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TRI ET FILTRES
Tri et filtres :
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AUTRES
Vous avez sélectionné:
BJE Music
Guitare notes et tablatures
Partitions à imprimer
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Music of Mexico for Acoustic Guitar, Volume 1
Guitare notes et tablatures
By Ruben Delgado. For Guitar (Classical and Fingerpicking). Mexican. 56 pages. Published b…
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By Ruben Delgado. For Guitar (Classical and Fingerpicking). Mexican. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610654913. Books in Mel Bay's "Acoustic Guitar" category are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon; and Noche de Ronda. All arrangements are written in notation and tablature. Includes access to online audio.
$17.99
16.52 €
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Guitare notes et tablatures
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Ruben Delgado
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Music of Mexico for Acoustic Guitar, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Songs for an Open Mic
Guitare notes et tablatures
Voice, Guitar, Guitar Tab - Intermediate - Digital Download Composed by Chris Dudley. B…
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Voice, Guitar, Guitar Tab - Intermediate - Digital Download Composed by Chris Dudley. Blues, Rock, Country, Birthday, Folk. 25 pages. Published by Chris Dudley
The songs in this collection are intended to be musically engaging, many with a fresh sound, but easy enough to play that the singer can focus on vocalization and connecting with the audience. If the music goes up the guitar neck, it mostly does it at the dots on the fretboard. It does not go past the twelfth fret so that even a nylon string guitar can be used. If there is individual fingering instead of chords, the music can be played more slowly. In places where a finger picking pattern is indicated, strumming may often be substituted. The tuning is standard to avoid the distraction of retuning in a short set. But these are mostly not three chord songs. The pseudo key change in 'Dreamsieve' the second E minor chord in 'Washed Away,' or the open strings in 'Gold Star Eyes,' may allow the performer a chance to engage the audience through musical novelty. The songs are also meant to be short enough that the audience may want more rather than feel worn. 'Washed Away' and 'Unspoken' may be the most involved but both have choruses that can be used for a sing along to bring the audience further in. The songs also have a range of moods and subjects to be useful in balancing an open mic short set.
$15.56
14.29 €
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Guitare notes et tablatures
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Chris Dudley
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Songs for an Open Mic
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Chris Dudley
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SheetMusicPlus
Objects of My Affection by Peter Bjorn & John - Guitar TAB
Guitare notes et tablatures
Performed by: Peter Bjorn & John: Objects of My Affection Digital Sheetmusic - instant…
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Performed by: Peter Bjorn & John: Objects of My Affection Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Electric Guitar 1;Electric Guitar 2;Acoustic Guitar;Backup Vocals; 4 pages -- Indie Rock~~Indie Pop
$5.79
5.32 €
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Guitare notes et tablatures
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Peter Bjorn & John
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Guitar TAB
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Musicnotes
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.83 €
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
The Fundamentals Guitar Course - Revised Edition
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1075402 By Gary Wolk. By Gary Wolk. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1075402 By Gary Wolk. By Gary Wolk. Arranged by Gary Wolk. 20th Century,Contemporary,Folk,Instructional,Rock. Guitar Tab. 66 pages. Gary Wolk Music #679597. Published by Gary Wolk Music (A0.1075402). This is a revised version of the original book. A bit more content, better graphics, but same concept. The main objective is to teach not only notes and chords, but why they all go together. Knowledge of the finger board is also a very important factor in becoming an all-around guitarist, which is covered in depth. For beginner to intermediate.
$12.99
11.93 €
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Guitare notes et tablatures
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Gary Wolk
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Gary Wolk
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The Fundamentals Guitar Course - Revised Edition
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Gary Wolk Music
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SheetMusicPlus
Fugue Study in Em
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1017653 Composed by Oliver Waterman. 20…
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Guitar - Level 4 - Digital Download SKU: A0.1017653 Composed by Oliver Waterman. 20th Century,Baroque,Contemporary. Guitar Tab. 5 pages. Oliver Waterman #6212365. Published by Oliver Waterman (A0.1017653). My Fugue Study in Em, is a sneak peak into a collection of studies for guitar that I've composed called Classically Different. They are not meant for the beginner student, but they are pedagogical. They are the result of imagining what it would have been like to have the 6 string guitar a common place instrument during the 18th century. Would there have been powerhouse guitarist/composers like Sor and Giuliani of the 19th century? Would they have performed and composed like Bach Vivaldi and Weiss? Would Bach have composed a suite for it? I originally composed this Fugue for keyboard in my counterpoint class. As I started to arrange it for guitar and learn to play it, I realized that I was running into similar problems that guitarists have experienced since Tarrega first started transcribing Bach. I coincidentally rewrote a number of sequences and entrances of the subject to make it more guitar logical. There are still leaps by a 7th sprinkled in to continue a low melody an octave higher due to the range limitations of the 6 string guitar. I wonder if perhaps this would have been a useful mechanism for the hypothetical guitarists of the 18th century, or if they would have just composed for the instruments range. It is quite apparent to me that a great deal of Baroque music arranged for guitar makes great use of this without degradation to the original line. I use both tablature and standard notation for my scores with perhaps an overabundance of fingerings. I want to make it as easy as possible to understand the music for as many players as possible. .
$1.99
1.83 €
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Guitare notes et tablatures
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Oliver Waterman
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Fugue Study in Em
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Oliver Waterman
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