Arrangement of the trational russian song Those were the days for guitar.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

ISBN 9781610651783. As one can easily imagine, it would be very hard for a guitar student to start reading the scores of the traditional choro repertoire, most of them with large number of technical difficulties. It would be much better if they could start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner. That is the main goal of this book. It has 13 studies (in the 13 more commonly used keys for the choro guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros, there are polkas, maxixes, Brazilian tangos and xotis. The more used and characteristic rhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution, all studies were composed with only two voices (melody and bass) and with no chords (although harmonies are quite evident due to the choro melodic particularities). Audio with all 13 studies is included.

The Girl from Ipanema (Garota de Ipanema), composed by Antonio Carlos Jobim, won a Grammy for Record of the Year in 1965. Powered by a samba-like syncopation and exotic Jazz harmonies, this song was worldwide hit and is now rightly considered a classic of the Bossa nova genre.

This is a beautiful, tender and heartfelt, finger-style guitar solo (ballad), exactly as performed by The Candlelight Guitarist on the album "Sunflower Serenity." As with other Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk, classical and jazz styles. Written in both standard notation and TAB, it's for a strong intermediate level finger-style player (budding-into-more advanced), comfortable playing up to 12th position, with capable finger-style abilities (either classical or strong folk technique). Hear Brad's original recording at https://youtu.be/5wIn_Z5iuQA

COMMENTS FROM LONG-ESTABLISHED REVIEWERS...
Dr. Beth - Amazon.com #1 Hall of Fame reviewer
"Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack."

Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer
"The Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals."

Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER
"Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart." ... "Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences."

Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: "Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell."

Jana L. Perskie "Ceruleana" (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.
"The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.

Bob McKillop, founder and publisher, MaineFolkMusic.com
Brad Powell is a talented and highly trained California guitarist and composer who calls himself "The Candlelight Guitarist", and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation ? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender."

Grady Harp - HALL OF FAME TOP 100 REVIEWER
"music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!"

ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a prot�g� of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andr�s Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for "Little House on the Prairie"). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mi

I hope you will enjoy my fingerings for Agust�n Barrios' La Catedral - Andante Religioso & Allegro Solemne; the second and third movements of this great piece.
Barrios had originally composed La Catedral in 1921 as a two-movement piece and so the piece was originally known as having only these two movements. Some seventeen years later, he then composed another piece entitled 'Saudade' (available, separately, as a stand-alone piece) and then a year after composing it, decided to include it as the prelude to the already existing two-movement version. Although it is well-known that Barrios' always included Preludio 'Saudade' whenever performing La Catedral, there are actually no original written copies of the three-movement version.
In this arrangement, some liberties were taken with Allegro Solemne in the 21st measure as it was thought to make for a smoother progression.

ISBN 9781513455945. 8.75x11.75 inches.

These 27 short etudes were composed to provide music suitable for study or the concert stage. The etudes present a colorful palette of moods and musical textures and incorporate various picking techniques and lush harmonies. They are extremely useful in developing tone and a lyrical feeling to a guitarists style. These etudes will work well as concert preludes or encores or may be played in groups to create more extended performance repertoire. They are guitaristic and highlight the beauty of the plectrum/flatpick guitar style. The etudes are written in notation and tablature. Includes access to online audio.

ISBN 9781513455273. 8.75 x 11.75 inches.

This book and online audio presents solo guitar settings of thirteen Celtic and traditional compositions in standard notation and tablature. In addition to well-known Celtic tunes, the author offers a couple of original solos plus arrangements of tunes by the famed Irish harper-Turlough OCarolan. It is intended for the intermediate to advanced guitarist. All of the arrangements were created with the guitar in an alternate tunings including: CGCGCD, CGDGCD (Orkney), DAAEAB, CFCGCD and DGDGCD. Includes access to online audio that contains all of the tunes in the book and should provide a welcome assist in learning these tasteful, sometimes challenging arrangements.

ISBN 9781610651073. These solo fingerstyle guitar arrangements cover a wide spectrum of American music. They include early hymns of the pilgrims, American Revolutionary war tunes, British folk ballads that later became colonial pop songs, sea chanteys, spirituals, Civil War tunes, pioneer frontier ballads, military hymns, and songs of patriotism. They were selected for their heartfelt melodies and their adaptability for solo instrumental guitar. While these arrangements seek to tap the rich polyphonic nature of the guitar, players of all levels will enjoy them and be richly rewarded with the music that is unleashed here. This collection offers an extensively researched musical snapshot of early America and a reminder of the amazing heritage of this great country. Written in standard notation and tablature

ISBN 9781609745226. World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate; The Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player, the author provides insightful performance notes for each tune.