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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Comme D
Sheetmusicplus
Non classifié
227
Piano & claviers
Piano seul
72
Piano Facile
22
Piano, Voix et Guitare
19
Instruments en Do
15
Piano, Voix
15
Piano Trio: piano, violon, violoncelle
12
Orgue
6
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
31
Guitare notes et tablatures
10
4 Guitares (Quatuor)
6
Piano, Guitare (duo)
6
Basse electrique
5
2 Guitares (duo)
3
Ukulele
2
3 Guitares (trio)
2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
Orchestre à Plectres
1
Ensemble de guitares
1
Dulcimer
1
Mandoline
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
30
Chorale 3 parties
9
Chorale 2 parties
7
Chorale Unison
3
Chorale SSAA
2
Voix d'Enfants
2
Chorale TTBB
2
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
37
Saxophone Tenor et Piano
32
Saxophone Alto et Piano
28
Saxophone Soprano et Piano
22
Hautbois, Piano (duo)
17
Clarinette et Piano
15
2 Flûtes traversières, Piano
12
3 Saxophones (trio)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Flûte, Clarinette, Piano (trio)
9
Clarinette, Violoncelle, Piano (trio)
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Violon, Piano
7
Clarinette, Violon (duo)
7
Ensemble de Clarinettes
6
Saxophone Alto
5
Flûte, trombone et piano
5
Quatuor de Saxophones: 4 saxophones
5
Flûte traversière
5
Clarinette
5
2 Flûtes traversières (duo)
5
2 Clarinettes, Piano
5
Flûte, Violon et Violoncelle
4
2 Saxophones (duo)
4
Quintette de Saxophone: 5 saxophones
4
Trio de Flûtes: 3 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Tenor
4
3 Clarinettes (trio)
3
Flûte, Alto et Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violon, Violoncelle et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Clarinette et Basson
3
Ensemble de saxophones
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Soprano
2
Flûte irlandaise
2
2 Clarinettes (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Harmonica
1
Clarinette Basse
1
Flûte, Violoncelle
1
Flûte, Hautbois, Violon
1
Clarinette, trompette et piano
1
4 Hautbois
1
Flûte, Violon
1
Flûte, Violon, Guitare
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
2 Hautbois (duo)
1
Clarinette, Saxophone, Piano
1
Flûte et Trio à cordes
1
Ensemble de Flûtes
1
2 Flûte à bec (duo)
1
Flûte, Violoncelle, Guitare
1
Saxophone Baryton, Piano
1
Saxophone (partie séparée)
1
Flûte à bec Soprano, Basse continue
1
Flûte à bec Alto
1
Hautbois (partie séparée)
1
+ 58 instrumentations
Retracter
Cuivres
Trompette, Piano
14
Trompette
14
Trombone et Piano
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone
6
Cor et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor
4
Trompette, Violoncelle et Piano
3
Tuba
2
Quatuor de Cuivres
2
2 Cors (duo)
1
Ensemble de Trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Ensemble de Trompettes
1
2 Trombones (duo)
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
44
Violoncelle, Piano
34
Alto, Piano
32
Trio à Cordes: violon, alto, violoncelle
18
Violon
10
Violoncelle
10
Harpe
9
Trio à cordes: 3 violins
8
Trio à Cordes: 2 violons, violoncelle
5
Quatuor à cordes: 4 violons
4
Alto seul
4
Alto, Violoncelle (duo)
4
Violon, Violoncelle (duo)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
2 Violons (duo)
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
2
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Altos (duo)
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
302
Orchestre
22
Ensemble Jazz
15
Orchestre à Cordes
8
Ensemble de cuivres
7
Jazz combo
4
Orchestre de chambre
3
Batterie
3
Fanfare
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
facile
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avancé
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Vous avez sélectionné:
Comme D
SheetMusicPlus
Partitions à imprimer
10 partitions trouvées
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1
Canon in D
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
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Brian Streckfus
#
Canon in D
#
Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1152660 Composed by Johann Pachelbel. Arranged by Brian Streckfus. Baroque,Classical,Instructional. Guitar Tab. 4 pages. Bria...
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Guitar - Level 3 - SKU: A0.1152660 Composed by Johann Pachelbel. Arranged by Brian Streckfus. Baroque,Classical,Instructional. Guitar Tab. 4 pages. Brian Streckfus #752889. Published by Brian Streckfus (A0.1152660). 1. Arranged for guitar. 2. Guitar tablature added. 3. Chord symbols added to aid in summarizing the harmony 4. Some bass note octaves have been changed to better suit guitar. 5. Composer indications added. 6. Some fingerings and position marking added, but this version mostly left them blank for the performer to make the majority of the decisions. 7. 4 Measures per line was maintained because he helps to clearly see the repeating chord progression and phrase lengths. I recommend paying attention to multiples of 4 measures. 8. Two sharps often leads to being in second position on guitar.
