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Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.79 €
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Queen of the Night by Mozart for Guitar TAB with Chords
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1197064 Composed by Wolfgang Amadeus Mo…
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Guitar - Level 3 - Digital Download SKU: A0.1197064 Composed by Wolfgang Amadeus Mozart. Arranged by Langanho. Classical,Opera,Traditional. Guitar Tab. 3 pages. Avery Lynn Jordan #796227. Published by Avery Lynn Jordan (A0.1197064). Imagine having a simplified score of Mozart's famous aria Queen of the Night in your hands, ready to be used as teaching material for your students or to encourage your children to learn music in an easy and fun way. This arrangement for Guitar TAB with Chords provides a clear and accessible approach to teaching the piece without compromising its musical quality. With this simplified score, teachers can teach the piece faster and easier, allowing their students to play the music in no time. For parents looking to encourage their children to learn music, this product is an excellent option, as they can learn to play a classic piece of music in a straightforward way with impressive results. This will encourage young people's interest in music and develop important musical skills such as reading sheet music and motor coordination. Don't miss the chance to get the best music teaching material on the market! With this arrangement, you will have access to a quality product that simplifies learning Mozart's Queen of the Night in a unique and innovative way. Try it now and discover how music can be easy and enjoyable!
$3.99
3.6 €
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Guitare notes et tablatures
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Wolfgang Amadeus Mozart
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Langanho
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Queen of the Night by Mozart for Guitar TAB with Chords
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Avery Lynn Jordan
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SheetMusicPlus
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English …
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Guitar - Level 3 - Digital Download SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
2.25 €
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Guitare notes et tablatures
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
These Are Soulful Days
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1222588 By Pat Martino. By Cal Massey. …
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Guitar - Level 3 - Digital Download SKU: A0.1222588 By Pat Martino. By Cal Massey. Arranged by edited by Dr. LeRoy Henry. Blues,Hip-Hop,Jazz,R & B,Standards. Guitar Tab. 11 pages. Dr. LeRoy Henry #818869. Published by Dr. LeRoy Henry (A0.1222588). These Are Soulful Days is a jazz standard by Cal Massey.On this 1973 date, organist Don Patterson and guitarist Pat Martino again show themselves to be equally at home with gritty, organ combo sounds and the more refined vocabulary of hard bop. Brothers Jimmy Heath (tenor sax) and Albert Heath (drums) round out the band. They are bop-oriented players who also have an affinity for the Patterson and Martino blend of brains and barbecue sauce.The quartet comes together nicely on all five tracks, beginning with the long, melodic line of Cal Massey's mid-tempo title track.Pat Martino's solo and comping are presented here. The theme is omitted for copyright reasons.
$4.99
4.5 €
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Guitare notes et tablatures
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Pat Martino
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edited by Dr
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These Are Soulful Days
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Dr. LeRoy Henry
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SheetMusicPlus
In The Mood
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1117266 By Rush. By Geddy Lee Weinrib. …
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Guitar - Level 3 - Digital Download SKU: A0.1117266 By Rush. By Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 11 pages. Dan Chernow #718848. Published by Dan Chernow (A0.1117266). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. By far the most famous of Rush's early boogie-rock songs, they played this song in their live set for many decades. Alex shows great feel for the style, with many variations of his rhythm parts, varying the chords and riff patterns with the ease of a seasoned master even at age 21. His solo is a mini-composition unto itself, featuring tons of tricky double stop bends and surprisingly very little flash. Any bar band would have been proud if this was their only famous tune, yet we know that MUCH more was in store for Rush. Enjoy it here in all it's beer-soaked glory, with all the details you could ever want. SEE and HEAR this on YouTube! (link to full video included near bottom of pdf).
$5.49
4.95 €
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Guitare notes et tablatures
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Rush
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Dan Chernow
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In The Mood
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Dan Chernow
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SheetMusicPlus
Jack Johnson: They Do, They Don't for guitar
Guitare notes et tablatures
Instantly printable sheet music by Jack Johnson for guitar (tablature) of MEDIUM skill lev…
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Instantly printable sheet music by Jack Johnson for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
8.09 €
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Guitare notes et tablatures
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Jack Johnson
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Virtualsheetmusic
Apoyando and picado exercises in E minor for flamenco and classical guitarists
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Eugen Sedko. Method, Etudes and…
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Guitar Tab - Intermediate - Digital Download Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko
New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!
$3.99
3.6 €
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Guitare notes et tablatures
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Eugen Sedko
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Apoyando and picado exercises in E minor for flamenco and classical guitarists
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Eugen Sedko
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SheetMusicPlus
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