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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CITHARE
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CLARINETTE
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COR
CORNEMUSE
CORNET
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Trombone (partie séparée)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Cor
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Cor (partie séparée)
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Quatuor de Cuivres
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3 Trompettes (trio)
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Quatuor de cuivres: 4 trombones
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Trompette, Cor (duo)
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Cor anglais, Piano
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Trompette, Tuba (duo)
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Cor anglais, Guitare (duo)
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Clarinette, Cor (duo)
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2 Trompettes (duo)
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Trio de Cuivres
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Tuba et Orgue
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2 Cors Anglais Et Pianoforte
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CORDES
Violon et Piano
55
Violoncelle, Piano
38
Alto, Piano
35
Quatuor à cordes: 2 violons, alto, violoncelle
31
Contrebasse, Piano (duo)
21
Violon
14
Harpe
13
Violoncelle (partie séparée)
13
Contre Basse
9
Alto seul
8
2 Violons (duo)
8
Violon, Violoncelle (duo)
8
2 Violoncelles (duo)
8
Violon (partie séparée)
6
2 Altos (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
4
Alto, Violoncelle (duo)
3
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Violon, Alto (duo)
1
Contrebasse (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
26
Orchestre d'harmonie
18
Cloches
11
Xylophone, Piano
5
Orchestre
4
Ensemble de cuivres
4
Percussion (partie séparée)
3
Ensemble Jazz
2
Orchestre de chambre
2
Xylophone ou Marimba ou Vibraphone
1
Timbales (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
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Percussion
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melody H
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
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1
Lift High the Cross (Crucifer)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacre…
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Composed by Sydney H. Nicholson (1875-1947). Arranged by F. Leslie Smith. Christian, Sacred, Easter, Lent. Score, Set of Parts. 32 pages. Published by Sweetwater Brass Press (S0.274709). - Score,Set of Parts - Christian,Sacred,Easter,Lent - Sweetwater Brass Press
In 1887, George Kitchin wrote ?Lift High the Cross.? Michael R. Newbolt revised it in 1916, and it was printed in that year in Sydney Nicholson?s supplement to Hymns Ancient and Modern. At the same time, it was set to Nicholson?s hymn tune, ?Crucifer,? and has since come to be used as the opening or closing hymn in many churches. There are several very good arrangements of ?Lift High the Cross? featuring brass instruments with varying combinations of other musicians?organ, choir, tympani, snare drum, hand bells, high voice descant. This arrangement features brass quintet alone, and the triumphant nature of the hymn?s melody sits exceptionally well with this particular instrumental grouping. It begins, however, with a completely different interpretation?the first time through the refrain and the verse are played relatively slowly, quietly and contemplatively (the tempo marking instructs ?Reverently?). The pace then picks up, and the feeling of the piece changes to one of exultation. This joyous mood is sustained throughout the variations that follow, and each player gets a chance to shine. Finally, after one last statement of the refrain, the dynamics quiet down for a beautifully soft finish. This is a perfect concert piece for Easter, Lent, or church processional or recessional. This arrangement was completed in 2017, and performance time runs about 5 minutes, 10 seconds. The arranger, Les Smith, would be very interested in your comments on this piece; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.67 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Sydney H
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F
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Lift High the Cross
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Sweetwater Brass Press
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SheetMusicPlus
Clog Dance from "La Fille Mal Gardée"
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.1262863 Composed by Louis Hér…
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Brass Quintet - Level 2 - Digital Download SKU: A0.1262863 Composed by Louis Hérold. Arranged by Roger Harvey. 19th Century,Chamber,Classical,Comedy,Instructional. 20 pages. Brassworks #855872. Published by Brassworks (A0.1262863). An arrangement of the well-known dance from Hérold's ballet, La Fille Mal Gardée. The melody is mostly in the tuba part to give the player a rare chance to shine. The original wood block part (suggesting the clattering of clogs in the dance) can either be played by an extra person (possibly recruited from the audience) or, if preferred, substituted by the suggested brass writing. As well as acting as a solo moment for the tuba player the piece can be treated as a novelty moment in the programme if performed with some humour. An ideal item as an encore or in demonstration situations.
