English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
right hand.
Non classifié
423
Piano & claviers
Piano seul
2 325
Piano Facile
1 232
Piano, Voix
619
1 Piano, 4 mains
224
Piano, Voix et Guitare
145
Orgue
134
2 Pianos, 4 mains
45
Instruments en Do
37
Accordéon
15
Orgue, Piano (duo)
6
2 Pianos, 8 mains
6
Accompagnement Piano
4
Clavecin
2
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
158
Guitare
145
Basse electrique
12
Ukulele
12
Mandoline
10
Banjo
9
Ligne De Mélodie, (Paroles) et Accords
7
2 Guitares (duo)
6
Dulcimer
6
Piano, Guitare (duo)
4
Paroles et Accords
3
Ensemble de guitares
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Ukulele Baryton
1
Guitare, Orchestre
1
Guitare Pedal Steel
1
2 Ukuleles
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
124
Chorale 2 parties
44
Chorale Unison
36
Chorale 3 parties
33
Voix duo, Piano
24
Chorale TTBB
13
Voix Alto, Piano
9
Voix Soprano, Piano
9
Voix Tenor, Piano
8
Voix Baryton, Piano
6
Voix Mezzo-Soprano, Piano
6
Chorale SSAA
4
Voix haute
3
Voix moyenne, Piano
3
Chorale
3
Voix haute, Piano
2
Voix duo
2
Chorale SSATTB
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
31
2 Saxophones (duo)
30
Clarinette
18
Clarinette et Piano
18
Hautbois, Piano (duo)
13
Saxophone (partie séparée)
11
2 Flûtes traversières (duo)
11
Flûte traversière
9
2 Clarinettes (duo)
9
Saxophone Soprano et Piano
9
Saxophone Alto et Piano
8
Saxophone Tenor et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quatuor de Saxophones: 4 saxophones
6
Saxophone Alto
6
2 Hautbois (duo)
6
Saxophone Tenor
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Baryton, Piano
5
Cor anglais, Piano
5
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte à bec Alto, Basse continue
4
Flûte et Guitare
4
Flûte à bec Soprano, Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Hautbois
3
Flûte, Clarinette (duo)
3
Ensemble de Flûtes
3
Flûte à bec Alto, Piano
2
Flûte, Alto (duo)
2
Cor Anglais
2
Hautbois, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Flûtes à bec
2
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Clarinette, Violoncelle (duo)
2
Trio de Flûtes: 3 flûtes
1
Ensemble de Clarinettes
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Flûte à Bec
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orgue (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
Quintette de Saxophone: 5 saxophones
1
Clarinette Basse, Piano
1
Saxophone Soprano
1
Clarinette, Guitare (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
50
Trombone et Piano
14
Trombone
12
Cor et Piano
10
Trompette, Piano
9
2 Trompettes (duo)
8
Trompette
7
2 Trombones (duo)
7
Cor
7
Cor anglais, Piano
5
Tuba et Piano
5
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor Anglais
2
Trompette (partie séparée)
2
Tuba
2
Trompette, Trombone (duo)
2
2 Tubas (duo)
2
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
+ 22 instrumentations
Retracter
Cordes
Harpe
137
Violon et Piano
53
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon, Violoncelle (duo)
31
Violoncelle, Piano
30
Violon
21
Alto, Piano
19
Violoncelle
18
2 Violons (duo)
11
Trio à Cordes: 2 violons, violoncelle
11
2 Violoncelles (duo)
8
Contre Basse
8
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
5
Alto seul
5
Alto (partie séparée)
5
Harpe, Flûte (duo)
4
Violon, Alto (duo)
4
Violon (partie séparée)
4
Harpe, Voix
3
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
2
Violon, Basse continue
2
Piano Trio: Violon, Alto, Piano
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Cloches
193
Orchestre d'harmonie
45
Orchestre à Cordes
23
Orchestre
17
Ensemble de cuivres
7
Orchestre de chambre
6
Batterie
5
Ensemble Jazz
5
Marimba
5
Ensemble de Percussions
4
Piano et Orchestre
3
Fanfare
1
Percussion
1
Vibraphone
1
Xylophone
1
Percussion (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
0
Partitions Numériques
64
Librairie Musicale
1
Matériel de Musique
1 199
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
right hand.
