Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Know What I Like
Non classifié
114
Piano & claviers
Piano seul
64
Piano Facile
44
Piano, Voix
35
Piano, Voix et Guitare
21
Orgue
4
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Piano (partie séparée)
1
+ 3 instrumentations
Retracter
Guitares
Guitare
6
Basse electrique
4
Piano, Guitare (duo)
3
Guitare notes et tablatures
3
Paroles et Accords
3
Dulcimer
1
Ukulele
1
Banjo
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
22
Voix Soprano, Piano
7
Chorale 3 parties
4
Voix Alto, Piano
3
Chorale TTBB
2
Voix Baryton, Piano
2
Chorale 2 parties
2
Voix Tenor
1
Chorale Unison
1
Voix duo, Piano
1
+ 5 instrumentations
Retracter
Vents
Ensemble de saxophones
10
Clarinette et Piano
7
3 Clarinettes (trio)
6
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
5
Quintette de Saxophone: 5 saxophones
5
2 Saxophones (duo)
5
Ensemble de Clarinettes
5
Ensemble de Flûtes
5
Flûte traversière et Piano
5
Saxophone Alto et Piano
5
Quatuor de Clarinettes: 4 clarinettes
4
2 Flûtes traversières (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Hautbois (partie séparée)
2
Saxophone Tenor et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flute (partie séparée)
2
Saxophone, Clarinette (duo)
2
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Hautbois, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse, Piano
1
Piccolo
1
Saxophone Baryton, Piano
1
Clarinette, Violon (duo)
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Saxophone Soprano et Piano
1
Cor Anglais
1
Flûte, Saxophone (duo)
1
Clarinette
1
Flûte, Clarinette (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Trombones (duo)
5
Trombone et Piano
5
Cor
4
Ensemble de Trombones
4
Ensemble de Trompettes
2
Trompette
2
Trompette, Piano
2
Euphonium, Piano (duo)
1
Ensemble de Cors
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Trompette (partie séparée)
1
Cor Anglais
1
Trombone (partie séparée)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violon et Piano
10
Violoncelle
5
Alto, Piano
5
2 Violons (duo)
4
Harpe
3
Violoncelle, Piano
3
Harpe, Voix
3
Violon
3
Ensemble d'Altos
2
2 Altos (duo)
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Contre Basse
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Orchestre d'harmonie
8
Orchestre à Cordes
8
Ensemble Jazz
4
Jazz combo
3
Batterie
2
Ensemble de Percussions
2
Piano et Orchestre
1
Orchestre de chambre
1
Ensemble de cuivres
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
2
Partitions Numériques
3
Librairie Musicale
48
Matériel de Musique
17
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
I Know What I Like
Guitare notes et tablatures
Partitions à imprimer
3 partitions trouvées
<
1
Waltz Op 69 No 2 (Arranged for Guitar)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Brian Streckfus
#
Waltz Op 69 No 2
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
(+)
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Triad Chord Worksheet
#
Guitare notes et tablatures
#
DÉBUTANT
#
Methodes
#
Brian Streckfus
#
Triad Chord Worksheet
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
(+)
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
Both Sides Now
#
Guitare notes et tablatures
#
INTERMÉDIAIRE/AVANCÉ
#
Joni Mitchell
#
edited by Dr
#
Both Sides Now
#
Dr. LeRoy Henry
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1375701 By Joni Mitchell. By Joni Mitchell. Arranged by edited by Dr. LeRoy Henry. 20th Century,Blues,Contemporary,Jazz,Pop. ...
(+)
Guitar - Level 4 - SKU: A0.1375701 By Joni Mitchell. By Joni Mitchell. Arranged by edited by Dr. LeRoy Henry. 20th Century,Blues,Contemporary,Jazz,Pop. Guitar Tab. 8 pages. Dr. LeRoy Henry #960246. Published by Dr. LeRoy Henry (A0.1375701). As performed by Pat Martino on the Creative Force video Both Sides, Now is a song by Canadian singer-songwriter Joni Mitchell. First recorded by Judy Collins, it appeared on the US singles chart during the fall of 1968. The next year it was included on Mitchell's album Clouds, and became one of her best-known songs. It has since been recorded by dozens of artists, including Dion in 1968, Clannad with Paul Young in 1991, and Mitchell herself who re-recorded the song with an orchestral arrangement on her 2000 album Both Sides Now.Mitchell has said that Both Sides, Now was inspired by a passage in Henderson the Rain King, a 1959 novel by Saul Bellow.I was reading ... Henderson the Rain King on a plane and early in the book Henderson ... is also up in a plane. He's on his way to Africa and he looks down and sees these clouds. I put down the book, looked out the window and saw clouds too, and I immediately started writing the song. I had no idea that the song would become as popular as it did.Pat Martino recorded a short version of the tune on his 1975 album Consciousness. I was talking to him about the tune and said I seemed to have remebered a longer version. He said, yeah, there might be one somewhere. I think he was just messing with me and wanted me to look for it. I found it as one of the solo performances from his VHS, Creative Force. As what definately feels like a gift to me, Pat included all the bits and pieces of this extended composition in his True Fire course. I managed to put the pieces together and here is Both Sides Now/Inside synced to the recording.
$9.99
<
1
I Know What I Like