ISBN 9781619114883. 11.75 x 8.75 inches. Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes, including twenty-four complete arrangements of common American, Irish and Scottish ballads, airs, jigs and reels. The book explores techniques and patterns for playing melodies across the strings, producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire, the material demonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and are looking for tunes to learn, or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes. Includes access to online audio.

ISBN 9781609746865. The 20 arrangements in this book can be played using either fingerstyle or hybrid picking (plectrum and fingers). Brief technical and performance notes are provided for each piece. Written in standard notation and tablature with several pieces in alternate guitar tunings. Includes access to online audio.

ISBN 9781609742249. Jerry Garcia, the lead guitarist, singer, and alleged leader of the Grateful Dead, became an icon of the 60s youth movement. It was well-known that Jerry was a huge fan, and probably considered himself a player, of old-time American music, from mountain fiddle and banjo music, to English ballads, to jug band music to bluegrass and blues, and more. On the "Shady Grove" recordings one can hear the deep commitment, respect, and love Jerry had for this traditional American music. He's very faithful to the original artists' music. That may be surprising if you expect more of an ego-driven "my version" approach from one the biggest rock stars ever. What you have here is a vibrant collection of wonderful traditional American songs, from a great variety of genres, played in a style closely based on their traditional sources. Of course within those parameters we hear wonderful and personal readings of the tunes from both Jerry and mandolinist David Grisman. Dix Bruce has carefully transcribed many of Jerry's solos from the album, trying to determine not just what he was playing but how he was playing it. Melodies, tablature, lyrics, and chords are included in arrangements designed to be playable on the guitar while presenting the melodies as closely as possible. Jerry's banjo solos are transcribed here for guitar.