$1.99
La Guitare Classique
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Guitare notes et tablatures
#
DÉBUTANT
#
Classique
#
Ludwig van Beethoven, Pièce
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Javier Marcó
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La Guitare Classique
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Javier Marco
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.842812 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Ama...
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Guitar - Level 1 - SKU: A0.842812 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Instructional,Romantic Period. Guitar Tab. 54 pages. Javier Marco #6358045. Published by Javier Marco (A0.842812). Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).Comprend:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
La Guitare électrique Classique
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Guitare notes et tablatures
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DÉBUTANT
#
Classique
#
Ludwig van Beethoven, Pièce
#
Javier Marcó
#
La Guitare électrique C
#
Javier Marco
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.842814 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Ama...
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Guitar - Level 1 - SKU: A0.842814 Composed by Ludwig van Beethoven, Pièces faciles de Bach, Vivaldi ainsi que d'autres compositeurs, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period,Standards. Guitar Tab. 32 pages. Javier Marco #6358047. Published by Javier Marco (A0.842814). Cette collection présente une sélection d'oeuvres classiques appartenant aux compositeurs les plus renommés: Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Johann Pachelbel, Giuseppe Verdi, Richard Wagner et Johannes Brahms.18 thèmes faciles et amusants à jouer comme solos, présentée dans une version simplifiée pour les débutants, qui peuvent être accompagnés de piano ou de guitare (chiffrage américain).Comprend:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Bourrée, BWV 996Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147Kanon in D-DurLa Donna è Mobilela Primavera, RV. 269Menuett, BWV Anh 114Ode an die Freude, Op. 125Pomp and Circumstance March Nº1, Op. 39Treulich geführtWater Music, HWV 349
$9.99
Gnossienne No. 3 (Tablature +)
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Guitare notes et tablatures
#
FACILE
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Classique
#
Contemporain
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Erik Satie
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Brian Streckfus
#
Gnossienne No. 3
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Brian Streckfus
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Bri...
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Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99
Triad Chord Worksheet
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Guitare notes et tablatures
#
DÉBUTANT
#
Methodes
#
Brian Streckfus
#
Triad Chord Worksheet
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Brian Streckfus
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
Classic Jazz-Rock Study # 18
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Sadip Shahi
#
down by Plectrum)
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Classic Jazz-Rock Study # 18
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SadipG
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1021246 Composed by Sadip Shahi. Blues,Instructional,Jazz,Rock. Guitar Tab. 2 pages. SadipG #6119679. Published by SadipG (A0...
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Guitar - Level 3 - SKU: A0.1021246 Composed by Sadip Shahi. Blues,Instructional,Jazz,Rock. Guitar Tab. 2 pages. SadipG #6119679. Published by SadipG (A0.1021246). ``Classic Jazz-Rock Study # 18 is composed in the key signature of D Major. Play this study or run using alternate picking method (Up & down by Plectrum).And repeat this study as much as possible. Even though it is in key of D Major but I would better suggest you to transpose it on all key signatures is far better to understand this study which is also recommended by Jazz Masters as well.Best Wishes For You All on the occasion of upcoming New Year 2021 !!!Musically Yours,Sadip Shahi.
$2.25
21 Flamenco Guitar Etudes
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Flamenco
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21 Flamenco Guitar Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Classical. Internatioanl. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #30997MEB. Published by Mel Bay Publications -...
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Classical. Internatioanl. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #30997MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459240. 8.75x11.75 inches.
Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist.The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuningall with a flamenco flavor.In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or flamenco-ized. Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous Recommended Listening list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection.Includes access to online audio.
$22.99
Dadgad Encyclopedia
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Fingerstyle/Fingerpicking
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Methodes
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Jim Goodin
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Dadgad Encyclopedia
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
By Jim Goodin. For Guitar (Fingerpicking). Acoustic Music. 184 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Jim Goodin. For Guitar (Fingerpicking). Acoustic Music. 184 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610658416. Whether guitarists are new to open-tunings or already working with them, fingerstyle specialist Jim Goodin offers a progressive look at the popular D-based harp-like tuning. Classical, Celtic, blues, folk, gospel and several original compositions are represented in the 15 notation/tablature arrangements each arranged proportionately to offer beginning, intermediate and advanced fingerstyle players opportunities to grow their technique. Interspersed with the song arrangements are sections featuring major and minor scale studies and popular folk and jazz style chords. Includes a 15-track audio produced at Will Ackerman's Imaginary Road Studio where the book's arrangements were recorded. To round out this robust offering Jim includes thoughts about the origin of DADGAD, the songs, his technique with special how-to features such as one on playing natural and harp style harmonics and recommended listening audio to expand listening knowledge on this tuning. Includes access to online audio.
$19.99
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