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
64 partitions trouvées
<
1
26
51
Brighten The Corner Where You Are
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Grade 3 - Digital Download SKU: DX.145533 Composed by Ina D. Ogden.…
(+)
Brass Quintet - Grade 3 - Digital Download SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instrumental Music. Score and Parts. 12 pages. David E. Smith - Digital Sheet Music #145533. Published by David E. Smith - Digital Sheet Music (DX.145533). A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
$12.00
11.06 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Ina D
#
Dana F
#
Brighten The Corner Where You Are
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Let the Bright Seraphim
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By George Frideric Handel (1685-1759). Arranged by Robert Madeson. For brass quintet. Quin…
(+)
By George Frideric Handel (1685-1759). Arranged by Robert Madeson. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press
$18.00
16.59 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
George Frideric Handel
#
Robert Madeson
#
Let the Bright Seraphim
#
Cimarron Music Press
#
SheetMusicPlus
Let The Bright Seraphim from ?Samson? - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by George Frideric Handel (1685-1759). Arranged by Austin Ralphson. Baroque Perio…
(+)
Composed by George Frideric Handel (1685-1759). Arranged by Austin Ralphson. Baroque Period. Score, Set of Parts. 18 pages. Published by Austin Ralphson (S0.82095). - Score,Set of Parts - Baroque Period - Austin Ralphson
This is a brass quintet arrangement of Let The Bright Seraphim from "Samson". It works very well indeed for brass quintet and, whilst the 1st trumpet has an important role throughout, it does not hog the limelight. The soprano solo line is passed around to maintain interest and depth.This is a brass quintet arrangement of Let The Bright Seraphim from "Samson". It works very well indeed for brass quintet and, whilst the 1st trumpet has an important role throughout, it does not hog the limelight. The soprano solo line is passed around to maintain interest and depth.
$7.99
7.37 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
George Frideric Handel
#
Austin Ralphson
#
Let The Bright Seraphim from ?Samson? - brass quintet
#
Austin Ralphson
#
SheetMusicPlus
Come, Thou Fount of Every Blessing
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional American hymn tune. Arranged by Todd Marchand. Christian, Sacred, …
(+)
Composed by Traditional American hymn tune. Arranged by Todd Marchand. Christian, Sacred, Americana. 15 pages. Published by Con Spirito Music (S0.219155). - - Christian,Sacred,Americana - Con Spirito Music
Eighteenth-centuryBaptist minister, scholar, and hymn-writer Robert Robinson(1735-1790) wrote the hymn text, ?Come Thou Fount of EveryBlessing? in 1757 at the age of 22. Inthe USA, Robinson's hymn is typically set to the tune ?Nettleton,?whose authorship is unclear. Some attribute it to printer John Wyeth,who published it in his Repositoryof Sacred Music, Part Second(1813);others attribute it to Asahel Nettletion, a popular evangelist of theearly nineteenth century who published VillageHymns(1825).However, VillageHymnscontainedtexts only and no music, so there is no evidence that Nettletonactually wrote the tune that carries his name. Suitable for high school to professional ensembles for use in concert, recital, and worship, this intermediate-level arrangement presents the tune straightforwardly tobegin, then follows with a lyrical variation in 4/4 time, a variationin 5/8, and a concluding march. Fullscore and parts, 8.5x11-inch format. ©Copyright 2010 ToddMarchand / ConSpiritoMusic.comEighteenth-centuryBaptist minister, scholar, and hymn-writer Robert Robinson(1735-1790) wrote the hymn text, ?Come Thou Fount of EveryBlessing? in 1757 at the age of 22. Inthe USA, Robinson's hymn is typically set to the tune ?Nettleton,?whose authorship is unclear. Some attribute it to printer John Wyeth,who published it in his Repositoryof Sacred Music, Part Second(1813);others attribute it to Asahel Nettletion, a popular evangelist of theearly nineteenth century who published VillageHymns(1825).However, VillageHymnscontainedtexts only and no music, so there is no evidence that Nettletonactually wrote the tune that carries his name. Suitable for high school to professional ensembles for use in concert, recital, and worship, this intermediate-level arrangement presents the tune straightforwardly tobegin, then follows with a lyrical variation in 4/4 time, a variationin 5/8, and a concluding march. Fullscore and parts, 8.5x11-inch format. ©Copyright 2010 ToddMarchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional American hymn tune
#
Todd Marchand
#
Come, Thou Fount of Every Blessing
#
Con Spirito Music
#
SheetMusicPlus
Jingle Bells - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by James Lord Pierpont (1857). Arranged by Todd Marchand. Swing, Latin Jazz, Chri…
(+)
Composed by James Lord Pierpont (1857). Arranged by Todd Marchand. Swing, Latin Jazz, Christmas, Pop. 16 pages. Published by Con Spirito Music (S0.179971). - - Swing,Latin Jazz,Christmas,Pop - Con Spirito Music
