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2 Harpes (duo)
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Harpe
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Orchestre d'harmonie
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Orchestre à Cordes
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Cloches
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8
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Words by Will
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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3 Brass Quintets arr. by David Catherwood - Londonderry Air, O Waly Waly, Holy, Holy, Holy (Nicaea)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1119316 By David Catherwood. …
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1119316 By David Catherwood. By Various. Arranged by David Catherwood. Celtic,Chamber,Easter,Folk,Irish. 47 pages. Opus 3 Music #720731. Published by Opus 3 Music (A0.1119316). 3 Brass Quintets arr. by David Catherwood - Londonderry Air, O Waly Waly, Holy, Holy, Holy (Nicaea) 1) The world famous Irish tune in an arrangement for Brass Quintet or small brass band with optional percussion.The download contains all scores and parts for both orchestral brass and treble clef brass band instruments:Full Score and parts for standard brass quintetTrumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaFor Brass Band - Full Score plus1st Cornet Bb2nd Cornet Bb1st Horn Eb2nd Horn EbBaritone/Trombone BbEuphonium BbBass EbBass BbPercussionAlso available on SMP in arrangements for String Orchestra, String Quartet and Flexible Concert Band 2) The arrangement of the well loved Folk song O Waly, Waly will work equally well for a Brass Quintet accompanying Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for Brass quintets playing at weddings or other functions. 3) JB Dykes' famous hymn tune Nicaea is associated with the wordsHoly, holy, holy Lord God Almighty, Early in the morning our song shall rise to thee...This arrangement will be useful to accompany congregational or choral singing as it is in suitable keys or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant.A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Trumpet 1 in BbTrumpet 2 in BbHorn in FTrombone TubaPercussion (Optional)Organ/Keyboard (Optional)
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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David Catherwood
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David Catherwood
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3 Brass Quintets arr. by David Catherwood - Londonderry Air, O Waly Waly, Holy, Holy, Holy
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Opus 3 Music
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SheetMusicPlus
On Christmas Night, On Christmas Day, Rejoice! (medley) ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Chri…
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Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 18 pages. Published by Con Spirito Music (S0.180015). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional English carols
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Todd Marchand
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On Christmas Night, On Christmas Day, Rejoice!
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Con Spirito Music
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SheetMusicPlus
Bésame Mucho
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459173
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1459173 Composed by Consuelo Velazquez. Arranged by Will Corbin. Latin,Pop. 20 pages. Will Corbin #1038143. Published by Will Corbin (A0.1459173). Mexican songwriter Consuelo Velazquez wrote Besame Mucho, words and music, in 1941. When she died in 2005, The New York Times said this of the song in her obituary: 'Bésame Mucho' is not so much an enduring standard as a global phenomenon. Translated into dozens of languages and performed by hundreds of artists, the song has been an emblem of Latin identity, an anthem of lovers separated by World War II and perennial grist for lounge singers everywhere. Virtually every professional recording musician has covered it, from the Beatles to Placido Domingo. This arrangement borrows its 6/4 time signature (and not much more) from the 2001 recording by Maynard Ferguson and Diane Schuur. It's a little more accessible than Ferguson's screaming big band chart.This one is for two trumpets, horn, trombone and tuba. If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Consuelo Velazquez
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Will Corbin
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Bésame Mucho
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Will Corbin
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SheetMusicPlus
Hernando's Hideaway
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460793
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460793 Composed by Jerry Ross and Richard Adler. Arranged by Will Corbin. Broadway,Musical/Show,Pop. 20 pages. Will Corbin #1039692. Published by Will Corbin (A0.1460793). With the lyrics and accomanying goofy acting on stage and in the movie, this tune from 1954's The Pajama Game is just silly. It actually charted in the '50s by artists you've never heard of. Weirdly, it has been recorded in 15 different Finnish versions under the title Hernandon salaisuus. (The Finns possess an overabundance of vowels.) And it was the theme for the gangstger character Brick Top in the wonderfully weird 200 flick Snatch.But it's a wonderful tango by Jerry Ross when you take away the words.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Jerry Ross and Richard Adler
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Will Corbin
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Hernando's Hideaway
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Will Corbin
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SheetMusicPlus
God Bless' The Child
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460761
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1460761 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Will Corbin. Blues,Jazz,Pop. 20 pages. Will Corbin #1039660. Published by Will Corbin (A0.1460761). Billie Holiday first recorded this song in 1941 (and a couple more times after that, in different settings). As the story goes, it was inspired when Holiday's mother refused her a loan with the words, God bless the child that's got his own. She and frequent collaborator Arthur Herzog Jr. then put the song together in 20. Or so the story goes. Whatever the case, this classic anthem, covered by just about every singer born since then, is in the Grammy Hall of Fame. It also helped win a Grammy for Album of the Year for Blood, Sweat & Tears in 1968. They also performed it at Woodstock. This arrangement, for two trumpets, horn, trombone and tuba (featuring the trombonist in the role of lead BS&T singer David Clayton-Thomas), is based on their treatment of Holiday's soulful tune.
