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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Images
Non classifié
193
Piano & claviers
Piano seul
211
Piano, Voix
25
Orgue
20
Piano Facile
15
Piano, Voix et Guitare
10
2 Pianos, 4 mains
7
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
4
Orgue, Piano (duo)
1
Clavier
1
+ 6 instrumentations
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Guitares
Guitare
12
Guitare notes et tablatures
6
2 Guitares (duo)
2
Basse electrique
1
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
+ 2 instrumentations
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Voix
Chorale SATB
81
Voix Soprano, Piano
29
Voix Tenor, Piano
28
Voix Alto, Piano
26
Chorale 3 parties
21
Chorale Unison
11
Chorale 2 parties
8
Chorale TTBB
6
Chorale SSAA
3
Chorale SSAATTBB
3
Voix haute
2
Voix duo
2
Chorale SSATB
1
Voix moyenne, Piano
1
+ 9 instrumentations
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Vents
Ocarina
279
Flûte à bec Soprano
223
Flûte à bec Alto
188
Flûte à bec Alto, Piano
30
Hautbois, Piano (duo)
19
Flûte traversière et Piano
17
Saxophone Alto et Piano
16
2 Saxophones (duo)
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Piano
10
Clarinette (partie séparée)
9
Saxophone (partie séparée)
9
Clarinette
9
Saxophone Tenor et Piano
8
Flûte traversière
8
Quatuor de Clarinettes: 4 clarinettes
7
2 Flûtes traversières (duo)
7
Hautbois (partie séparée)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Baryton, Piano
6
Saxophone Alto
5
Saxophone Soprano et Piano
5
Clarinette Basse, Piano
4
2 Clarinettes (duo)
4
Saxophone Tenor
4
2 Hautbois (duo)
4
Saxophone Baryton
2
Cor anglais, Piano
2
Flute (partie séparée)
2
Flûte à Bec
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois
2
Saxophone Soprano
2
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Piccolo, Piano
1
Flûte irlandaise
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
3 Clarinettes (trio)
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette
8
Trombone et Piano
7
Trompette, Piano
6
Tuba et Piano
6
Cor et Piano
5
Trombone (partie séparée)
5
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
2 Cors (duo)
4
Trompette (partie séparée)
4
Tuba
3
Trombone
3
Tuba (partie séparée)
3
Cor
3
Cor (partie séparée)
3
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Ensemble de Trombones
2
Quatuor de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
45
Violon
27
Violoncelle, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
9
Violon (partie séparée)
7
Alto, Piano
7
Alto seul
6
2 Violons (duo)
6
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
4
Contrebasse (partie séparée)
4
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Contrebasses (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
175
Orchestre
50
Orchestre à Cordes
20
Ensemble Jazz
7
Percussion (partie séparée)
6
Cloches
5
Jazz combo
5
Orchestre de chambre
4
Percussion
4
Ensemble de cuivres
3
Vibraphone
2
Xylophone, Piano
2
Timbales (partie séparée)
2
Fanfare
1
Ensemble de Percussions
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
PIANO
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TROMPETTE
TUBA
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Tell Her You Saw Me (Guitar Score and TAB) - Images of Metheny - Jason Vieaux
Guitare notes et tablatures
Guitar Tab - Early Intermediate - Digital Download By Pat Metheny. Arranged by Musi…
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Guitar Tab - Early Intermediate - Digital Download By Pat Metheny. Arranged by Musikeo. Score, Tablature. 6 pages. Published by Musikeo
$6.99
6.43 €
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Guitare notes et tablatures
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Pat Metheny
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Musikeo
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Tell Her You Saw Me
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Musikeo
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SheetMusicPlus
Canto Alegretense
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1493187 Composed by Antonio Augusto Da …
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Guitar - Level 1 - Digital Download SKU: A0.1493187 Composed by Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho. Arranged by Marcelo Borba. Country,Folk,Multicultural,Standards,Traditional,World. Chords/Lyrics. 3 pages. Marcelo Borba #1069849. Published by Marcelo Borba (A0.1493187). Leadsheet style - chords and tablature Canto Alegretense é uma das canções mais emblemáticas da música tradicionalista gaúcha, muito conhecida e apreciada no Rio Grande do Sul e entre comunidades gaúchas no Brasil e no exterior. Ela foi composta em 1983 por Nico Fagundes (letra) e Bagre Fagundes (melodia), dois irmãos que são figuras importantes na cultura e na música regional do sul do Brasil.### Contexto e SignificadoA canção é uma celebração da cidade de Alegrete, localizada na fronteira oeste do Rio Grande do Sul, e da identidade cultural dos gaúchos. A letra expressa o orgulho pela terra, pela história e pelas tradições do povo do sul, evocando imagens da paisagem pampiana e dos costumes locais.### LetraA letra de Canto Alegretense é carregada de simbolismo e sentimento. Ela começa com uma saudação ao Alegrete, descrevendo a cidade como um lugar acolhedor e de grande significado para aqueles que têm raízes na região. Ao longo da canção, são mencionados elementos da cultura gaúcha, como o poncho, o mate e a bombaixa, além de referências ao céu e à terra, que têm um profundo significado no imaginário coletivo dos gaúchos.### Impacto CulturalDesde seu lançamento, Canto Alegretense tornou-se um hino extraoficial do Rio Grande do Sul e é frequentemente interpretada em festivais, rodeios, e eventos culturais do estado. A música tem um forte apelo emocional e é vista como um símbolo da resistência cultural e da preservação das tradições gaúchas.Essa canção, com sua melodia marcante e letra poética, continua a ser uma das mais queridas e representativas da música regional do Rio Grande do Sul.