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--INSTRUMENTS--
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Feeling Good - Trombone 4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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TROMPETTE
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Crtitères actifs :
Feeling Good - Trombone 4
Guitare notes et tablatures
Partitions à imprimer
2 partitions trouvées
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Feeling good
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Jazz
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Wolfgang Vrecun
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Feeling good
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SheetMusicPlus
Guitar - Intermediate - Composed by Wolfgang Vrecun. Jazz, Smooth Jazz. Score, Tablature. 4 pages. Published by Wolfgang Vrecun...
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Guitar - Intermediate - Composed by Wolfgang Vrecun. Jazz, Smooth Jazz. Score, Tablature. 4 pages. Published by Wolfgang Vrecun
$4.50
Study: 7 Modes
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Guitare notes et tablatures
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DÉBUTANT
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Brian Streckfus
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Study: 7 Modes
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #76...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #764016. Published by Brian Streckfus (A0.1163675). This study/etude makes modes a much more fun and practical exploration, rather than feeling like abstract theory. Also, since all seven are used in the key of C major, this study/etude allows someone to quickly memorize how modes work. The modes are diffucult to memorize because of their foreign names. This makes this piece have great replay value since it will take a few run throughs to memorize them. Tips:1. Each mode has one special note. It is a great exercise to figure them out. For example, the B natural in D dorian sections is the special note. This B natural should have been a Bb in the key of regular D minor.2. This piece is a good example of what I like to call half step gravity. For example, in measure 12, the B has more gravity to go to C than A because C is closer. B to C would be a half step. B to A would be a whole step.3. This piece is a good example of bass notes setting the tone and vibe. I invite performers to change the bass notes to see what I mean. For example, a constant C bass note would lead to a problem free sound, whereas a constant B bass note leads to a more uncomfortable metal music sound.4. This piece is a good example of how we hear a chord from the bass note on up. For example, an E minor chord with a B in the bass might actually function more like a B7 with suspended notes.5. This piece is a good example of a perfect authentic cadence (PAC) with a final A minor chord tonic (home) chord with an A in the bass and soprano voices.
$1.99
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