)
28
Violon, Alto (duo)
28
Trio à Cordes: violon, alto, violoncelle
22
Alto (partie séparée)
16
Harpe, Voix
14
Harpe, Flûte (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
7
Trio à cordes
6
Contrebasse (partie séparée)
6
Violon, Guitare (duo)
6
Violoncelle , Guitare (duo)
5
Ensemble d'Altos
5
Contrebasse, Piano (duo)
5
4 Violoncelles
5
Alto et Harpe
5
Quatuor à cordes: 4 violons
5
Ensemble de Violons
5
Harpe, Violon (duo)
4
Alto, Violoncelle (duo)
4
Alto, Guitare (duo)
4
Harpe, Violoncelle (duo)
3
Trio à cordes: 3 violins
3
Harpe et Piano
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
Autoharp
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
477
Orchestre
143
Orchestre à Cordes
88
Ensemble Jazz
81
Ensemble de cuivres
63
Cloches
58
Orchestre de chambre
53
Ensemble de Percussions
23
Jazz combo
18
Fanfare
9
Ensemble d'École
6
Batterie
6
Batterie (partie séparée)
4
Vibraphone
4
Marimba
4
Percussion (partie séparée)
2
Xylophone, Piano
2
2 Marimbas
1
Vibraphone et Marimba
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Caisse Claire
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
129
Librairie Musicale
87
Matériel de Musique
3 292
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
When On
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
129 partitions trouvées
<
1
26
51
....
126
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. David Catherwood for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional
#
David Catherwood
#
When I Survey the Wondrous Cro
#
Opus 3 Music
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.739477 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and part...
(+)
Brass Ensemble - Level 4 - SKU: A0.739477 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 8 pages. Opus 3 Music #5030393. Published by Opus 3 Music (A0.739477). This arrangement of the well loved Folk song O Waly, Waly will work equally well for a Brass Quintet accompanying Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for Brass quintets playing at weddings or other functions.When I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$7.50
When I Fall In Love
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Jon Green
#
Jack Peberdy & Peet du Toit
#
When I Fall In Love
#
Peet du Toit
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1393231 Composed by Jon Green. Arranged by Jack Peberdy & Peet du Toit. Pop,Standards. 20 p...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1393231 Composed by Jon Green. Arranged by Jack Peberdy & Peet du Toit. Pop,Standards. 20 pages. Peet du Toit #976714. Published by Peet du Toit (A0.1393231). When I Fall in Love is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in Howard Hughes' last film One Minute to Zero as the instrumental titled Theme from One Minute to Zero. Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952.Day's recording was made on June 5, 1952. It was released by Columbia Records as catalog number 39786 and issued with the flip side Take Me in Your Arms. The song reached number 20 on the Billboard chart.A 1996 recording by Natalie Cole, sung as a duet with her father Nat King Cole using vocals from his 1956 version, won 1996 Grammys for Best Pop Collaboration with Vocals and Best Instrumental Arrangement with Accompanying Vocal(s).Lovely chord progressions here! Great arrangement by Jack Peberdy. The essence captured here for brass quintet. Please use brushes as indicated. Enjoy!
$22.00
When I Had a Uniform On
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Comédie Musicale
#
Cole Porter
#
Bill Wilson
#
When I Had a Uniform On
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775153 Composed by Cole Porter. Arranged by Bill Wilson. Broadway,Musical/Show. 19 pages. Alexander Wilson #3529613. P...