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Billie Holiday
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Will Corbin
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Tears in 1968
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God Bless' The Child
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Will Corbin
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SheetMusicPlus
The Windmills Of Your Mind
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465681
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465681 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Will Corbin. Film/TV,Pop. 16 pages. Will Corbin #1044293. Published by Will Corbin (A0.1465681). The song by French composer Michel Legrand, with English lyrics by Alan and Marilyn Bergman (they wrote the words to dozens of hit songs), was the main theme of the 1968 Steve McQueen/Faye Dunaway flick The Thomas Crown Affair. It won that year's Oscar for best original song. The best-known version is Brit singer Dusty Springfield's haunting rendition for her 1969 album Dusty In Memphis.This arrangement features french horn carrying the melody most of the way in a low register.If you need different instrumentation, please contact me at wilcor@aol.com.
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Alan Bergman, Marilyn Bergman, and Michel Legrand
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Will Corbin
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The Windmills Of Your Mind
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Will Corbin
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SheetMusicPlus
For the Beauty of the Earth (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206 Composed by Conrad Kocher, Donnalyn Grunewald. Arranged by Robert Coil. Holiday,Praise & Worship,Sacred. 16 pages. Polished Brass #6329555. Published by Polished Brass (A0.961206). This arrangement for brass quintet, is based on a tune that is often used for the lyrics, written by the German composer, Conrad Kocher, in 1836. The melody was modified by William Chatterton Dix in 1859, for a hymn titled As With Gladness Men Of Old, hence the tune is often identified in hymnals as DIX. Though there are several other hymn tunes that can be used with the text, this arrangement also uses a modern setting by Donnalynn Grunewald (2013) in triple meter. Folliott S. Pierpoint was an English teacher and poet. The words to For the Beauty of the Earth were written in 1864. The marriage of the text with the melody by Kocher/Dix is credited to an English organist, William H. Monk in 1861. The popularity of the hymn is due partly to the aptness of the text to Thanksgiving celebrations, thus assuring in annual performance. Not only do the words express thanks for the world in which we live, but it also includes thanks for family and friends, brother, sister, parent, child. Friends on earth and friends above. Also worthy of note is the universality of the sentiment, expressed in a way that can be embraced by people of any religion. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble and the Polished Brass quintet in Cincinnati, OH. This arrangement is available for trombone quintet and brass quintet.
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Conrad Kocher, Donnalyn Grunewald
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Robert Coil
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For the Beauty of the Earth
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Polished Brass
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SheetMusicPlus
It Had to Be You
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Sweet Molly Malone
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.1492883 Composed by Arthur E. Be…
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Brass Quintet - Level 2 - Digital Download SKU: A0.1492883 Composed by Arthur E. Behim, Frank J. Gillen, Walter Hirsch. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #1069609. Published by Alexander Wilson (A0.1492883). Sweet Molly Malone, written in 1921 by Arthur E. Behim and Frank J. Gillen, with words by Walter Hirsch, is not the traditional Irish song Molly Malone. But it is a charming Irish-styled waltz that your audience will enjoy. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Contact us at https://www.tootsuitebrasspublishing.com/about-us about the availability of additional transpositions. Performance time is approximately 1:28. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$5.00
4.59 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Arthur E
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Bill Wilson
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Sweet Molly Malone
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Alexander Wilson
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SheetMusicPlus
Black Coffee
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373864
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373864 By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged by Peet du Toit. Blues. 17 pages. Peet du Toit #958338. Published by Peet du Toit (A0.1373864). Black Coffee is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948.It's first two measures are nearly identical to Mary Lou Williams' 1938 piece What's Your Story Morning Glory, and both songs share melodic motifs drawn from blues (including a strong melodic emphasis on the flat third and flat seventh intervals, known as blue notes). Williams felt that Burke and Webster plagiarized her composition, and reportedly considered taking legal action over the matter. The two songs have significant melodic and rhythmic differences after the first two measures of their respective 'A' sections, and Black Coffee has a unique bridge section that has no parallel in Morning Glory. However, during her piano solo, Williams plays both the identical feel and harmonies that appear on Black Coffee, with dominant chords moving up and down by half steps in lieu of staying on the tonic chord. While not a carbon copy, Burke and Webster arguably picked sections of What's Your Story Morning Glory to string together to create a new song. Coincidentally, jazz trumpeter Paul Webster (no relation to lyricist Paul Francis Webster) was given co-writer credit for Morning Glory by Williams when she published her song in 1938.My dear friend, Sam Harrill, has added his percussion magic some years later, and I am re-posting this for greater effect. Nothing in the brass parts changed. Thank you, Sam!