$30.00
27.52 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Louis Hérold
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Roger Harvey
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Clog Dance from "La Fille Mal Gardée"
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Brassworks
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SheetMusicPlus
Bach: Wachet auf for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arrang…
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
36.64 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Quintet
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jmsgu3
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SheetMusicPlus
For the Beauty of the Earth (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.961206 Composed by Conrad Kocher, Donnalyn Grunewald. Arranged by Robert Coil. Holiday,Praise & Worship,Sacred. 16 pages. Polished Brass #6329555. Published by Polished Brass (A0.961206). This arrangement for brass quintet, is based on a tune that is often used for the lyrics, written by the German composer, Conrad Kocher, in 1836. The melody was modified by William Chatterton Dix in 1859, for a hymn titled As With Gladness Men Of Old, hence the tune is often identified in hymnals as DIX. Though there are several other hymn tunes that can be used with the text, this arrangement also uses a modern setting by Donnalynn Grunewald (2013) in triple meter. Folliott S. Pierpoint was an English teacher and poet. The words to For the Beauty of the Earth were written in 1864. The marriage of the text with the melody by Kocher/Dix is credited to an English organist, William H. Monk in 1861. The popularity of the hymn is due partly to the aptness of the text to Thanksgiving celebrations, thus assuring in annual performance. Not only do the words express thanks for the world in which we live, but it also includes thanks for family and friends, brother, sister, parent, child. Friends on earth and friends above. Also worthy of note is the universality of the sentiment, expressed in a way that can be embraced by people of any religion. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble and the Polished Brass quintet in Cincinnati, OH. This arrangement is available for trombone quintet and brass quintet.
$12.99
11.92 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Conrad Kocher, Donnalyn Grunewald
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Robert Coil
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For the Beauty of the Earth
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Polished Brass
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SheetMusicPlus
After You'VE Gone
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Downloa…
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Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1410677 Composed by Henry Creamer and Turner Layton. Arranged by Thomas Graf. Broadway,Jazz,Musical/Show,Pop. 26 pages. Thomas Graf - the-hit-factory.com #993099. Published by Thomas Graf - the-hit-factory.com (A0.1410677). After You've Gone is a timeless jazz standard, originally composed by Turner Layton with lyrics by Henry Creamer. It's a poignant reflection on love lost, featuring emotive vocals and a melancholic melody. The song captures the bittersweet essence of moving on after a relationship has ended, expressing themes of heartache and longing. With its memorable tune and evocative lyrics, After You've Gone has become a classic in the jazz repertoire, showcasing the enduring power of love and loss in music.About this arrangement:Â Composed by: By Turner Layton, Henry CreamerArranged by: Thomas H. Graf for Brass QuintetInstrumentation:Â Full Score and Parts as listed below:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaVocals (opt)Horn in EbBaritone HornEuphoniumBass in EbBass in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
18.35 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Turner Layton, Henry Creamer
Arranged by: Thomas H
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Henry Creamer and Turner Layton
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Thomas Graf
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After You'VE Gone
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Patricia: A Ragtime Composition
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.92 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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F
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
The Fightin' 55th (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
22.89 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Centennial Overture from 1876 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Downl…
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Brass Quintet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817124 Composed by D. S. McCosh. Arranged by Charles Decker. 19th Century,Chamber,Historic,Patriotic,Romantic Period. 33 pages. Charles Decker Music Press #3546515. Published by Charles Decker Music Press (A0.817124). This original overture from the post Civil War brass band era adds to Americana programming with an exciting musical alternative to the popular melody and dance arrangements played by the all-brass bands of the mid and late 19th century. This centennial musical celebration from 1876 is scored for traditional brass band instruments (E-flat and B-flat cornets, E-flat alto horn, baritone, tuba) but includes alternate parts B-flat cornet/trumpet for E-flat cornet and F horn for E-flat alto horn. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions at Charles Decker Music Press for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series at Charles Decker Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more of my brass quintet editions use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.95
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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D
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Charles Decker
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Centennial Overture from 1876 for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Honesty
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digi…
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Brass Quintet Baritone Horn TC,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1252014 By Billy Joel. By Billy Joel. Arranged by Thomas Graf. 20th Century,Contemporary,Pop. 29 pages. Thomas Graf - the-hit-factory.com #846195. Published by Thomas Graf - the-hit-factory.com (A0.1252014). Honesty is a great song by American singer and songwriter Billy Joel. Columbia Records released the song as the third single from his sixth studio album 52nd Street (1978) in 1979. A wonderful Ballad, melody goes through allparts. Have fun!About this arrangement:Â Composed by: By Billy JoelArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaTrumpet 1 in CHorn in EbBaritone HornTrombone in BbBass in EbBass in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
18.35 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Billy Joel
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Thomas Graf
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Honesty
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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