(+)
Brass Quintet - Level 2 - SKU: A0.775153 Composed by Cole Porter. Arranged by Bill Wilson. Broadway,Musical/Show. 19 pages. Alexander Wilson #3529613. Published by Alexander Wilson (A0.775153). Master Broadway composer Cole Porter's When I Had a Uniform On is a cute patriotic song, with Cole Porter taking a wistful yet very tongue-in-cheek look backward to the extra status that wearing a service uniform conveyed. Our arrangement primarily splits melody responsibilities between first trumpet, French horn, and trombone. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 3:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
And When I Die
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Blood Sweat and Tears
#
Will Corbin
#
And When I Die
#
Will Corbin
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1457444 By Blood Sweat and Tears. By Laura Nyro. Arranged by Will Corbin. Blues,Pop. 20 pag...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1457444 By Blood Sweat and Tears. By Laura Nyro. Arranged by Will Corbin. Blues,Pop. 20 pages. Will Corbin #1036468. Published by Will Corbin (A0.1457444). Laura Nyro wrote this song and sold it to Peter, Paul and Mary, who recorded their version before Nyro recorded hers, neither of which made much impact. But when Blood, Sweat & Tears released their version in 1968, it shot up to No. 2 on the singles chart, beaten for the top spot by the Beatles' Come Together/Something.So this arrangement is based on the BS&T version. It's for two trumpets, horn, trombone and tuba. If you require alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
When I'm Sixty-four
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Beatles
#
Ray Thompson
#
When I'm Sixty-four
#
RayThompsonMusic
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1033565 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Film/T...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1033565 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Film/TV,Pop,Rock,Standards. 9 pages. RayThompsonMusic #638875. Published by RayThompsonMusic (A0.1033565). Arranged standard brass quintet When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout.
$19.95
Velhos No Ano When I'm 64
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Pop musique
#
John Winston Lennon and Paul J
#
Will Corbin
#
Velhos No Ano When I'm 64
#
Will Corbin
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465668 Composed by John Winston Lennon and Paul James Mccartney. Arranged by Will Corbin. ...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1465668 Composed by John Winston Lennon and Paul James Mccartney. Arranged by Will Corbin. Pop. 12 pages. Will Corbin #1044281. Published by Will Corbin (A0.1465668). This 1967 Beatles hit carries the familiar Lennon/McCartney credit line, but it was Paul all the way. He wrote it years before there were Beatles; it may have been his first composition, from around 1956. It was on the Beatles' early set lists for emergency use (like if the power went out) but became at serious hit after it appeared on the Sgt. Pepper album.If you need other instrumentatipn (the recording used clarinets), I'm happy to help. Contact me at wilcor@aol.com.
$15.00
When I Survey the Wondrous Cross
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
DÉBUTANT
#
Musique Sacrée
#
J
#
When I Survey the Wondrous Cro
#
J. Randolph Hall
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1287563 By ... By Isaac Watts and Lowell Mason. Arranged by J. Randolph Hall. This ed...
(+)
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1287563 By ... By Isaac Watts and Lowell Mason. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise and Worship,Standards,World. 10 pages. Duration 134. J. Randolph Hall #2NRoPG3le7uvHWRXAbkRQK. Published by J. Randolph Hall (A0.1287563). Key: Eb major.Watts was an English 17th/18th Century shoolmaster, minister, and hymnist. Lowell was a 19th Century hymnis from Massachusettes. This hymn was based on a Gregaoria chant called Hamburg. Section A exposits the hymn. Section B goes into a minor key with a legubrious and funereal feeling. The first trumpet adds a phrase that is almost like a waling quality. Section B then ends on a picrady third followed by an Italian augmented sixth chord. Section C is now the newly modulated major key with a descant by yours truly added.
$4.00
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249433 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Chri...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249433 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840537. Published by Regis Bookshar (A0.1249433). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 1 Hrn, 1 Trb, 1 Tuba) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weiman. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 1 French Horn, 1 Trombone and 1 Tuba. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249439 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
(+)
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249439 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842456. Published by Regis Bookshar (A0.1249439). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 1 Trb, 1 Tuba) - Advanced /Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets, 1 Trombone and 1 Tuba. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian...
(+)
Brass Quintet Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841720. Published by Regis Bookshar (A0.1249436). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 2 Trbs, 1 Tuba) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in th middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba. Included are a score and a complete set of parts (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Bass Clef)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250700 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,...