Here's a fun-to-play, entertaining arrangement of one of the best-known winter holiday tunes. Published in 1857 as ?One Horse Open Sleigh? and re-titled ?Jingle Bells, or the One Horse Open Sleigh? in 1859, James Lord Pierpont's (1822-1893) composition has since become a Christmas-time favorite. This arrangement begins with a ballad-like statement of the verse, followed by verse-chorus-verse in a Latin/pop style and concluding with a swing chorus and Ellington ending. ©Copyright2012 Todd Marchand / www.ConSpiritoMusic.comHere's a fun-to-play, entertaining arrangement of one of the best-known winter holiday tunes. Published in 1857 as ?One Horse Open Sleigh? and re-titled ?Jingle Bells, or the One Horse Open Sleigh? in 1859, James Lord Pierpont's (1822-1893) composition has since become a Christmas-time favorite. This arrangement begins with a ballad-like statement of the verse, followed by verse-chorus-verse in a Latin/pop style and concluding with a swing chorus and Ellington ending. ©Copyright2012 Todd Marchand / www.ConSpiritoMusic.com
$10.00
9.22 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
James Lord Pierpont
#
Todd Marchand
#
Jingle Bells - brass quintet
#
Con Spirito Music
#
SheetMusicPlus
An English Carol Medley ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Chri…
(+)
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Christmas. 21 pages. Published by Con Spirito Music (S0.179825). - - Christian,Sacred,Christmas - Con Spirito Music
This medley brings together four familiar English carols in a cheerful, attractive arrangement: ?Ding, Dong! Merrily on High,? ?God Rest Ye Merry, Gentlemen,? ?Here We Come A-Wassailing,? and ?Good King Wenceslas.? ©Copyright2012 Todd Marchand / ConSpiritoMusic.comThis medley brings together four familiar English carols in a cheerful, attractive arrangement: ?Ding, Dong! Merrily on High,? ?God Rest Ye Merry, Gentlemen,? ?Here We Come A-Wassailing,? and ?Good King Wenceslas.? ©Copyright2012 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional English carols
#
Todd Marchand
#
An English Carol Medley ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
Gaudete, Christus est Natus ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Medieval carol. Arranged by Todd Marchand. Christian, Sacred, Christmas. 19 pa…
(+)
Composed by Medieval carol. Arranged by Todd Marchand. Christian, Sacred, Christmas. 19 pages. Published by Con Spirito Music (S0.179831). - - Christian,Sacred,Christmas - Con Spirito Music
?Gaudete! Christus est natus? is a medieval carol published in the 1582 collection of Finnish and Swedish sacred songs, Piae Cantiones. The carol is a song of praise comprising a two-line refrain, or burden, alternating with four-line verses. The Latin text of the burden, ?Gaudete, gaudete! Christus est natus ex Maria Virgine. Gaudete!? translates as ?Rejoice, rejoice! Christ is born of the Virgin Mary. Rejoice!? Interestingly, Piae Cantiones provides no music for the verses, but a standard tune for the verses appeared in other songbooks of the time. Although verses would typically be sung by a solo voice or unison voices, this arrangement attempts to evoke something of the medieval technique of harmonies in parallel motion on the second, third and fourth verses. ©Copyright2011 Todd Marchand / ConSpiritoMusic.com?Gaudete! Christus est natus? is a medieval carol published in the 1582 collection of Finnish and Swedish sacred songs, Piae Cantiones. The carol is a song of praise comprising a two-line refrain, or burden, alternating with four-line verses. The Latin text of the burden, ?Gaudete, gaudete! Christus est natus ex Maria Virgine. Gaudete!? translates as ?Rejoice, rejoice! Christ is born of the Virgin Mary. Rejoice!? Interestingly, Piae Cantiones provides no music for the verses, but a standard tune for the verses appeared in other songbooks of the time. Although verses would typically be sung by a solo voice or unison voices, this arrangement attempts to evoke something of the medieval technique of harmonies in parallel motion on the second, third and fourth verses. ©Copyright2011 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Medieval carol
#
Todd Marchand
#
Gaudete, Christus est Natus ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
Still, Still, Still (Salzburg melody) ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional Austrian melody. Arranged by Todd Marchand. Christian, Sacred, Chr…
(+)
Composed by Traditional Austrian melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 8 pages. Published by Con Spirito Music (S0.180029). