ISBN 9781513455112. 8.75x11.75 inches.

This is a clear and concise method to help the intermediate-to-advanced guitarist develop the crafts of composing and arranging. With an accessible presentation of theory as it applies directly to the guitar, topics include: the structure and construction of a melody, harmonizing a melody, development of melodic and harmonic ideas, musical form, the roll of rhythm and tempo, the guitar as a compositional tool, and how all these elements are combined into a fully realized piece of music. The importance of open tunings and why they play a major role in fingerstyle guitar is discussed, along with their benefits and practical limitations. Finally, we cover techniques particular to fingerstyle guitar playing and how to approach performing, dealing with nerves and presentation, letting mistakes go and enjoying the experience of playing and performing. Includes access to online audio.

ISBN 9780739082812.

Video game soundtracks both old and new feature work by some of the greatest composers of our time. Orchestras all over the world play entire concerts of video game music. This collection of themes from The Legend of Zeldaa,,C/ series is arranged for solo guitar performance with full notation and TAB. Each song is arranged in easy guitar keys at an easy--intermediate level, and all pieces are suitable for recitals, concerts, and solo performances. There are 33 songs drawn from The Legend of Zeldaa,,C/, Zelda IIa,,C/ - The Adventure of Linka,,C/, The Legend of Zeldaa,,C/: A Link to the Pasta,,C/, The Legend of Zeldaa,,C/: Link's Awakeninga,,C/, The Legend of Zeldaa,,C/: Ocarina of Timea,,C/, The Legend of Zeldaa,,C/: Majora's Maska,,C/, The Legend of Zeldaa,,C/: The Wind Wakera,,C/, The Legend of Zeldaa,,C/: Four Swords Adventures, The Legend of Zeldaa,,C/: Twilight Princess, The Legend of Zeldaa,,C/: Phantom Hourglass, and The Legend of Zeldaa,,C/, Spirit Tracks.

Best in Show Award at Winter NAMM 2012 presented by Music Inc. magazine.

ISBN 9780739082812.

Video game soundtracks both old and new feature work by some of the greatest composers of our time. Orchestras all over the world play entire concerts of video game music. This collection of themes from The Legend of Zeldaa,,C/ series is arranged for solo guitar performance with full notation and TAB. Each song is arranged in easy guitar keys at an easy--intermediate level, and all pieces are suitable for recitals, concerts, and solo performances. There are 33 songs drawn from The Legend of Zeldaa,,C/, Zelda IIa,,C/ - The Adventure of Linka,,C/, The Legend of Zeldaa,,C/: A Link to the Pasta,,C/, The Legend of Zeldaa,,C/: Link's Awakeninga,,C/, The Legend of Zeldaa,,C/: Ocarina of Timea,,C/, The Legend of Zeldaa,,C/: Majora's Maska,,C/, The Legend of Zeldaa,,C/: The Wind Wakera,,C/, The Legend of Zeldaa,,C/: Four Swords Adventures, The Legend of Zeldaa,,C/: Twilight Princess, The Legend of Zeldaa,,C/: Phantom Hourglass, and The Legend of Zeldaa,,C/, Spirit Tracks.

"One Score" is wonderful fingerstyleguitar delight. "One Score" is a concert piece and for casualperformance for your family and friends as well as at a local venue in yourtown. Once you learn "One Score" you will engage your audience inspiritual uplifting reverence and fulfill a technical challenge for yourself.Your peers will be in awe and congratulate you in a well done performanceshowing your real fingerstyle guitar skills. "One Score" is a must toinclude in your repertoire of other skillful compositions. Appropriate forschools and students. Standard tuning. I've included a live performance video as well as the studio recording.

Three Preludes on Occitan Songs

The single download comprises of an Introduction with performers' notes, a score with TAB underneath (to aid with the DADGBD tuning) and a score with notes only.

In performance, the guitar is tuned DADGBD (with both strings 1 and 6 tuned to D).

Icomposed Three Preludes on Occitan Songsduring the years I spent living and working in South West France.
I hadthe pleasure of seeing Occitan bands performing at village festivals. The styleof music was coarse and rhythmic with lyrics telling timeless stories. I borrowed the mostsimple of melodic fragments and use them to create contemporary guitar workssuitable for concert performance.

The Cancion de Hialara translates as ?The Spinner?sSong?. In this, I have imitated the rustic drones of the hurdy-gurdies found inOccitan bands through the use of tremolo patterns.