$17.00
15.59 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Bobby Darin
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Peet du Toit
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Black Coffee
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Peet du Toit
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SheetMusicPlus
Breton Regional Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, P…
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Composed by James James. Arranged by Keith Terrett. 20th Century, World, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the regional anthem of Brittanny for Brass Quintet.<br> <br> Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.<br> <br> The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.<br> <br> James James (also known by the bardic name Iago ap Ieuan) (1833–1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).<br> <br> He was born on 4 November 1832, at the ’Ancient Druid’ inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.<br> <br> James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.<br> <br> A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.<br> <br> For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comAn arrangement of the regional anthem of Brittanny for Brass Quintet.<br> <br> Bro Gozh ma Zadoù (Breton: Old Land of My Fathers) is the anthem of Brittany, sometimes presented as the "national anthem" although it has no official status. It is sung to the same tune as that of the national anthem of Wales, Hen Wlad Fy Nhadau, and has similar words. The Cornish anthem, Bro Goth Agan Tasow, is also sung to the same tune.<br> <br> The Breton lyrics are the creation of François Jaffrennou in 1897, and the music was that composed by James James, of Pontypridd, Wales, for Hen Wlad Fy Nhadau. The new song was first published in 1898, and circulated as Henvelidigez ("Adaptation"). It was chosen as national anthem (and a song to celebrate friendship between the Welsh and Bretons) in 1903, at a Congress of the Union Régionaliste Bretonne held in Lesneven. Maurice Duhamel adapted it for the piano, and it was first recorded by Pathé in 1910.<br> <br> James James (also known by the bardic name Iago ap Ieuan) (1833–1902) was a harpist and musician from Pontypridd, Wales. He composed the tune of the Welsh national anthem Hen Wlad fy Nhadau (also known as Land of my Fathers).<br> <br> He was born on 4 November 1832, at the ’Ancient Druid’ inn, Hollybush, in the parish of Bedwellty, Monmouthshire. He was the son of Evan James (1809-1878) and Elizabeth Stradling of Caerphilly. His father, a Welsh versifier under the pen-name of leuan ab lago, moved with his family about 1844 to Pontypridd, where he carried on the business of weaver and wool merchant. His son James assisted him in the business.<br> <br> James James composed the melody which was later known as Hen Wlad fy Nhadau in January 1856. At first it was known as Glan Rhondda (The banks of the Rhondda), and gave rise to the tradition that the tune had come to him as he walked on the bank of the River Rhondda. His father, Evan James, wrote the lyrics that eventually became the words of the Welsh national anthem.<br> <br> A memorial to James James and his father, in the shape of two figures representing the muses of Poetry and Music, stands in Ynysangharad Park, Pontypridd. James James died in Aberdare in the Cynon Valley 11 January 1902,[3] he is buried in the local cemetery at Aberdare in the same grave as his wife Cecilia and daughter Louisa.<br> <br> For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99
8.25 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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James James
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Keith Terrett
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Breton Regional Anthem for Brass Quintet
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Music for all Occasions
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SheetMusicPlus
America (My Country, 'Tis of Thee) ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. …
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Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.181897). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music
Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.comAlthough ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Traditional
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Todd Marchand
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America
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Con Spirito Music
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SheetMusicPlus
Ooo Baby Baby
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.795674 By The Miracles. By Smok…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.795674 By The Miracles. By Smokey Robinson and Warren Moore. Arranged by David Kolinski-Schultz. Contemporary. Score and parts. 20 pages. PDQ Music #4573523. Published by PDQ Music (A0.795674). Brass Quintet Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba - Intermediate Words and Music by William Smokey Robinson and Warren Moore. Arranged by David Kolinski-Schultz for Brass Quintet. Score, Set of Parts. 20 pages. Published by PDQ Music.