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?Still, Still, Still? is an Austrian carol and lullaby thought to have originated c. 1819 in the state of Salzburg. The tune appeared for the first time in Salzburgische Volkslieder mit ihren Singweisen (1865), a collection of folk songs from Salzburg compiled by Maria Vinzenz Süß (1802-1868), with the text attributed to G. Gotsch. Although a number of verses exist, three are commonly sung in their English translation: ?Still, still, still, one can hear the falling snow. For all is hushed, the world is sleeping, Holy Star its vigil keeping. Still, still, still, one can hear the falling snow. ?Sleep, sleep, sleep, ?tis the eve of our Savior's birth. The night is peaceful all around you; close your eyes, let sleep surround you. Sleep, sleep, sleep, ?tis the eve of our Saviour's birth. ?Dream, dream, dream, of the joyous day to come, while guardian angels without number watch you as you sweetly slumber. Dream, dream, dream, of the joyous day to come.? ©Copyright2019 Todd Marchand / ConSpiritoMusic.com?Still, Still, Still? is an Austrian carol and lullaby thought to have originated c. 1819 in the state of Salzburg. The tune appeared for the first time in Salzburgische Volkslieder mit ihren Singweisen (1865), a collection of folk songs from Salzburg compiled by Maria Vinzenz Süß (1802-1868), with the text attributed to G. Gotsch. Although a number of verses exist, three are commonly sung in their English translation: ?Still, still, still, one can hear the falling snow. For all is hushed, the world is sleeping, Holy Star its vigil keeping. Still, still, still, one can hear the falling snow. ?Sleep, sleep, sleep, ?tis the eve of our Savior's birth. The night is peaceful all around you; close your eyes, let sleep surround you. Sleep, sleep, sleep, ?tis the eve of our Saviour's birth. ?Dream, dream, dream, of the joyous day to come, while guardian angels without number watch you as you sweetly slumber. Dream, dream, dream, of the joyous day to come.? ©Copyright2019 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional Austrian melody
#
Todd Marchand
#
Still, Still, Still
#
Con Spirito Music
#
SheetMusicPlus
The Holly and the Ivy ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional English Carol. Arranged by Todd Marchand. Christian, Sacred, Chris…
(+)
Composed by Traditional English Carol. Arranged by Todd Marchand. Christian, Sacred, Christmas. 15 pages. Published by Con Spirito Music (S0.179899). - - Christian,Sacred,Christmas - Con Spirito Music
?The Holly and the Ivy? is an English traditional Christmas carol whose text features imagery from both pagan and Christian beliefs. By ancient tradition, holly was considered a masculine symbol while ivy was feminine; and in the lyrics of the carol each characteristic of the holly is symbolic of Jesus. The holly?s lily-white flower = Jesus? purity; its red berry = Jesus? blood or humanity; its prickle = Jesus? crown of thorns or suffering; its bitter bark = the bitter drink Jesus was offered on the cross, or the bitter cup he drank in taking upon himself the sins of the world. The tune on which this arrangement is based was collected and published by the English musicologist Cecil J. Sharp in English Folk-Carols (1911). ©Copyright2013 Todd Marchand / ConSpiritoMusic.com?The Holly and the Ivy? is an English traditional Christmas carol whose text features imagery from both pagan and Christian beliefs. By ancient tradition, holly was considered a masculine symbol while ivy was feminine; and in the lyrics of the carol each characteristic of the holly is symbolic of Jesus. The holly?s lily-white flower = Jesus? purity; its red berry = Jesus? blood or humanity; its prickle = Jesus? crown of thorns or suffering; its bitter bark = the bitter drink Jesus was offered on the cross, or the bitter cup he drank in taking upon himself the sins of the world. The tune on which this arrangement is based was collected and published by the English musicologist Cecil J. Sharp in English Folk-Carols (1911). ©Copyright2013 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional English Carol
#
Todd Marchand
#
The Holly and the Ivy ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
On Christmas Night, On Christmas Day, Rejoice! (medley) ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Chri…
(+)
Composed by Traditional English carols. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 18 pages. Published by Con Spirito Music (S0.180015). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com?On Christmas Night, On Christmas Day, Rejoice!? takes its name from lyrics of the three tunes that comprise this medley. ?On Christmas night all Christians sing? are the opening words of the Sussex Carol, a traditional English tune with words first published in 1684. English folk-song collectors Cecil Sharp and Ralph Vaughan Williams both collected versions of the song, and Vaughan Williams published his arrangement of the tune in 1919. ?On Christmas day in the morning? are the concluding words of the refrain of the carol also known as ?I Saw Three Ships.? Like the Sussex Carol, it is a traditional English carol, and it was published by William Sandys in his 1833 work, Christmas Carols Ancient and Modern. ?Rejoice? is the imperative verb in the invitation, ?Good Christian men, rejoice,? which are the opening words to the medieval carol, ?In dulci jubilo? (?In sweet rejoicing?). John Mason Neale, an Anglican priest, scholar, and hymn-writer, wrote the familiar English translation in 1853. Quick to rehearse and fun to play, this cheerful medley evokes the joy of Christmas. Intrmediate level, suitablefor high school to professional ensembles for use in concert,recital, and worship. Full score and parts, 8.5x11-inch format. ©Copyright2015 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional English carols
#
Todd Marchand
#
On Christmas Night, On Christmas Day, Rejoice!
