Edward Elgar wrote his Variations on an Original Theme in 1899; each variation was meant toportray one of Elgar's close friends. The ninth movement, ?Nimrod? is about and conversation thatthe composer had with music editor, Augustus J. Jaeger. They discussed the beauty of Beethoven?sslow movements and this can be heard in ?Nimrod.? This brass quintet arrangement recreates thisBeethovenian beauty with warm voicing. It is important for players to listen to one or severalrecordings of this movement in order to get a feel for the style and changes in tempo. The printedtempi are approximate and may be deviated from. Duration?3:30

The Big Book of Christmas Carols for Brass Quartet, Volume III, Arranged by Joel Jacklich 1. Break Forth, O Beauteous Heavenly Light (J. S. Bach) 2. Ding Dong Merrily on High (Traditional French) 3. The Holly and the Ivy (Traditional English) 4. In the Bleak Midwinter (Gustav Holst) 5. It Came Upon a Midnight Clear [British] (Sir Arthur Sullivan) 6. Lullay My Liking (15th C., Arr. Gustav Holst) 7. Noel Nouvelet (Traditional French) 8. Nous Voici Dans la Ville (Traditional French) 9. Nowell We Sing, Both All and Some (Medieval English) 10. Once in David?s Royal City (Henry John Gauntlett, Harm. Arthur Henry Mann) 11. Past Three O'Clock (Traditional English) 12. Pat-a-pan (Traditional French) 13. Personent Hodie (German, 1360, Arr. Gustav Holst) 14. Puer Nobis (Piae Cantiones, 1562) 15. The Rocking Carol (Traditional Czech) 16. Sans Day Carol (Traditional Cornish) 17. See Amid the Winter's Snows (Sir John Goss) 18. The Seven Joys of Mary (Traditional English) 19. The Shepherds's Farewell from L'Enfance du Christ, Op. 25 (Hector Berlioz) 20. Still, Still, Still (Traditional Austrian) 21. The Wexford Carol: Good People All (Traditional Irish) 22. While Shepherds Watched (Este's Psalter, 1592) adds 22 more carols to the 40 carols of Volumes I and II. Trumpet parts are available both in C and B-flat, and a Baritone Horn (TC) part is included as a substitute for Trombone.

Verdi's most popular opera Aïda was premiered in 1871 and has been possibly performed more than any other....over 1,100 times at the Metropolitan Opera alone.

Preludio begins quietly and mysteriously and quickly builds to a gigantic emotional climax and just as quickly dies down to nothing again...foreshadowing what will occur in the opera.

Thomas Jöstlein has beautifully arranged this passionate work of about 4 minutes in length for Brass Quintet composed of advanced performers.

Instrumentation is for 2 Trumpets in C, Horn in F, Trombone and Tuba.

This arrangement is dedicated to the Metropolitan Opera Brass Quintet.

Tritsch-Tratsch-Polka, Op. 214, is a polka written by Johann Strauss II in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. The title may be interpreted as "Chit-chat" and may refer to the Viennese passion for gossip. Strauss may also have been referencing the single act burlesque "Der Tritsch-tratsch" (with music by Adolf Müller, Sr.) by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. Many point out that the title may also have meant his first wife's (Henrietta Treffz) poodle, also named Tritsch-tratsch, but this etymology remains unsubstantiated as well. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.