ISBN 9781513455778. 8.75 x 11.75 inches.

Guitar Picking Tunes - Classical Gems contains guitar arrangements by Mel Bay, Ray Bell, Mike Christiansen, and William Bay of 36 of the most beautiful melodies ever written. Featured are composers such as J. S. Bach, Beethoven, Schubert, Schumann, Tarrega, Sor, Tchaikovsky, Vivaldi, Debussy and more. The works span the musical eras from the Renaissance through late Impressionism. All the pieces are presented in notation and tablature. Includes access to online audio.

ISBN 9781513455938. 8.75x11.75 inches.

A sparkling collection of 35 Celtic airs, ballads, reels, jigs and slip jigs arranged for solo flatpick guitar. Written in notation and tablature and includes access to an online recording of each selection.

ISBN 9781513459677. 8.75x11.75 inches.

A collection of 19 flatpicking solos in the beautiful and rousing old-time style, reflecting the spirit of late 19th and early 20th century rural America. Written in standard notation and tablature. Includes access to online audio.

ISBN 9781619118690.

El McMeen has painstakingly compiled and presented a stunning collection of fingerstyle guitar arrangements of his favorite Celtic songs, airs, and dance tunes from his 30 years of recording. These gems of the repertoire range from aching laments and gorgeous songs to lively dance tunes. 27 pieces are included in this monumental folio. A 77-minute recording of the tunes is available for download to help the reader access and enjoy the magical CGDGAD guitar tuning. Includes access to online audio.

ISBN 9781619115286. 8.5 X 11 inches.

This book features 22 gems of gospel and hymn music, arranged in various keys in dropped D tuning (DADGBE - 6th to 1st string) for the intermediate and advanced guitarist. The arrangements provide compelling evidence that dropped D tuning has been liberated from its usual position as simply a variant of standard tuning. In this book, it takes on an exciting open-tuning character. Innovative string choices and guitar voicings are employed to evoke different textures for the various melodies. The music ranges from the single-note treatment reminiscent of the solo singer, to the flowing, arpeggiated approach of the harper, to the chordal power of the organist. The pace can be slow and meditative, or up-tempo and celebratory. The presentation is in tablature and standard notation.