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B Dorian
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Guitare notes et tablatures
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B Dorian Mode (4 Ways to Play)
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Guitare notes et tablatures
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DÉBUTANT
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Traditional
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Danny Crocome
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B Dorian Mode
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1180291 Composed by Traditional. Arranged by Danny Crocome. 19th Century,20th Century,Instructional,Jazz,Traditional. Guitar ...
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Guitar - Level 1 - SKU: A0.1180291 Composed by Traditional. Arranged by Danny Crocome. 19th Century,20th Century,Instructional,Jazz,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #780200. Published by Danny Crocome Music (A0.1180291). This info sheet shows guitarists 4 different ways to play the B Dorian Mode:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringPlus the diatonic chords for B Dorian Mode.
$2.00
Study: 7 Modes
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Guitare notes et tablatures
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DÉBUTANT
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Brian Streckfus
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Study: 7 Modes
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #76...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #764016. Published by Brian Streckfus (A0.1163675). This study/etude makes modes a much more fun and practical exploration, rather than feeling like abstract theory. Also, since all seven are used in the key of C major, this study/etude allows someone to quickly memorize how modes work. The modes are diffucult to memorize because of their foreign names. This makes this piece have great replay value since it will take a few run throughs to memorize them. Tips:1. Each mode has one special note. It is a great exercise to figure them out. For example, the B natural in D dorian sections is the special note. This B natural should have been a Bb in the key of regular D minor.2. This piece is a good example of what I like to call half step gravity. For example, in measure 12, the B has more gravity to go to C than A because C is closer. B to C would be a half step. B to A would be a whole step.3. This piece is a good example of bass notes setting the tone and vibe. I invite performers to change the bass notes to see what I mean. For example, a constant C bass note would lead to a problem free sound, whereas a constant B bass note leads to a more uncomfortable metal music sound.4. This piece is a good example of how we hear a chord from the bass note on up. For example, an E minor chord with a B in the bass might actually function more like a B7 with suspended notes.5. This piece is a good example of a perfect authentic cadence (PAC) with a final A minor chord tonic (home) chord with an A in the bass and soprano voices.
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