Som Som is a lullaby. This melody isfamiliar to many cultures across Europe and beyond.

Lò NostreAse translatesas ?Our Donkey?. It is a comic song which tells of the antics of a stubbornrustic animal. Players should enjoy the hemiola rhythms where 3/4 is set again6/8.

For other solo compositions, arrangements, and teaching scores, see: www.danjonesguitarist.com.

This cancause some difficulty in reading. Also, to take advantage of the sonority ofthe instrument when tuned this way, the unusual playing positions and fingeringare critical. It is for these reasons that I have provided the score in justnotes but also with notes and tablature below.

Thankyou and I hope you enjoy Three Preludes on Occitan Songs.

ISBN 9781619119840.

Acclaimed fingerstyle guitarist El McMeen has arranged beautiful music for guitar from the harp, song, pipe andhymn traditions. Utilizing the evocative C-G-D-G-A-D guitartuning, the author describes the appeal of each tune presentedand notates the arrangement in detailed tablature and music. The arrangements are a result of a process of experimentation -with ornamentation and counterpoint lines playing in differentkeys and registers. Emphasis is placed on creating and preserv-ing the flow of a piece, sensitivity to accenting, and avoidingany 'jarring' elements, while at the same time following theauthor's Three-second rule (a guitarist must do something in-teresting every 3 seconds of a solo to sustain the listener'sinterest.) Each tune contains brief performance notes and, insome cases, lyrics. To aid in the performance of these songs,this book has a Low-C Chord Chart. The pieces included have very diverse origins, yet they have two common elements - they were not originally composed for the guitar and they are certain to be treasured!

?Two Score? is another finger style gem to include in yourrepertoire. ?Two Score? has a ethereal introduction to set the mood for a head bopping?rhythm with an ascending and descending cascade run with supporting bass. Another note run follows with an ascending and descending run ending the firstsection with a flamenco flourish. ?Two Score? is a dazzling piece of harmonyand rhythm your friends, as well as in a concert hall, will applaud with enthusiasm leaving you very proud. A comment from another guitarist attending one of my concerts said about ?Two Score,?I wish I wrote that!? The recording of "Two Score" has synth strings and wind chimes. Appropriate for schools and students. Standard tuning. I've included a live performance link. That performance has a few notes not in the original recording and score due to being live.

8.75 x 11.75 inches.

A collection of 14 of Wes Montgomery's great jazz guitar solos transcribed directly from recorded performances. Included are such landmark solos as Work Song; Sack o' Woe; Unit 7; Fallout; Jeanine; Blue Roz; Full House; Mi Cosa; Doujie; Missile; Blues; and others. All solos are in notation and tablature. Most of the pieces can be heard on Riverside's Wes Montgomery: The Complete Riverside Recordings. The new revised edition matches the recordings much more closely than the first edition, with more detailed rhythms in several pieces. All of Wes' original solos are faithfully transcribed here in notation and tablature for your study. The book also contains general performance notes, a chronological discography, and a touching biographical essay.

ISBN 9781513468990. 8.75x11.75 inches.

Belgian guitarist and composer Gilbert Isbin presents 50 original, short, contemplative pieces in this book and online recording. Designed for sight reading and performance by classical and fingerstyle players of all ages, these World, blues and jazz-influenced tone poems are written entirely in first and second position in guitar-friendly keys..Adventurous rhythmic concepts with frequent use of pickup notes, syncopated basslines and meter changes make these contemporary guitar solos creative and extremely interesting. The solos feature singable melodies and are easily within the skill level of the intermediate level guitarist. Ideal for concert, recital or just playing for fun. Includes access to an online recording of the author performing each piece.

ISBN 9781619117488.

The word DADGAD refers to the names of the notes on the open strings of one of many alternate tunings for the guitar, one that is very popular with acoustic guitar players. It has a wonderfully warm resonance, allowing you to play simple single-note melodies, yet still fill out the sound of the instrument.The twenty Christmas carols presented here form a perfect introduction to playing guitar in DADGAD tuning. The melodies are presented without added bass notes or chords - just those great melodies, once heard, never forgotten. This means you already know what the tune is supposed to sound like, leaving you to concentrate on playing the notes on the right string and fret, and for the right length of time.This book is the easiest of Rob Mackillop's DADGAD books. It assumes you know how to hold and tune the guitar, and play some notes and a few simple chords. The book includes a Technique Primer to help get you up and running, plus the essential chord diagrams for playing in DADGAD tuning. Book includes access to online audio featuring Rob MacKillop's performance of each piece.

