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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 56

PIANO & CLAVIERS

Piano seul 113 Piano, Voix 96 Piano Facile 28 2 Pianos, 4 mains 27 1 Piano, 4 mains 14

Orgue 13 Piano, Voix et Guitare 5 Instruments en Do 4 Accordéon 2 Piano Trio: piano, violon, violoncelle 1

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GUITARES

Guitare 11 Guitare notes et tablatures 3 Piano, Guitare (duo) 2 2 Guitares (duo) 2 4 Guitares (Quatuor) 1

VOIX

Chorale SATB 65 Voix duo, Orgue 1 Chorale TTBB 1 Chorale 3 parties 1 Chorale Unison 1

Voix duo 1

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VENTS

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 9 Quatuor de Clarinettes: 4 clarinettes 9 Flûte traversière et Piano 9 Saxophone Alto et Piano 9 Quatuor de Flûtes : 4 flûtes 8

Hautbois, Piano (duo) 8 Quatuor de Saxophones: 4 saxophones 8 Clarinette et Piano 8 2 Flûtes traversières (duo) 7 Flûte traversière 6 2 Clarinettes (duo) 6 Flûte, Hautbois, Clarinette, Basson 6 Saxophone Tenor et Piano 5 Ensemble de Clarinettes 4 2 Saxophones (duo) 3 Saxophone Alto 2 Clarinette 2 Ensemble de Flûtes 1 2 Hautbois (duo) 1 Flûte, Hautbois, Clarinette (trio) 1 Quatuor de Flûtes à bec 1 Flûte à bec Soprano, Piano 1 Saxophone Tenor 1 Quintette de Saxophone: 5 saxophones 1 2 Flûte à bec (duo) 1 Saxophone Soprano et Piano 1 Hautbois (partie séparée) 1 Quintette de Flûte : 5 flûtes 1

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CUIVRES

Quatuor de cuivres: 4 trombones 27 Trombone et Piano 7 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6 Tuba et Piano 6 Trompette 3

Trompette, Piano 3 Quatuor de Cuivres : 2 trompettes, trombone, tuba 3 Quatuor de cuivres: 4 cors 2 2 Euphoniums (duo) 1 Trompette, Cor (duo) 1 Cor et Piano 1 Euphonium, Piano (duo) 1 Trompette, Trombone (duo) 1 2 Trompettes (duo) 1 4 Tubas 1 Ensemble de Trombones 1 2 Cors (duo) 1 2 Trombones (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 12 Violon, Violoncelle (duo) 9 Violon et Piano 8 Alto, Piano 5 Trio à Cordes: 2 violons, violoncelle 4

2 Altos (duo) 4 Violoncelle, Piano 4 2 Violoncelles (duo) 4 2 Violons (duo) 3 Harpe 3 Violoncelle 2 Violon (partie séparée) 2 Trio à Cordes: violon, alto, violoncelle 2 Violon 2 Contrebasse, Piano (duo) 2 Violon, Alto (duo) 2 4 Violoncelles 2 Violoncelle, Orchestre 1 Alto (partie séparée) 1 Harpe, Flûte (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre à Cordes 5 Orchestre de chambre 5 Orchestre d'harmonie 4 Marimba 3 Orchestre 3

Ensemble de cuivres 1 Ensemble Jazz 1 Vibraphone 1 Cloches 1 Xylophone, Piano 1

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AUTRES

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Three Pieces for Beginner Guitarists (Acoustic or Electric)

Guitare notes et tablatures

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…(+)

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and Iâ€™ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, Iâ€™ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player â€˜thinking timeâ€™ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.

$4.95 4.54 € #Guitare notes et tablatures #Dan Jones #Three Pieces for Beginner Guitarists #DanJonesGuitarist #SheetMusicPlus

Forgive, Forget (guitar solo in standard notation with TAB)

Guitare notes et tablatures

Guitar - Level 2 - Digital Download SKU: A0.948692 Composed by Bradley Powell (The …(+)

Guitar - Level 2 - Digital Download SKU: A0.948692 Composed by Bradley Powell (The Candlelight Guitarist). Blues,Country,Folk,Romantic Period. Guitar Tab. 4 pages. Geofonica Artistworks #6021065. Published by Geofonica Artistworks (A0.948692). This is a tender and heartfelt, finger-style guitar solo, exactly as performed by The Candlelight Guitarist on the album Soul Mates & Kindred Spirits. (Like other pieces by The Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk & country, classical and jazz styles.) Written in both standard notation and TAB, it's rich-sounding, yet fairly easy for late beginner-to-intermediate level players with a little bit of classical finger-style experience. Hear Brad's original recording at https://youtu.be/tZG2WxND-WY

$3.99 3.66 € #Guitare notes et tablatures #Bradley Powell #Kindred Spirits. #Forgive, Forget #Geofonica Artistworks #SheetMusicPlus

Waltz Op 69 No 2 (Arranged for Guitar)

Guitare notes et tablatures

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…(+)

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.Â Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don'tÂ have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

$1.99 1.82 € #Guitare notes et tablatures #Frederic Chopin #Brian Streckfus #Waltz Op 69 No 2 #Brian Streckfus #SheetMusicPlus