$14.99
13.75 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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The Miracles
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David Kolinski-Schultz
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Ooo Baby Baby
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PDQ Music
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SheetMusicPlus
Eventide/Abide With Me (in Remembrance) for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.954572 Composed by William …
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Horn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.954572 Composed by William Henry Monk. Arranged by Edward Burfield. Contemporary. 15 pages. Ed Burfield Music #4783533. Published by Ed Burfield Music (A0.954572). This arrangement of Eventide (most commonly sung with the words Abide With Me) for Brass Quintet includes four verses. The 3rd verse is a special remembrance-themed verse with the tune of 'Sunset', whilst the 4th verse includes the most commonly associated descant in the 1st part.Perfect for any Remembrance celebrations or funerals! (Also available for Brass Dectet).
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Henry Monk
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Edward Burfield
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Eventide/Abide With Me
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Ed Burfield Music
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SheetMusicPlus
C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
The King of Love My Shepherd Is ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arra…
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Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. Score, Set of Parts. 9 pages. Published by Con Spirito Music
?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza: Perverse and foolish oft I strayed, But yet in love He sought me, And on His shoulder gently laid, And home, rejoicing, brought me. Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA. It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending. ©2019 Todd Marchand / ConSpiritoMusic.com?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza:
Perverse and foolish oft I strayed,
But yet in love He sought me,
And on His shoulder gently laid,
And home, rejoicing, brought me.
Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA.
It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending.
©2019 Todd Marchand / ConSpiritoMusic.com
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Irish traditional tune
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Todd Marchand
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The King of Love My Shepherd Is ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Pakistani National Anthem for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Ahmad Ghulamali Chagla. Arranged by Keith Terrett. World, Asian, Patriotic. Sc…
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Composed by Ahmad Ghulamali Chagla. Arranged by Keith Terrett. World, Asian, Patriotic. Score, Set of Parts. 9 pages. Published by Casio (S0.117833). - Score,Set of Parts - World,Asian,Patriotic - Casio
An arrangement of the national anthem of Pakistan for Brass Quintet.Shortly before independence, an interim anthem hastily written by Jagnnath Azad, a Hindu, was put into use at the time of Pakistan?s independence in August, 1947. Then in December, 1948, a committee to select a national anthem for Pakistan was formed. A member of the committee, Ahmed Ghulamali Chagla, was asked to produce a composition. Mr. Chagla?s background in music involves study in both western and eastern music, and characteristics of eastern music can be found in the anthem.After some ?test runs? which included performances for the Prime Minister, for a visiting head of state, for the Prime Minister?s visit to the United States, and finally for the committee itself, it was then approved by the anthem committee in August 1950 and gained official recognition in December 1953. The words, written in a highly Persianized form of the national language, Urdu, were composed by another member of the committee and officially approved in August 1954. The anthem is sometimes referred to by its first line (?Pak sarzamin shad bad? (Blessed Be The Sacred Land).For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.An arrangement of the national anthem of Pakistan for Brass Quintet.Shortly before independence, an interim anthem hastily written by Jagnnath Azad, a Hindu, was put into use at the time of Pakistan?s independence in August, 1947. Then in December, 1948, a committee to select a national anthem for Pakistan was formed. A member of the committee, Ahmed Ghulamali Chagla, was asked to produce a composition. Mr. Chagla?s background in music involves study in both western and eastern music, and characteristics of eastern music can be found in the anthem.After some ?test runs? which included performances for the Prime Minister, for a visiting head of state, for the Prime Minister?s visit to the United States, and finally for the committee itself, it was then approved by the anthem committee in August 1950 and gained official recognition in December 1953. The words, written in a highly Persianized form of the national language, Urdu, were composed by another member of the committee and officially approved in August 1954. The anthem is sometimes referred to by its first line (?Pak sarzamin shad bad? (Blessed Be The Sacred Land).For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.25 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ahmad Ghulamali Chagla
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Keith Terrett
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Pakistani National Anthem for Brass Quintet
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Casio
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SheetMusicPlus
The Holy City
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, …
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Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.192931). - Score,Set of Parts - Christian,Sacred,Wedding - Sweetwater Brass Press