(+)
Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250700 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844985. Published by Regis Bookshar (A0.1250700). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Euphonium Quintet (Bass Clef) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism. Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn. (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Euphonium Quintet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer.Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Euphonium Quintet - Treble Clef)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on &quo
#
Regis Bookshar
#
SheetMusicPlus
Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250710 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,...
(+)
Euphonium,Low Brass Quintet - Level 4 - SKU: A0.1250710 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #844991. Published by Regis Bookshar (A0.1250710). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Euphonium Quintet (Treble Clef) - Advanced/Intermediate - .Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Choral Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Euphonium Quintet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
From Now On
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Comédie Musicale
#
Arthur J
#
Bill Wilson
#
From Now On
#
Alexander Wilson
#
SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775287 Composed by Arthur J. Jackson, B. G. de Sylva, and George Gershwin. Arranged by Bill Wilson. Broadway,Musical/S...
(+)
Brass Quintet - Level 2 - SKU: A0.775287 Composed by Arthur J. Jackson, B. G. de Sylva, and George Gershwin. Arranged by Bill Wilson. Broadway,Musical/Show. 14 pages. Alexander Wilson #4796727. Published by Alexander Wilson (A0.775287). From Now On, written by master composer George Gershwin and lyricists Arthur J. Jackson and B. G. de Sylva for the 1919 Broadway musical La La Lucille, starts out as a fairly straightforward tune, with straightforward harmonization. But when your ensemble reaches the middle of the chorus, hang onto your hats! Gershwin suddenly puts his considerable and innovative harmonizing skills in harness and you and your audience will be away on an adventure. Our arrangement spreads lead responsibilities between first trumpet and French horn, although both second trumpet and trombone have critical countermelodic responsibilities throughout the piece. Performance time is approximately 1:44. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Fantasia on British Sea Songs - Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Wood
#
Kevin P Holdgate
#
Fantasia on British Sea Songs
#
Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.791001 Composed by Henry Wood. Arranged by Kevin P Holdgate. Concert. Score and parts. 31 pages. Kevin P Holdgate #43...
(+)
Brass Ensemble - Level 4 - SKU: A0.791001 Composed by Henry Wood. Arranged by Kevin P Holdgate. Concert. Score and parts. 31 pages. Kevin P Holdgate #4356315. Published by Kevin P Holdgate (A0.791001). Versatile Brass Quintet CollectionI did this arrangement for brass quintet when Versatile Brass reduced to this format in the 1990's. We used it on a 'Last Night of the Proms' concert as I remember in a village hall in Lancashire.I have since used it on a number of occasions with other quintets that I have had the pleasure of playing with. It isn't easy, because the music isn't easy but it is what it is.
$15.99
I Believe (When I Fall In Love It Will Be Forever)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Pop musique
#
Stevie Wonder
#
Will Corbin
#
I Believe
#
Will Corbin
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461181 By Stevie Wonder. By Stevie Wonder and Yvonne Wright. Arranged by Will Corbin. Pop. 21 pages....
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1461181 By Stevie Wonder. By Stevie Wonder and Yvonne Wright. Arranged by Will Corbin. Pop. 21 pages. Will Corbin #1040039. Published by Will Corbin (A0.1461181). Stevie Wonder first recorded this song -- he co-wrote it with Yvonne Wright -- in 1972. In the ensuing nearly 50 years, it has been covered over and over, right up to showing up on soundtracks of current television programming. Among the cover artists: Peter Frampton, Josh Groban, George Michael, Art Garfunkel and Michael McDonald.If you'd like alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
Fanfare on Abblasen
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Gottfried Reiche
#
Barry Wilson
#
Fanfare on Abblasen
#
Barry Wilson
#
SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1465202 Composed by Gottfried Reiche. Arranged by Barry Wilson. Chamber,Classical. 2 pages. Barry Wilson #1043897. Pub...