****Canto Alegretense is one of the most emblematic songs of traditional Gaúcho music, widely known and appreciated in Rio Grande do Sul and among Gaúcho communities in Brazil and abroad. It was composed in 1983 by Nico Fagundes (lyrics) and Bagre Fagundes (melody), two brothers who are important figures in the culture and music of southern Brazil.### Context and MeaningThe song is a celebration of the city of Alegrete, located in the western border of Rio Grande do Sul, and the cultural identity of the Gaúchos. The lyrics express pride in the land, history, and traditions of the southern people, evoking images of the pampas landscape and local customs.### LyricsThe lyrics of Canto Alegretense are rich in symbolism and emotion. It begins with a salute to Alegrete, describing the city as a welcoming place of great significance for those with roots in the region. Throughout the song, elements of Gaúcho culture are mentioned, such as the poncho, mate, and bombaixa, as well as references to the sky and the land, which hold deep meaning in the collective imagination of the Gaúchos.### Cultural ImpactSince its release, Canto Alegretense has become an unofficial anthem of Rio Grande do Sul and is often performed at festivals, rodeos, and cultural events across the state. The song has a strong emotional appeal and is seen as a symbol of cultural resistance and the preservation of Gaúcho traditions.With its striking melody and poetic lyrics, this song remains one of the most beloved and representative pieces of regional music in Rio Grande do Sul.
$2.99
2.75 €
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Guitare notes et tablatures
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Antonio Augusto Da Silva Fagundes and Euclides Fagundes Filho
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Marcelo Borba
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Canto Alegretense
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Marcelo Borba
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SheetMusicPlus
In The Moment (for Earth and Mars)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.948676 Composed by Bradley Powell (The …
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Guitar - Level 3 - Digital Download SKU: A0.948676 Composed by Bradley Powell (The Candlelight Guitarist). 20th Century,Concert,World. Guitar Tab. 7 pages. Geofonica Artistworks #3590195. Published by Geofonica Artistworks (A0.948676). A fun guitar solo (TAB plus standard notation) for an intermediate to advanced fingerstyle guitarist, for enjoyment and performances. Composed by Bradley Powell on August 27, 2003, 2:51 AM PST, in the very moment Earth and Mars were the closest in 57,000 years. Brad has recorded many CDs as The Candlelight Guitarist. In The Moment is on his CD Soul Mates & Kindred Spirits. It's a minor-key, ethereal, impressionistic piece, slightly off-kilter in the tradition of The Sorcerer's Apprentice by Dukas and The Planets by Holst, incorporating some Spanish-flamenco guitar stylings as well. Hear Brad's recorded performance on YouTube at https://youtu.be/PpGXv0PkAQo. (video accompanied by Hubble Space Telescope images of Mars at the time of this close encounter.)PREVIOUS COMMENTS FROM ESTABLISHED REVIEWERS...
$3.99
3.67 €
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Guitare notes et tablatures
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Bradley Powell
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Kindred Spirits
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In The Moment
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Geofonica Artistworks
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SheetMusicPlus
The Fundamentals Alternate Guitar Tunings
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.997720 By Gary Wolk. By Gary Wolk. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.997720 By Gary Wolk. By Gary Wolk. Arranged by Gary Wolk. 20th Century,Contemporary,Multicultural,Rock,Traditional,World. Guitar Tab. 43 pages. Gary Wolk Music #603388. Published by Gary Wolk Music (A0.997720). This book will teach you some of the most popular alternate tunings for guitar. It is written in tablature and standard notation with chord diagrams, and fretboard images. These tunings are a great way to really enhance your playing, and getting a different sound.
$10.99
10.11 €
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Guitare notes et tablatures
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Gary Wolk
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Gary Wolk
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The Fundamentals Alternate Guitar Tunings
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Gary Wolk Music
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SheetMusicPlus
Fingerstyle Jazz Images for Christmas
Guitare notes et tablatures
Composed by Estelle Morgen. For Guitar (Classical & Fingerpicking). Christmas. Interme…
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Composed by Estelle Morgen. For Guitar (Classical & Fingerpicking). Christmas. Intermediate-Advanced. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
$14.99
13.8 €
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Guitare notes et tablatures
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Estelle Morgen
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Fingerpicking)
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Fingerstyle Jazz Images for Christmas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Moon Of Wintertime (The Huron Carol)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by P…
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Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by Perry Brooks Nichols. Romantic Period, Classical Period, Folk, Recital, Americana. Score, Tablature. 18 pages. Published by Perry Brooks Nichols
“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.
$5.00
4.6 €
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Guitare notes et tablatures
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Henry Worrall
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Perry Brooks Nichols
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The Moon Of Wintertime
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SheetMusicPlus
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