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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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VENTS
Quatuor de Clarinettes: 4 clarinettes
30
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19
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18
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15
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8
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7
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5
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
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22
Quatuor de cuivres: 4 trombones
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
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Quatuor de Cuivres
4
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3
Trompette
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4 Tubas
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Quatuor de cuivres: 4 cors
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Trompette, Saxophone (duo)
2
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Tuba et Piano
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3 Trompettes (trio)
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Tuba
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
23
Harpe
8
2 Violons (duo)
8
Alto, Piano
8
2 Violoncelles (duo)
7
2 Altos (duo)
6
Violoncelle, Piano
6
Trio à Cordes: 2 violons, violoncelle
6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Violoncelle (duo)
5
Violon (partie séparée)
4
Violon, Alto (duo)
4
4 Violoncelles
3
Violoncelle
3
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Violon
2
Harpe, Voix
2
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
Contre Basse
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
Ensemble d'Altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
42
Batterie
27
Orchestre
25
Orchestre à Cordes
23
Ensemble de cuivres
16
Orchestre de chambre
15
Cloches
13
Ensemble Jazz
6
Ensemble de Percussions
5
Orchestre, Violon
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Vibraphone
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Fanfare
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Guitare notes et tablatures
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Let It Be
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1278923 By The Beatles. By John Lennon …
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Guitar - Level 3 - Digital Download SKU: A0.1278923 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jake Cantrell. 20th Century,Pop,Rock,Standards. Guitar Tab. 7 pages. TheLoneArranger #870472. Published by TheLoneArranger (A0.1278923). The Beatles - Let It Be arranged for a full modern guitar ensemble!Parts included contain Sheet Music, Tablature, and Combination of Sheet Music and TablatureGuitar 1.
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Guitare notes et tablatures
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The Beatles
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Jake Cantrell
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Let It Be
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TheLoneArranger
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SheetMusicPlus
Anthem
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1121172 By Rush. By Alex Lifeson, Geddy…
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Guitar - Level 4 - Digital Download SKU: A0.1121172 By Rush. By Alex Lifeson, Geddy Lee Weinrib, and Neil Peart. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 29 pages. Dan Chernow #722349. Published by Dan Chernow (A0.1121172). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. As recorded by Rush on the 1975 album 'Fly By Night'. Transcription and Guitar Pro 8 notation by Dan Chernow, copyright 2022. As always, the most accurate Rush guitar transcriptions you will ever see or hear! The song that kicks off Rush's second album and the first featuring Neil Peart showcases their growing affinity for progressive rock, some would now say inventing progressive hard rock/metal in the process. A fast and tricky (and heavy!) 7/8 intro launches their first odd-time excursion before shifting into a quick and bouncy 12/8 for the reminder of the song. Alex locks in with some mighty power chords, jangly arpeggios and an absolutely diabolical solo. Utilizing a wah pedal and some tastily placed feedback he unleashes a beast of a solo, with some super fast shredding in between some truly tasty blues-inflected licks (both hallmarks of his early soloing style). The slap back delay effect used in several sections must be set to match the time of two eighth notes (or one quarter note) so be careful with that. See and hear this! (YouTube link included near bottom of pdf). (As a bonus. I also invite you to play this transcription along with the original recording as I set the tempos throughout to match the natural fluctuations the band takes throughout the song.).
$7.99
7.24 €
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Guitare notes et tablatures
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Rush
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Dan Chernow
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Anthem
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Dan Chernow
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SheetMusicPlus
Star of County Down
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.556913 Composed by Traditional. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.556913 Composed by Traditional. Arranged by PianoSheetNow. Celtic,Folk,Irish,Traditional. Guitar Tab. 3 pages. PianoSheetNow #6169383. Published by PianoSheetNow (A0.556913). Star of the County Down is an Irish ballad set near Banbridge in County Down, in Northern Ireland. The tune is traditional, and may be known as Dives and Lazarus or (as a hymn tune) Kingsfold.Guitar early Intermediate. With standard notation and tablature (TAB).
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Guitare notes et tablatures
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Traditional
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PianoSheetNow
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early
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Star of County Down
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PianoSheetNow
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SheetMusicPlus
Working Man
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1117269 By Rush. By Alex Lifeson and Ge…
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Guitar - Level 4 - Digital Download SKU: A0.1117269 By Rush. By Alex Lifeson and Geddy Lee. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 46 pages. Dan Chernow #718851. Published by Dan Chernow (A0.1117269). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. By far the most popular and important song from Rush's early catalog, 'Working Man' is a prime example of what made Rush blow people's minds in the early/mid 70s. The power and influence from this song alone can be felt echoing throughout every album of their career: each time you hear Alex bash out a power chord riff, take you on a wild ride with a solo, or hear Geddy and Alex synced up playing a powerful or complex riff, THIS is where it came from. The song itself is a marvelous journey into what a couple of supremely talented kids with a guitar and a bass can do. It was my honor to work on, and it's truly my honor to present THE definitive guitar transcription of 'Working Man' to the world. Enjoy! SEE and HEAR this on YouTube! (link to full video included near bottom of pdf).