(+)
Brass Quintet - Level 3 - SKU: A0.1465202 Composed by Gottfried Reiche. Arranged by Barry Wilson. Chamber,Classical. 2 pages. Barry Wilson #1043897. Published by Barry Wilson (A0.1465202). This arrangement, in the key of F major, preserves most of Gottfried Reiche's original Abblasen, but the arranger has added a second trumpet part in which the first and second trumpets alternate the melody, then play in parallel thirds. The French horn, trombone and tuba serve as harmonic punctuation marks until the end when the full group ends together. This version is accessible to high school players. The trumpets should prepare their parts before adding the horn, trombone, and tuba that could perform their parts with one rehearsal. The format is a two page score with all five instruments visible all the players.
$10.00
When I'm 64 for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
When I'm 64 for Brass Quintet
#
JV MUSIC
#
SheetMusicPlus
Brass Quintet - Intermediate - By The Beatles. 15 pages. Published by JV MUSIC...
(+)
Brass Quintet - Intermediate - By The Beatles. 15 pages. Published by JV MUSIC
When I'm 64 By John Lennon and Paul McCartney
Arranged for Brass Quintet by Jari Villanueva
Full Score
2 Trumpets in Bb, Horn in F, Trombone, Tuba and Drums (Optional)
Recorded by the Beatles and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band.
This is a fun arrangement of a fun tune.
$14.99
(when It's) Darkness On The Delta
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Acker Bilk
#
Seth Almond
#
(when It's) Darkness On The De
#
Seth Almond
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1223422 By Acker Bilk. By Al J. Neiburg, Jerry Livingston, and Marty Symes. Arranged by Set...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1223422 By Acker Bilk. By Al J. Neiburg, Jerry Livingston, and Marty Symes. Arranged by Seth Almond. Barbershop,Jazz. 18 pages. Seth Almond #819610. Published by Seth Almond (A0.1223422). This classic is brought to life in Seth Almond's arrangement for brass quintet!
$15.99
El Condor Pasa (If I Could)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
DÉBUTANT
#
Daniel Alomia Robles, Jorge Mi
#
El Condor Pasa
#
Peet du Toit
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
St. Thomas
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Jazz
#
Sonny Rollins
#
Will Corbin
#
St. Thomas
#
Will Corbin
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1463555 By Sonny Rollins. By Sonny Rollins. Arranged by Will Corbin. Jazz. 21 pages. Will C...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1463555 By Sonny Rollins. By Sonny Rollins. Arranged by Will Corbin. Jazz. 21 pages. Will Corbin #1042294. Published by Will Corbin (A0.1463555). A saxophonist was playing this catchy song outside New Orleans' Cafe du Monde one morning when I was visiting. When I figured out what the tune was, I was driven to arrange it for our quintet. The result is at least good for one illustration: If you thought you needed drums for calypso or Latin, think again. Horns work pretty well.Jazz tenor sax great Sonny Rollins wrote this, mostly as a vehicle for improvisation. It's based on a Bahamian folk melody called Sponger Money, which may or may not be based on a British folk song called The Lincolnshire Poacher. Whatever the case, it's a variation on a song Rollins' mother sang to him when he was a child in the Virgin Islands.This arrangement -- not as easy to play as it looks, because of the rhythms -- is for two trumpets, horn, trombone and tuba. It's also perfect for the improv-impaired -- but can also serve as a framework for players who are good at it.If you need alternative instrumentation, please contact me at wilcor@aol.com.
$15.00
Farewell Celebration (for Brass Quintet)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Dr
#
Farewell Celebration
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gil...