#
Con Spirito Music
#
SheetMusicPlus
What is This Lovely Fragrance? - French Noel arr. for brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional French Noel. Arranged by Todd Marchand. Christian, Sacred, Christm…
(+)
Composed by Traditional French Noel. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 15 pages. Published by Con Spirito Music (S0.180099). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?What is This Lovely Fragrance?? (?Quelle est cette odeur agréable??) is a 17th-century French traditional Noël (carol) about the Nativity of Christ. The melody accompanying its lyrics, a folk tune, was used by John Gay (1685?1732) in his satirical work, The Beggar's Opera (1728). It is this tune to which the text, calling the shepherds to the manger, is typically set. What is this lovely fragrance wafting like to the scents of flow'rs in spring? / Shepherds, O tell us, whence such beauty, hear you not heav'nly carolling? / What is this lovely fragrance wafting like to the scents of flow'rs in spring? Thisintermediate level arrangement is suitablefor advanced high school to professional ensembles for use inconcert, recital, and worship. Full score and parts, 8.5x11-inchformat. ©Copyright2013 Todd Marchand / ConSpiritoMusic.com?What is This Lovely Fragrance?? (?Quelle est cette odeur agréable??) is a 17th-century French traditional Noël (carol) about the Nativity of Christ. The melody accompanying its lyrics, a folk tune, was used by John Gay (1685?1732) in his satirical work, The Beggar's Opera (1728). It is this tune to which the text, calling the shepherds to the manger, is typically set. What is this lovely fragrance wafting like to the scents of flow'rs in spring? / Shepherds, O tell us, whence such beauty, hear you not heav'nly carolling? / What is this lovely fragrance wafting like to the scents of flow'rs in spring? Thisintermediate level arrangement is suitablefor advanced high school to professional ensembles for use inconcert, recital, and worship. Full score and parts, 8.5x11-inchformat. ©Copyright2013 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional French Noel
#
Todd Marchand
#
What is This Lovely Fragrance? - French Noel arr. for brass quintet
#
Con Spirito Music
#
SheetMusicPlus
The King of Love My Shepherd Is ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arra…
(+)
Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. Score, Set of Parts. 9 pages. Published by Con Spirito Music
?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza: Perverse and foolish oft I strayed, But yet in love He sought me, And on His shoulder gently laid, And home, rejoicing, brought me. Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA. It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending. ©2019 Todd Marchand / ConSpiritoMusic.com?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza:
Perverse and foolish oft I strayed,
But yet in love He sought me,
And on His shoulder gently laid,
And home, rejoicing, brought me.
Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA.
It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending.
©2019 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Irish traditional tune
#
Todd Marchand
#
The King of Love My Shepherd Is ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
America the Beautiful ( Materna )
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Samuel Augustus Ward. Arranged by Todd Marchand. Fourth of July, Patriotic, Am…
(+)
Composed by Samuel Augustus Ward. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. 9 pages. Published by Con Spirito Music (S0.181925). - - Fourth of July,Patriotic,Americana - Con Spirito Music
Samuel Augustus Ward (1848-1903), composer and organist at Grace Episcopal Church, Newark, New Jersey, composed his tune ?MTERNA? to accompany the hymn text ?O Mother Dear, Jerusalem? in 1882, and it was first published in 1892. Katherine Lee Bates (1859-1929), poet and teacher, wrote the poem ?Pikes Peak? during a visit to Colorado Springs, Colorado, in 1893, and it was published under the title ?America? in the church periodical, The Congregationalist, in 1893. Bates's poem, which she revised in 1904 and 1913, was first published with Ward's music in 1910 under the title ?America the Beautiful.? Samuel Ward never met Katherine Bates, having died in 1903; yet ?America the Beautiful? has become one of the best-loved American patriotic songs. This very accessible yet effective arrangement features an introductory fanfare followed by a straightforward presentation of the tune, a return of the fanfare and modulation to new key with extended harmonies, and a concluding return of the fanfare. ©Copyright 2014 Todd Marchand / ConSpiritoMusic.comSamuel Augustus Ward (1848-1903), composer and organist at Grace Episcopal Church, Newark, New Jersey, composed his tune ?MTERNA? to accompany the hymn text ?O Mother Dear, Jerusalem? in 1882, and it