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7.24 €
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Guitare notes et tablatures
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Rush
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Dan Chernow
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Working Man
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Dan Chernow
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
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1.8 €
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Etude No 22 Op 35
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1356984 Composed by Fernando Sor. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1356984 Composed by Fernando Sor. Arranged by Brian Streckfus. 19th Century,Classical,Instructional,Romantic Period. Guitar Tab. 3 pages. Brian Streckfus #941611. Published by Brian Streckfus (A0.1356984). Pages: 3Key: B minorFeatures:1. Tablature Added2. Blank version for starting from scratch3. Chord Nomenclature added 4. Dynamics added 5. Fingerings Added 6. Slides/Guide fingers added 7. Modern Fonts Tips: 1. Realizing that you are in position two most of the time helps. In the key of B minor, fret 1s aren't supposed to happen as they would be out of key. This piece does have key changes, so some fret 1s do happen.2. Nearly all measures are arpeggios, so it's best to summarize each measure as a chord shape. If you read the music one note at a time, your playing will most likely sound choppy. It is possible to get the entire measure ready on beat one.3. Similiar to the last point, there are a lot of bars in this piece. Realizing when you are barring and not barring will be helpful.4. I try to strategically leave out fingerings. Too many fingerings and the piece look overly intimidating. Often, if I leave out a fingering, it's because it is a counter-intuitive fingering to use, and therefor the student should pencil it in themselves as a strong reminder of a difficult moment. I also leave out fingerings if I strongly sense there are multiple correct ways of playing a passage.
$1.99
1.8 €
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Guitare notes et tablatures
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Fernando Sor
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Brian Streckfus
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Etude No 22 Op 35
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Brian Streckfus
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SheetMusicPlus
Halloween Special from 13 Creepy Creations for guitar
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.899806 Composed by Mitch Smith. Concert…
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Guitar - Level 2 - Digital Download SKU: A0.899806 Composed by Mitch Smith. Concert,Halloween,Instructional,Rock,Standards. Guitar Tab. 4 pages. Mitch smith #2951593. Published by Mitch smith (A0.899806). Selection 5 from 13 Creepy Creations for Guitar. This piece begins to teach the guitarist about the linear minor scale as well as diminished patterns. Can be played finger style or with a pick. Perfect for Halloween and recitals. Composer, Mitch Smith is a member of ASCAP. See more at http://msmithorchestra.wixsite.com/mysite
$1.99
1.8 €
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Guitare notes et tablatures
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Mitch Smith
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Halloween Special from 13 Creepy Creations for guitar
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Mitch smith
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SheetMusicPlus
Have Yourself A Merry Little Christmas
Guitare notes et tablatures
Guitar, Guitar Tab - Early Intermediate - Digital Download By Frank Sinatra. Arranged by…
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Guitar, Guitar Tab - Early Intermediate - Digital Download By Frank Sinatra. Arranged by Jon Burchfield lives in Nashville, TN and performs concerts on the classical guitar. Individual Part, Sheet Music Single, Solo Part, Tablature. 6 pages. Published by Burchfield Brothers Publishing
This well known piece from the movie "Meet Me In St Louis" is beautiful when played on a solo guitar. Its not a demanding arrangement and can be learned quite easily. The entire CD (I'll Be Home For Christmas) eventually will be available on my website: and#65279;www.burchfieldbrothers.com Look for many more of these arrangements to come in the near future.
$4.99
4.52 €
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Guitare notes et tablatures
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Frank Sinatra
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Have Yourself A Merry Little Christmas
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Burchfield Brothers Publishing
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SheetMusicPlus
Understanding Dadgad
Guitare notes et tablatures
By Doug Young. For Guitar (Fingerpicking). Acoustic Music. 144 pages. Published by Mel Bay…
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By Doug Young. For Guitar (Fingerpicking). Acoustic Music. 144 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610653220. Understanding DADGAD is a complete introduction to usingthe DADGAD tuning for fingerstyle acoustic guitar. The book systematically explores the tuning, starting with simple chords and scale patterns, ultimately showing how DADGAD can be used to play in nearly any key and in many different musical styles. Topics include moveable and open-string chords and scales, intervals, the harp-effect, common chord progressions in DADGAD and more, all in the context of either short musical examples or complete tunes.Rather than just providing scales, chords, or tunes, this book guides the reader through the process of understanding the guitar from the perspective of DADGAD tuning. Topics are organized as a series of small self-contained sections ideal for a single study session or lesson. After exploring extremely easy ways to get started with DADGAD, involving as little as a single finger on the fretting hand, the book progresses to examples that will interest even more advanced players. 200 musical examples, including several full performance-quality pieces, demonstrate each concept. The online audio features the author playing many of the examples.A complete introduction to DADGAD tuning for fingerstyle acoustic guitar.Begins with simple chords and scale patterns and progresses to more complex musical examples in many different keys.Topics include moveable and open-string chords and scales, the harp-effect, intervals, common chord progressions in DADGAD and more. Audio available online for download.
$22.99
20.84 €
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Guitare notes et tablatures
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Doug Young
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Understanding Dadgad
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Essential Flamenco Guitar: Volume 2
Guitare notes et tablatures
Rumba. Exercises. Ebook and online video. 141 pages. Mel Bay Publications - Digital …
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Rumba. Exercises. Ebook and online video. 141 pages. Mel Bay Publications - Digital Sheet Music #30501MEB. Published by Mel Bay Publications - Digital Sheet Musi
ISBN 9781513455532. 8.75x11.75 inches.<br> <br> The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan\'s solo playing is complemented by demonstrations of the guitar\'s role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.
$34.99
31.72 €
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Guitare notes et tablatures
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Essential Flamenco Guitar: Volume 2
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Mel Bay Publications - Digital Sheet Musi
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SheetMusicPlus
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