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Because I Want You
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Vous avez sélectionné:
Because I Want You
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Because I Want You
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Guitare notes et tablatures
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Rock
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Placebo
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Because I Want You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Placebo. By Brian Molko, Steve Hewitt, and Stefan Olsdal. For guitar. Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music...
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By Placebo. By Brian Molko, Steve Hewitt, and Stefan Olsdal. For guitar. Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
D Egyptian Etude
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Brian Streckfus
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D Egyptian Etude
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1136061 Composed by Brian Streckfus. Instructional,Jewish,Multicultural,Religious,Sacred,World. Guitar Tab. 1 pages. Brian St...
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Guitar - Level 3 - SKU: A0.1136061 Composed by Brian Streckfus. Instructional,Jewish,Multicultural,Religious,Sacred,World. Guitar Tab. 1 pages. Brian Streckfus #736086. Published by Brian Streckfus (A0.1136061). If someone is yawning saying, I'm sick and tired of playing music in the key of C Major, I want to use a scale hardly anyone uses. Then this piece is for you.1. Guitar Arrangement2. Guitar Tab3. Less stereotypical chords 4. Fingerings and letter names added to aid in sight-reading 5. Voice leading considerationsThe Scale I used is: D Eb F# G A Bb D. The name of it would be something bizarre. These names include: Jewish, harmonic major, or a mode of G harmonic minor. If I included a C#, it would be a symmetrical scale that can't be retrograded, adding to the mathematical mystique. An exotic sounding atmosphere was what I was going for.Tips:1. Since it is exotic, microtonal pre-bends seem appropriate to make it even more exotic sounding. That is what the upwards pointing swoosh means. Perhaps the sound of a sitar was what I was going for.2. Slides also make it sound more exotic.3. Exotic music uses drone tones more often than American music. Therefor, droning a low D made sense.4. The naming of chords would be quite difficult since it is more of an alien music language than a western one. I just left them out this time. Names would happen such as Dadd4(b9)omit3. Pretty alien chords if you ask me, and you can see that the western chord nomenclature is struggling to name it elegantly. Anytime chords are build in 4th and 5ths rather than 3rds, usually the name that results is quite complex.5. I added unisons because it makes it sound more mysterious in my opinion.
$1.99
Gnossienne No. 3 (Tablature +)
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Guitare notes et tablatures
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FACILE
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Classique
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Contemporain
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Erik Satie
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Brian Streckfus
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Gnossienne No. 3
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Bri...
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Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99
Auld Lang Syne
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Guitare notes et tablatures
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DÉBUTANT
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Tradition...
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Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
Types of Cadences: Theory Worksheet for Guitar
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Types of Cadences: Theory Work
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1162928 Composed by Brian Streckfus. Instructional. Tablature. 1 pages. Brian Streckfus #763279. Published by...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1162928 Composed by Brian Streckfus. Instructional. Tablature. 1 pages. Brian Streckfus #763279. Published by Brian Streckfus (A0.1162928). Color-coded cadences included:1. Perfect : good for inducing the audience to clap2. Imperfect: good for inducing the audience to wait in suspense3. Half : good for inducing the audience to wait in suspense4. Deceptive: good for suprising the audience with an unexpected emotionUnderstanding these cadences can make you a better composer because you will be able to control the audience's expectations, such as controlling when they want or do not want to applaud.This worksheet is also a good opportunity to talk about smooth voice leading, which is rare to see in guitar culture. Even classical guitarists before Mauro Giuliani were not that good at following 18th century part writing rules. Unfortunately, the giant stereotypical guitar chords tend to break these rules, which is why I often recommend keeping chords to four notes on guitar.
$1.99
Apoyando and picado exercises in E minor for flamenco and classical guitarists
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Flamenco
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Fingerstyle/Fingerpicking
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Eugen Sedko
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Apoyando and picado exercises
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Eugen Sedko
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SheetMusicPlus
Guitar Tab - Intermediate - Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko ...
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Guitar Tab - Intermediate - Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko
New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!
$3.99
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Because I Want You