ISBN 9781619119499.

In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADFa-AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 a 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 a 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

ISBN 9781619117297.

Ragtime music and DADGAD tuning seem to be made for each other, or so you will believe after playing these wonderful arrangements by Rob MacKillop. With performance levels running from intermediate to advanced, there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer, Weeping Willow, etc.), James Scott (Grace and Beauty), Charles L. Johnson (Dill Pickles Rag), Fred Van Eps (Rag Pickings), to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller, there is quite a variety of styles to explore. Additionally, recordings by Rob MacKillop will guide and entertain you in the art of DADGAD ragtime guitar! Access to online audio is included. Written in tablature and standard notation.

ISBN 9781619118393.

In the tradition of Django Reinhardt, Bireli Lagrene is one of most highly regarded Gypsy jazz, bebop, and fusion guitarists of recent decades. Once regarded as a child prodigy, he has performed with such legendary players as Benny Goodman, Stephan Grappelli, Al Di Meola, Paco de Lucia, John McLaughlin and countless others. Given that roster, one might assume that Lagrene is quite advanced in years, but this is not the case; the fact is, he was drawn to the guitar as a child of four, and after auditioning at the intermission, was invited onstage with Grapelli for the second half- when he was only ten years old. While Lagrene is primarily an ear player, he has collaborated with TAGA Publishing to produce an exceptional book filled with insightful tips on playing the Gypsy jazz style. Bireli Lagrene: Gypsy Jazz Guitar Artistry introduces the intermediate jazz guitarist to the essential rhythms used in Gypsy jazz accompaniment, as well as to the vocabulary needed to improvise in the Gypsy jazz style. Not for the faint of heart, the book includes online audio recordings of 33 rhythm exercises and licks to incorporate the right feel or panache in your own Gypsy jazz performance style. The musical examples are written in either chord symbols or standard notation and tablature. Includes access to online audio.

ISBN 9781619118591.

This collection of original, contemporary, concert-style compositions for plectrum or flatpicked guitar includes 15 preludes, 4 sonatas with multiple movements, and 12 nocturnes. The solos present a colorful spectrum of tonality, harmony, rhythms and moods ideal for concert or recital performance. All solos are written in standard notation only with appropriate fingering and string markings.

ISBN 9781619119642.

Many great Scottish traditional tunes can be traced back to 17th century lute music. In this collection, multi-instrumentalist Rob MacKillop has transcribed and arranged 25 popular tunes derived from various lute manuscripts. While idiomatic to the guitar, some of these arrangements include fast runs and chord changes, so are best suited to the intermediate-level flatpicking guitarist. This guitar collection consists of the same melodies in the same keys found in its mandolin counterpart, Tunes From 17th Century Scotland Arranged for Mandolin (Mel Bay Publications). In both books, suggested chords are provided wherever appropriate. Consequently, the settings work fine as either mandolin/violin and guitar duets, or as solos for either instrument. Until now, most of these appealing dance tunes and airs have not been available as guitar arrangements. Here, except for two tunes in drop-D tuning, all are in standard guitar tuning. With MacKillopas spirited online recording, generous performance notes and standard notation and tablature for each selection, get ready to explore a wonderful new take on an old repertoire! Includes access to online audio.

ISBN 9781619119765.

This comprehensive text covers the spectrum of fingerpicking technique and styles. Performance and stylistic notes, fingerstyle guitar solos and a listening guide are presented for each section of the book.Sections include: Folk Songs; Gospel Songs; Country Blues; RagtimeBlues; Rags and Dances; Appalachian Fiddle Tunes; Celtic Airs; Jigs and Reels; Classic Rags; Fingerstyle Jazz Guitar & Fingerstyle Guitar Duets. All solos are in notation and tablature and are written by noted fingerpicking guitarists Stefan Grossman, Elizabeth Cotten, DeanSires, Ton VanBergeyk, David Laibman, Rev. Gary Davis, Duck Baker, Seth Austen, Steve Tilston, John Morris, Sid Percy, Tom O'Farrell, JimMcLennan, Leo Wijnkamp Jr., Lasse Johansson and Claes Palmqvist.