(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gildedmusicpress.com/ #758696. Published by https://gildedmusicpress.com/ (A0.1158678). The opening of this 4-minute piece is dance-like, intimating a celebratory mood up front—alone at first, but shared with the ensemble throughout the piece. After much celebration, the piece ends solemnly, as if giving each other final hugs and good-byes. Every Airman has a story to tell. “Farewell Celebration†is part of my story as an Airman musician. It is a fitting farewell to the Heartland of America Band stationed at Offutt Air Force Base in Bellevue, Nebraska, and to the entire American Midwest, as my family and I finalized our plans to uproot for an extraordinary three-year adventure in Asia. Work on this composition began toward the end of July and beginning of August 2021 as a melody with instructions to be the opening of a brass quintet piece, beginning with trumpet alone. It remained in that state until January 2022 when I entered this sketch into the computer to be worked on sporadically along with several other works in progress. When I contracted Covid-19 in July 2022, all of these works and other incipient pieces received attention, but this one more than most others. In the fall, I felt an urgency to complete it as a sentimental gesture of enthusiastic good-byes due to many life changes taking place. In particular, my fourth son, Paul, was departing for two years for Brazil. I was compelled to complete this work before he left on October 17, 2022, which I accomplished the day prior to his departure. In addition to Paul’s farewell, two co-workers with whom I had worked closely in the Air Force brass quintet called “Offutt Brass,†were also moving on with new exciting chapters in their lives. MSgt Ben Kadow, our fantastic trombonist, had received an assignment to move to Germany, leaving us on November 8. And MSgt Ryan Heseltine, our unparalleled French horn player, retired at the end of the year. On top of all that, in September I was given an assignment to move to Japan the following summer. Some farewells are more difficult to endure than others, though all seem to have varied brands of profound emotion. In contrast to saying good-bye to a loved one who passes away, all of these farewells were joyful, albeit poignant. “Farewell Celebration†is dedicated to my son Paul, to my outstanding professional colleagues, Ben Kadow and Ryan Heseltine, and to all our friends and family members who we left behind as we moved to Japan.
$24.95
Wedding March
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Classique
#
Felix Jakob Ludwig
#
Peet du Toit
#
Wedding March
#
Peet du Toit
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arra...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1393426 Composed by Felix Jakob Ludwig (dp) Mendelssohn Bartholdy and Gary Loyd Boren. Arranged by Peet du Toit. Romantic Period. 14 pages. Peet du Toit #976937. Published by Peet du Toit (A0.1393426). Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.At weddings in many Western countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is frequently teamed with the Bridal Chorus from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's Prince of Denmark's March, both of which are often played for the entry of the bride.The first time that Mendelssohn's Wedding March was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.An organ on which Mendelssohn gave recitals of the Wedding March, among other works, is housed in St Ann's Church in Tottenham.
$21.00
Memorial (for Brass Quintet & Percussion)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Dr
#
Memorial
#
https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. H...
(+)
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Contemporain
#
Josef Weinberger
#
arr
#
later additions included
#
Hermine - Josef Weinberger arr
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contempo...
(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy – which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
$14.00
Equinox
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Jazz
#
John Coltrane
#
Keith Terrett
#
Equinox
#
Keith Terrett
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultu...
(+)
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #749258. Published by Keith Terrett (A0.1149129). An arrangement of John Coltrane's classic Equinox for Brass Quintet with optional drum kit. Equinox is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. Originally released on Coltrane's Sound[ played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor and often covered on the flute Coltrane’s wife Naima named the song Equinox. The equinox occur twice a year, when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year. The release of Equinox was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed Equinox several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of Equinox were lost in the 1978 warehouse fire before they were released.Unlike Naima and My Favorite Things, Equinox would not become part of Coltrane's repertoire. Coltrane's attitude in writing Equinox is described by Dr Lewis Porter as Coltrane was a serious blues player and his blues pieces reflect the desire to get back to a primal mood, and away from the emotionally lighter, harmonically more complicated and complex blues of the boppers. Equinox is introduced by McCoy Tyner and Elvin Jones with a Latin rhythmic passage which shifts into the slower tempo of the theme. The composition evokes a sense of mystery. Coltrane then enters on the horn (a tenor), his playing slow and pensive. The theme is repeated for two choruses and then stating the theme twice. He then proceeds with an improvisation of unusual emotional depth - reminiscent of a preacher exhorting his congregation. Elvin Jones make dramatic use of drum rolls and cymbal crashes throughout the song to maintain the sense of mystery. McCoy Tyner comps with a light feel.
$14.99
<
1
26
51
....
126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
When On
