ISBN 9781610652117.

Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as 'The Wind Cries Mary', Little Wing', and 'Castles Made of Sand'), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, RandB, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to 'stand alone'; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. Audio download available online. Standard notation and tablature.

ISBN 9781619119765.

This comprehensive text covers the spectrum of fingerpicking technique and styles. Performance and stylistic notes, fingerstyle guitar solos and a listening guide are presented for each section of the book.Sections include: Folk Songs; Gospel Songs; Country Blues; RagtimeBlues; Rags and Dances; Appalachian Fiddle Tunes; Celtic Airs; Jigs and Reels; Classic Rags; Fingerstyle Jazz Guitar & Fingerstyle Guitar Duets. All solos are in notation and tablature and are written by noted fingerpicking guitarists Stefan Grossman, Elizabeth Cotten, DeanSires, Ton VanBergeyk, David Laibman, Rev. Gary Davis, Duck Baker, Seth Austen, Steve Tilston, John Morris, Sid Percy, Tom O'Farrell, JimMcLennan, Leo Wijnkamp Jr., Lasse Johansson and Claes Palmqvist.

45 New Classical Guitar Arrangements in Open D Tuning

Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.

Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings.

There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O?Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi.

I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online.

Look for the audio tracks on my website in the guitar bookssection:

https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/

or,

https://brentrobitaille.com/product-category/guitar-books/

or,

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