Michael Maybrick wrote music for ?The Holy City? in 1892 under the name, ?Stephen Adams.? Frederic Weatherly wrote the lyrics. The song was popular from the beginning, then experienced a resurgence when sung by Jeanette MacDonald in the 1936 film, San Francisco. Victorian in both words and melody, ?The Holy City? nonetheless remains a frequent performance piece today. The current arrangement is based on the original 1892 sheet music but has been augmented to take advantage of brass quintet instrumentation. Completed in 2012, this arrangement runs about 4 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., Treble Clef Baritone for Trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. Michael Maybrick wrote music for ?The Holy City? in 1892 under the name, ?Stephen Adams.? Frederic Weatherly wrote the lyrics. The song was popular from the beginning, then experienced a resurgence when sung by Jeanette MacDonald in the 1936 film, San Francisco. Victorian in both words and melody, ?The Holy City? nonetheless remains a frequent performance piece today. The current arrangement is based on the original 1892 sheet music but has been augmented to take advantage of brass quintet instrumentation. Completed in 2012, this arrangement runs about 4 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., Treble Clef Baritone for Trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Michael Maybrick
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F
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The Holy City
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Sweetwater Brass Press
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SheetMusicPlus
Five Foot Two (Has Anybody Seen My Gal)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. S…
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions. This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns. Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Five Foot Two
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Sweetwater Brass Press
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SheetMusicPlus
El Choclo (“Kiss of Fire”)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, S…
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box. That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries. <br> The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).<br> “El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.<br> The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.<br> Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Higher Ground ("I'm pressing on the upward way") — brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.76 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Aria "Che Gelida Manina" from La Boheme for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Euphonium,Flugelhorn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.8…
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Brass Quintet Euphonium,Flugelhorn,Trombone,Tuba - Level 4 - Digital Download SKU: A0.817134 Composed by Giacomo Puccini. Arranged by Charles Decker. 19th Century,Multicultural,Opera,Romantic Period,World. 32 pages. Charles Decker Music Press #3578531. Published by Charles Decker Music Press (A0.817134). This trumpet feature of the familiar and impassioned tenor aria Che Gelida Manina from Puccini's beloved opera La Boheme is a solo showcase in the tradition of Opera Without Words instrumental arrangements. The brass quintet arrangement is scored for two trumpet in B-flat with alternate C trumpet parts, horn in F with flugelhorn/trumpet substitute for horn, trombone and tuba. The audio file is an actual performance by a brass quintet of the entire work and not a computer playback of the score. If looking for more trumpet solo features with quintet check out Charles Decker Music Press with Sheet Music Plus editions of Clarke’s Carnival of Venice, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my brass quintet arrangements of Clarke's Bride of the Waves and Nestico’s Portrait of a Trumpet. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Press for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series wih Charles Decker Music Press at Sheet Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links Kendor Music and Cherry Classics Music to see listings of arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95
12.79 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Giacomo Puccini
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Charles Decker
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Aria "Che Gelida Manina" from La Boheme for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 2 Hrn)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trumpet - Level 4 - Digital Download SKU: A0.1108151 Composed by Wolfgang Amad…
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Horn,Trumpet - Level 4 - Digital Download SKU: A0.1108151 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710775. Published by Regis Bookshar (A0.1108151). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.68 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108146 Composed by Wolf…
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108146 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710770. Published by Regis Bookshar (A0.1108146). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 3 Bb Trumpets, 1 French Horn and 1 Trombone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.68 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Quintet - 2 Trp, 2 Hrn, 1 Trb)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108142 Composed by Wolf…
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1108142 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710765. Published by Regis Bookshar (A0.1108142). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Quintet, consisting of 2 Bb Trumpets, 2 French Horns and 1 Trombone, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.68 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
#
SheetMusicPlus
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