was first published in 1892. Katherine Lee Bates (1859-1929), poet and teacher, wrote the poem ?Pikes Peak? during a visit to Colorado Springs, Colorado, in 1893, and it was published under the title ?America? in the church periodical, The Congregationalist, in 1893. Bates's poem, which she revised in 1904 and 1913, was first published with Ward's music in 1910 under the title ?America the Beautiful.? Samuel Ward never met Katherine Bates, having died in 1903; yet ?America the Beautiful? has become one of the best-loved American patriotic songs. This very accessible yet effective arrangement features an introductory fanfare followed by a straightforward presentation of the tune, a return of the fanfare and modulation to new key with extended harmonies, and a concluding return of the fanfare. ©Copyright 2014 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Samuel Augustus Ward
#
Todd Marchand
#
America the Beautiful
#
Con Spirito Music
#
SheetMusicPlus
How Great Thou Art ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score…
(+)
Composed by Swedish folk tune. Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 13 pages. Published by Con Spirito Music (S0.181021). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
One of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.comOne of the best-loved gospel songs worldwide, ?How Great Thou Art? began as a nine-stanza hymn of praise, ?O Store Gud? (?O Great God?), written in 1885 by Swedish poet and lay minister Carl Gustav Boberg (1859?1940). In 1891 Boberg published the poem, accompanied by a Swedish folk melody, in Sanningsvittnet (Witness for the Truth), a weekly Christian journal of which he was editor. Today, the tune is commonly named ?Sanningsvittnet? in hymnals. From its Swedish origins, the text was translated to German in 1907, then to Russian in 1912. The Russian text became the basis for a translation to English by Stuart W. K. Hine (1899?1989), a British Methodist missionary who discovered it in 1931 while on mission in the Ukraine. Hine's work commonly contains four verses: the first two being a relatively close translation of stanzas by Boberg, and the latter two being original verses by Hine. Published in 1949, ?How Great Thou Art? gained great popularity in North America after George Beverly Shea began singing it in the Billy Graham evangelistic crusades in 1955. It has been named the #1 favorite hymn by respondents to various polls in both the United States and United Kingdom. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Swedish folk tune
#
Todd Marchand
#
How Great Thou Art ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
The Morning Trumpet ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Benjamin Franklin White (1800-1879). Arranged by Todd Marchand. Christian, Gos…
(+)
Composed by Benjamin Franklin White (1800-1879). Arranged by Todd Marchand. Christian, Gospel, Sacred, General Worship, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.222763). - Score,Set of Parts - Christian,Gospel,Sacred,General Worship,Americana - Con Spirito Music
?The Morning Trumpet,? by Benjamin Franklin White (1800-1879), is a camp revival song published in 1844 in the first edition of The Sacred Harp, a shape-note hymn book compiled by White and E.J. King (1821-1844). Shape-note tunes are often predominantly pentatonic, with harmonies that emphasize stark intervals of fourths and fifths. In four-part harmony, the tune is typically in the tenor voice. This arrangement preserves the tune but harmonizes it in a more contemporary style, and features alternating calls between first and second trumpet. Includes snare drum part (optional, may be successfully performed by brass quintet alone). ©Copyright 2012 Todd Marchand / ConSpiritoMusic.com?The Morning Trumpet,? by Benjamin Franklin White (1800-1879), is a camp revival song published in 1844 in the first edition of The Sacred Harp, a shape-note hymn book compiled by White and E.J. King (1821-1844). Shape-note tunes are often predominantly pentatonic, with harmonies that emphasize stark intervals of fourths and fifths. In four-part harmony, the tune is typically in the tenor voice. This arrangement preserves the tune but harmonizes it in a more contemporary style, and features alternating calls between first and second trumpet. Includes snare drum part (optional, may be successfully performed by brass quintet alone). ©Copyright 2012 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Benjamin Franklin White
#
Todd Marchand
#
The Morning Trumpet ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
American Patrol - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by F.W. Meacham (1856?1909). Arranged by Todd Marchand. Fourth of July, Patriotic…
(+)
Composed by F.W. Meacham (1856?1909). Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 24 pages. Published by Con Spirito Music (S0.182135). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music
