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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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VIOLON
VIOLONCELLE
XYLOPHONE
second, with the counterpoint
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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Vous avez sélectionné:
second, with the counterpoint
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Partitions à imprimer
6 partitions trouvées
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1
Once In Love With Amy
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Bach: Wachet auf for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #355693...
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Level 3 - SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
Ricercar in C Minor (Brass Quartet, Brass Quintet, or Brass Choir)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Ricercar in C Minor
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.918899 By Jubal's Lyre Music. By Johann Pachelbel. Arranged by Martin Dicke. Baroque,Christian,Classical,...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.918899 By Jubal's Lyre Music. By Johann Pachelbel. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. 37 pages. Jubal's Lyre Music Publishers #6508047. Published by Jubal's Lyre Music Publishers (A0.918899). Originally composed for organ, this ricercar by Johann Pachelbel (1653-1706) is here arranged for Brass Quartet, Brass Quintet, or Brass Choir/Ensemble with optional keyboard. Your audience and parishioners will be moved by the deeply reverent nature of this work. It is an excellent work for any concert or for more advanced ensembles in educational settings. As a prelude to a worship service it will prepare the hearts of your parishioners to hear the Word of God. Beginning with an ascending chromatic theme, Pachelbel crafts a six-minute work in three parts. In the second part he inverts the theme. In the third part he introduces a third theme and then combines it with the first two. Although this work is not as well-known as the Canon in D Major, it is equally as skillful and shows that Pachelbel was not only a master of the Baroque, but also of Renaissance counterpoint. For more music and information, visit www.jubalslyre.com/music.
$12.99
Lexicon II for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Contemporain
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Sy Brandon
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Lexicon II for Brass Quintet
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.755271 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 41 pages. Sy Brandon #4355513. Published b...
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Brass Ensemble - Level 5 - SKU: A0.755271 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 41 pages. Sy Brandon #4355513. Published by Sy Brandon (A0.755271). Lexicon II is the second composition in a series that defines words through music. The first movement, Ballyhoo, means clamor or outcry. This is achieved musically through a fast tempo, wide intervals, asymetric meter, imitative sixteenth note patterns, and mild dissonance. The second movement, Clandestine, uses pyramids to disguise the melodic line and asymetrical meter to disguise the beat in order to represent the definition of characterized by, done in, or executed with secrecy or concealment, especially for purposes of subversion or deception. The brass instruments are muted throughout this movement. In order to represent Eerie, the word for the third movement, a slow tempo and sparse instrumentation are used along with dissonance, extreme dynamics, trills and glissandi. Eerie means uncanny, so as to inspire superstitious fear. The fourth movement, Amok, is filled with dissonance, counterpoint, and chromaticism in order to represent its definition; to behave uncontrollably and disruptively. Sections of order seem to break down into sections of chaos and the movement ends on an unsettled chord.
$14.99
Fugue #2 from Fantasia Contrappuntistica for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Ferruccio Busoni
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Charles Decker
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Fugue #2 from Fantasia Contrap
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817109 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Bar...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.817109 Composed by Ferruccio Busoni. Arranged by Charles Decker. 20th Century,Baroque,Chamber,Historic,Multicultural,World. 22 pages. Charles Decker Music Press #3540269. Published by Charles Decker Music Press (A0.817109). For ambitious brass quintets seeking innovative programming here is the second fugue from Italian composer and pianist Ferrucio Busoni's 1912 magnum opus treatise, Fantasia Contrappuntistica, that pays homage to J.S. Bach's Art of the Fugue of which Busoni modifies the baroque master's fugues with inventive new counterpoint and harmonies. It is arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F, trombone and tuba. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians of mixed brass ensembles with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles.  Check out the Music of Black Composers Series wiht Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more Charles Decker brass quintet editions use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$9.95
Silent Night
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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F
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Silent Night
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Franz Xaver Gruber. Arranged by F. Leslie Smith. Christmas. Score, Set of Parts. 13 pages. Published by Sweetwater Brass Press (S0.89569). - Score,S...
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Composed by Franz Xaver Gruber. Arranged by F. Leslie Smith. Christmas. Score, Set of Parts. 13 pages. Published by Sweetwater Brass Press (S0.89569). - Score,Set of Parts - Christmas - Sweetwater Brass Press
?Silent Night? is surely one of the most beautiful Christmas carols, and this arrangement frames it in a graceful and fitting setting. After a quiet introduction, the first verse features the melody in hymn-like fashion with a countermelody in the horn. In the second verse, the trumpets play gentle embellishments. And in the third verse, melody and counterpoint shift from instrument to instrument until the final phrase, where all join for the last few chords, and the trumpet plays a soft arpeggio figure. This arrangement was completed in 2012, and performance time runs about 2 minute, 21 seconds. This version is also available for brass quintet with a second trombone (instead of Horn in F). For information, contact the arranger, Les Smith, at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
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second, with the counterpoint
