ISBN 9781619117488.

The word DADGAD refers to the names of the notes on the open strings of one of many alternate tunings for the guitar, one that is very popular with acoustic guitar players. It has a wonderfully warm resonance, allowing you to play simple single-note melodies, yet still fill out the sound of the instrument.The twenty Christmas carols presented here form a perfect introduction to playing guitar in DADGAD tuning. The melodies are presented without added bass notes or chords - just those great melodies, once heard, never forgotten. This means you already know what the tune is supposed to sound like, leaving you to concentrate on playing the notes on the right string and fret, and for the right length of time.This book is the easiest of Rob Mackillop's DADGAD books. It assumes you know how to hold and tune the guitar, and play some notes and a few simple chords. The book includes a Technique Primer to help get you up and running, plus the essential chord diagrams for playing in DADGAD tuning. Book includes access to online audio featuring Rob MacKillop's performance of each piece.

The songs in this collection are intended to be musically engaging, many with a fresh sound, but easy enough to play that the singer can focus on vocalization and connecting with the audience. If the music goes up the guitar neck, it mostly does it at the dots on the fretboard. It does not go past the twelfth fret so that even a nylon string guitar can be used. If there is individual fingering instead of chords, the music can be played more slowly. In places where a finger picking pattern is indicated, strumming may often be substituted. The tuning is standard to avoid the distraction of retuning in a short set. But these are mostly not three chord songs. The pseudo key change in 'Dreamsieve' the second E minor chord in 'Washed Away,' or the open strings in 'Gold Star Eyes,' may allow the performer a chance to engage the audience through musical novelty. The songs are also meant to be short enough that the audience may want more rather than feel worn. 'Washed Away' and 'Unspoken' may be the most involved but both have choruses that can be used for a sing along to bring the audience further in. The songs also have a range of moods and subjects to be useful in balancing an open mic short set.

ISBN 9781619112087. During the course of my teaching piano and guitar, I have not come across another book that took these classic masterpieces and arranged them for the beginner guitar student. There is an amazing amount of literature like this for the piano, but not for the guitar. My goal with this book is to fill this void in the guitar literature. I chose compositions that the young guitar student would most likely have heard before and thus used familiar melodies. I then made easy arrangements of them, mostly using the top four strings, simple chords and fingerings. The right hand fingering is not indicated, because I used the general rule of thumb: a = 1st string, m = 2nd string, i = 3rd string, p = 4th, 5th and 6th strings. All 12 solos are scored in notation and tablature. Includes access to online audio.

Item Number: S9.Q564325

Thomas Fellow, Autor des erfolgreichen Standardwerkes Fellow Guitar Book und weltweit konzertierender Gitarrist (European Guitar Quartet, Friend `n Fellow, Hands on Strings), erweitert seine Guitar Music Collection mit diesem und dem Folgeband um eine umfangreiche Menge Kompositionen in seiner ihm eigenen modernen, stilistisch offenen Klangsprache. Das vorliegende Heft mit 18 DELIGHTFUL CROSSOVER PIECES wendet sich an interessierte Studenten, konzertierende Gitarrist:innen ebenso wie an ambitionierte Laien. Die Stucke sind anspruchsvoll (Schwierigkeitsgrad 4 - schwer) und bilden durch die zusatzliche Notation in TABS auch fur nicht-notenkundige Spieler eine perfekte Erganzung fur ihr Repertoire an moderner Gitarrenliteratur. FINGERFOOD XXL Vol. 1 umfasst kurzere Kompositionen (STARTER) und eine ganze Reihe von Balladen (SWEET). Alle Stucke sind konzertant, aber jedes auf seine Weise. Und so lassen sich Fingerstyle-Einflusse ebenso erkennen wie brasilianische Klange, mal nahert sich Fellow dem Jazz, mal der Popmusik und vermittelt immer Spielfreude und Horgenuss.

ISBN 9781513470375. 8.75x11.75 inches.

Intended as a sequel to 20 Flamenco Guitar Etudes, the longer, more developed exercises in 16 Studies for Flamenco Guitar further explore characteristic flamenco guitar techniques including: picado, arpeggio, tremolo, horquilla, the chop, ligado, and the thumb/index alzapua among others. These intermediate-level studies are written in standard notation and guitar tablature with online audio and video included for ease of learning.The pieces are designed and fingered pragmatically to enhance the students overall understanding of flamenco technique and encourage the use of a broader range of studies in daily practice. Left and right-hand digitation is provided throughout, along with occasional circled string numbers which clarify passages intended to be played higher on the fretboard, or on certain strings for a specific musical effect.This book is unique not only for its inclusion of the authors stellar online audio and video recordings, but also for insightful practice tips that vary according to the players years of experience and level of development. If youre thinking WOW! that is the appropriate response; this is flamenco instruction at its best.Includes access to online audio and video.