?American Patrol? is the best-known work by Frank White (F.W.) Meacham (1856?1909), an arranger and composer associated with Tin Pan Alley, the home of New York City-based songwriters and music publishers who dominated the popular music of the United States in the late 19th and early 20th century. ?American Patrol? incorporates both original musical themes by Meacham and melodies from patriotic songs of the era such as ?Columbia, the Gem of the Ocean? and ?Dixie.? The ?patrol? format was popular in the latter 19th century, and was intended to represent a military band approaching, passing, and fading into the distance. It typically included an introduction played pianissimo or piano, in imitation of bugle calls or drums, then themes played progressively louder until a recapitulation of the first theme(s), gradually fading away and finishing softly, like the march began. Published for piano in 1885 and for wind band in 1891, ?American Patrol? became and remained popular through World War I and II, enjoying renewed popularity during WWII and beyond thanks to a swing arrangement for Glenn Miller's band by Jerry Gray. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.com?American Patrol? is the best-known work by Frank White (F.W.) Meacham (1856?1909), an arranger and composer associated with Tin Pan Alley, the home of New York City-based songwriters and music publishers who dominated the popular music of the United States in the late 19th and early 20th century. ?American Patrol? incorporates both original musical themes by Meacham and melodies from patriotic songs of the era such as ?Columbia, the Gem of the Ocean? and ?Dixie.? The ?patrol? format was popular in the latter 19th century, and was intended to represent a military band approaching, passing, and fading into the distance. It typically included an introduction played pianissimo or piano, in imitation of bugle calls or drums, then themes played progressively louder until a recapitulation of the first theme(s), gradually fading away and finishing softly, like the march began. Published for piano in 1885 and for wind band in 1891, ?American Patrol? became and remained popular through World War I and II, enjoying renewed popularity during WWII and beyond thanks to a swing arrangement for Glenn Miller's band by Jerry Gray. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
F
#
Todd Marchand
#
American Patrol - brass quintet
#
Con Spirito Music
#
SheetMusicPlus
Were You There? (When They Crucified My Lord)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spir…
(+)
Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0.181361). - - Christian,Gospel,Spiritual,Sacred,Americana - Con Spirito Music
?Were You There? is a nineteenth-century African-American spiritual that likely predates the American Civil War, and may have roots in a folk hymn known in Tennessee as ?Have You Heard How They Crucified MyLord?? It was first published in William Eleazar Barton's 1899 Old Plantation Hymns; and in 1940, it was included in the hymnal of the Episcopal Church with harmonization by C. Winfred Douglas, making it the first spiritual to be included in any major American hymnal. This arrangement evokes the call-and-response tradition of the spiritual, and features solo trumpet answered by low brass in the introduction and first stanza, solo trombone/low brass trio in the second stanza, and full ensemble in the final stanza. Although appropriate for use throughout the year, it is particularly fitting for performance on Good Friday, Holy Saturday (Easter Vigil) and Easter sunrise services. This intermediate-level arrangement is suitable for ensembles from high school to community and professional musicians. ©Copyright 2015 Todd Marchand / ConSpiritoMusic.com?Were You There? is a nineteenth-century African-American spiritual that likely predates the American Civil War, and may have roots in a folk hymn known in Tennessee as ?Have You Heard How They Crucified MyLord?? It was first published in William Eleazar Barton's 1899 Old Plantation Hymns; and in 1940, it was included in the hymnal of the Episcopal Church with harmonization by C. Winfred Douglas, making it the first spiritual to be included in any major American hymnal. This arrangement evokes the call-and-response tradition of the spiritual, and features solo trumpet answered by low brass in the introduction and first stanza, solo trombone/low brass trio in the second stanza, and full ensemble in the final stanza. Although appropriate for use throughout the year, it is particularly fitting for performance on Good Friday, Holy Saturday (Easter Vigil) and Easter sunrise services. This intermediate-level arrangement is suitable for ensembles from high school to community and professional musicians. ©Copyright 2015 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
African-American Spiritual
#
Todd Marchand
#
Were You There?
#
Con Spirito Music
#
SheetMusicPlus
America (My Country, 'Tis of Thee) ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. …
(+)
Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.181897). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music
Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.comAlthough ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Traditional
#
Todd Marchand
#
America
#
Con Spirito Music
#
SheetMusicPlus
Angels We Have Heard on High - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by French noel. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, S…
(+)
Composed by French noel. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.250825). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?Angels We Have Heard on High? (?Gloria?) is a Christmas carol based on an 18th-century French noel, ?Les Anges Dans Nos Campagnes.? The well-known English-language version of the carol with text by James Chadwick (1813-1882) retains the tune of the French noel, though Chadwick?s text is a largely original adaptation, with parts only loosely translated from the French. The carol commemorates the birth of Jesus as told in the Gospel of St. Luke, and its chorus recalls the ?multitude of the heavenly host praising God and saying, ?Glory to God in the highest?.?? (Luke 2:13-14). The signature feature of the chorus is a rising and falling melisma on the ?o? vowel of ?Gloria? ? thus, the tune is often ascribed the name ?Gloria.? Its familiar harmonization was written by the American organist and composer Edward Shippen Barnes (1887-1958) in 1937. In this festive arrangement, the tune and refrain are presented multiple times in a variety of keys, harmonizations, and orchestration. ©Copyright 2017 Todd Marchand / ConSpiritoMusic.com?Angels We Have Heard on High? (?Gloria?) is a Christmas carol based on an 18th-century French noel, ?Les Anges Dans Nos Campagnes.? The well-known English-language version of the carol with text by James Chadwick (1813-1882) retains the tune of the French noel, though Chadwick?s text is a largely original adaptation, with parts only loosely translated from the French. The carol commemorates the birth of Jesus as told in the Gospel of St. Luke, and its chorus recalls the ?multitude of the heavenly host praising God and saying, ?Glory to God in the highest?.?? (Luke 2:13-14). The signature feature of the chorus is a rising and falling melisma on the ?o? vowel of ?Gloria? ? thus, the tune is often ascribed the name ?Gloria.? Its familiar harmonization was written by the American organist and composer Edward Shippen Barnes (1887-1958) in 1937. In this festive arrangement, the tune and refrain are presented multiple times in a variety of keys, harmonizations, and orchestration. ©Copyright 2017 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
French noel
#
Todd Marchand
#
Angels We Have Heard on High - brass quintet
#
Con Spirito Music
#
SheetMusicPlus
How Can I Keep From Singing? ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marcha…
(+)
Composed by Robert Lowry (1826-1899) and Robert Lowry (1826-1899). Arranged by Todd Marchand. Christian, Gospel, Sacred. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.180831). - Score,Set of Parts - Christian,Gospel,Sacred - Con Spirito Music
?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. ©Copyright 2016 Todd Marchand / ConSpiritoMusic.com?How Can I Keep From Singing?? is, perhaps, the second most well-known gospel hymn authored by Robert Lowry (1826-1899) ? the first being ?Shall We Gather at the River?? Born in Philadelphia, Lowry studied at Pennsylvania's Lewisburg (today Bucknell) University; was ordained a Baptist minister in 1854; served in churches in Pennsylvania, New York, and New Jersey; and later returned to Lewisburg and served as chancellor. Best remembered as a writer of more than 500 gospel songs and hymns, Lowry served as editor for Biglow and Main publishing company, where he edited numerous gospel song books and hymn books. Like Horatio Spafford?s ?It Is Well With My Soul,? Lowry?s ?How Can I Keep From Singing?? (also known as ?Endless Song?) expresses confidence in the eternal promises of Christ in spite of temporal circumstances. Its first verse and refrain proclaim: "My life flows on in endless song above earth?s lamentation; I catch the sweet, though far-off hymn, that hails a new creation. (Refrain): No storm can shake my inmost calm while to that Rock I?m clinging; since Christ is Lord of heaven and earth, how can I keep from singing?" This intermediate-level arrangement is quick to rehearse, satisfying to play, and well-received by audiences. Suitable for high school ensembles, church and community musicians, and professionals for use in concert, recital, and worship. Ideal as a prelude or offertory/communion anthem. ©Copyright 2016 Todd Marchand / ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Robert Lowry
#
Todd Marchand
#
How Can I Keep From Singing? ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
Hail the Day That Sees Him Rise ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Eas…
(+)
Composed by Robert Williams (1781-1821). Arranged by Todd Marchand. Christian, Sacred, Easter. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.182105). - Score,Set of Parts - Christian,Sacred,Easter - Con Spirito Music
?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ©Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com?Hail the Day That Sees Him Rise,? one of the most popular hymn texts on the Ascension of Christ, was written by the great Methodist hymnist Charles Wesley (1707-1788) and published in 10 stanzas in his Hymns and Sacred Poems (1739) as ?Hymn for Ascension Day.? The ?alleluias? were added in George White's Hymns and Introits (1852). The tune most often associated with Wesley's text, ?Llanfair,? is attributed to Welsh singer Robert Williams (1781-1821). In this arrangement, elements of the tune are employed in a majestic, constantly modulating introduction before giving way to three presentations of melody ? first, straightforwardly by the full quintet; second, following a modulation down a major third, by a trio of brass; and third, following another modulation back to the original key, by the full quintet, with a short coda incorporating a flourish recalling the introduction. Especially appropriate at Ascension due to the associated text, this instrumental arrangement is also fitting as a prelude, postlude, or offertory/communion anthem at any time. ©Copyright 2016 Todd Marchand / www.ConSpiritoMusic.com
$15.00
13.83 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Robert Williams
#
Todd Marchand
#
Hail the Day That Sees Him Rise ? brass quintet
#
Con Spirito Music
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
right hand.
