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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Is this real...
Non classifié
1 145
Piano & claviers
Piano seul
671
Piano, Voix
267
Piano Facile
158
Piano, Voix et Guitare
119
Instruments en Do
45
Orgue
41
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
16
1 Piano, 4 mains
13
Piano (partie séparée)
10
Accompagnement Piano
10
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
Ensemble d'Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
110
Guitare
89
Ligne De Mélodie, (Paroles) et Accords
88
Basse electrique
26
Guitare (partie séparée)
24
Ukulele
20
2 Guitares (duo)
13
Banjo
9
Mandoline
8
4 Guitares (Quatuor)
7
Dulcimer
5
3 Guitares (trio)
4
Ensemble de guitares
3
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Paroles et Accords
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
409
Chorale 3 parties
150
Chorale TTBB
84
Chorale 2 parties
60
Chorale SSAA
56
Chorale Unison
24
Voix Soprano, Piano
10
Voix duo
10
Voix haute
8
Voix duo, Piano
6
Voix Alto, Piano
5
Chorale SSAATTBB
4
Voix Tenor
4
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Chorale SSATTB
1
Chorale SSAATB
1
Voix seule
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
112
Flûte, Hautbois, Clarinette, Basson
111
Flûte traversière et Piano
76
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Saxophone (partie séparée)
72
2 Saxophones (duo)
62
Saxophone Alto et Piano
57
Hautbois, Piano (duo)
49
Clarinette et Piano
46
Quatuor de Clarinettes: 4 clarinettes
46
Clarinette
36
Quatuor de Flûtes : 4 flûtes
35
Saxophone Tenor et Piano
31
2 Flûtes traversières (duo)
30
Flûte traversière
30
Saxophone Alto
27
Ensemble de saxophones
22
Quintette de Saxophone: 5 saxophones
21
Saxophone Soprano et Piano
20
Hautbois (partie séparée)
20
2 Clarinettes (duo)
19
Saxophone Baryton, Piano
18
3 Clarinettes (trio)
17
Saxophone Tenor
16
Flûte, Clarinette (duo)
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte et Guitare
14
Flûte à bec Soprano
14
Clarinette Basse, Piano
13
Cor anglais, Piano
12
3 Saxophones (trio)
12
Ensemble de Clarinettes
11
Clarinette (partie séparée)
11
Ensemble de Flûtes
11
Flute (partie séparée)
11
Trio de Flûtes: 3 flûtes
10
Hautbois, Basson (duo)
9
Clarinette, Violon (duo)
9
Flûte, Violoncelle
8
Clarinette, Violoncelle (duo)
8
Flûte, Violon, Piano
7
Clarinette, Basson (duo)
7
Flûte, Alto (duo)
6
Clarinette, Guitare (duo)
6
Cor Anglais
6
Flûte, Violon
6
Quintette de Flûte : 5 flûtes
6
2 Flûte à bec (duo)
6
Hautbois, Violoncelle
5
Clarinette, Trompette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à Bec
4
Saxophone, Clarinette (duo)
4
Flûte, Clarinette et Basson
4
Flûte, Clarinette, Piano (trio)
4
Hautbois, Clarinette (duo)
3
Flûte à bec Tenor
3
Flûte à bec Soprano, Piano
3
Clarinette et Alto
3
Hautbois, Guitare (duo)
3
Clarinette, Trombone (duo)
3
Clarinette Basse
2
Ocarina
2
Flûte, Saxophone (duo)
2
Flûte à bec Alto
2
Hautbois, Flûte
2
Flûte, Hautbois (duo)
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
Flûte, Trompette (duo)
2
2 Saxophones, Piano
2
Flûte, Harpe et Violoncelle
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
Saxophone
1
Hautbois et alto (duo)
1
Clarinette, Harpe (duo)
1
Hautbois et Orchestre
1
Cor anglais et Harpe (duo)
1
Flûte, Tuba (duo)
1
Saxophone et Orgue
1
4 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, trombone (duo)
1
Clarinette, Tuba
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble à vent
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Piccolo
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Harpe
1
Piccolo, Piano
1
3 Hautbois
1
Flûte, Hautbois, Violon
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
83
Trombone (partie séparée)
68
Trompette (partie séparée)
44
Trompette
34
Trompette, Piano
34
Cor et Piano
34
Trombone et Piano
31
Quatuor de Cuivres
26
Ensemble de Trombones
19
Trombone
17
Tuba et Piano
15
Cor (partie séparée)
15
Euphonium, Piano (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Quatuor de cuivres: 4 trombones
13
Tuba (partie séparée)
12
Cor anglais, Piano
12
Trompette, Saxophone (duo)
12
Cor
11
Tuba
10
Quatuor de cuivres: 4 cors
7
Cor Anglais
6
3 Trombones (trio)
6
2 Euphoniums et 2 Tubas
5
2 Trompettes (duo)
5
2 Trombones (duo)
5
2 Cors (duo)
4
Trio de Cuivres
4
Cor, Violoncelle (duo)
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
Euphonium
2
Trompette, Trombone (duo)
2
Ensemble de Trompettes
2
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
Trombone, Violon (duo)
1
2 Trombones, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Harpe
1
3 Tubas (trio)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
327
Violon et Piano
82
Harpe
49
Violon, Violoncelle (duo)
48
Violon
47
Trio à Cordes: violon, alto, violoncelle
43
Alto, Piano
42
Violoncelle, Piano
41
Violoncelle
39
Trio à Cordes: 2 violons, violoncelle
32
2 Violons (duo)
27
Contrebasse (partie séparée)
21
Alto seul
21
2 Violoncelles (duo)
19
Violon (partie séparée)
17
Violon, Alto (duo)
16
Contrebasse, Piano (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violoncelle , Guitare (duo)
10
Alto (partie séparée)
10
2 Altos (duo)
9
Violon, Guitare (duo)
6
Contre Basse
5
Alto, Violoncelle (duo)
5
Harpe, Flûte (duo)
5
Alto, Guitare (duo)
5
4 Violoncelles
5
Alto et Basson
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes
4
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, alto
4
2 Harpes (duo)
3
Quatuor à cordes: 4 violons
3
Harpe, Violon (duo)
3
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
1
Harpe et Piano
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
667
Ensemble Jazz
139
Orchestre
128
Orchestre à Cordes
119
Ensemble de cuivres
91
Fanfare
66
Cloches
51
Jazz combo
29
Orchestre de chambre
21
Batterie (partie séparée)
12
Ensemble de Percussions
11
Percussion (partie séparée)
7
Batterie
4
Xylophone, Piano
2
Marimba
2
2 Marimbas
1
Orchestre, Violon
1
Piano et Orchestre
1
Vibraphone et Marimba
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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expert
avec audio
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Vous avez sélectionné:
Is this real...
Guitare notes et tablatures
Partitions à imprimer
110 partitions trouvées
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1
26
51
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101
What Child Is This?
#
Guitare notes et tablatures
#
DÉBUTANT
#
Noël
#
What Child Is This?
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.462227 Carol,Christmas,Sacred. Really Easy Guitar. 1 pages. Published by Hal Leonard - Digital (HX.462227). ...
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SKU: HX.462227 Carol,Christmas,Sacred. Really Easy Guitar. 1 pages. Published by Hal Leonard - Digital (HX.462227).
$2.99
Angels from the Realms of Glory
#
Guitare notes et tablatures
#
Noël
#
Henry Smart and James Montgome
#
Bronson Ferdinand Wright
#
Angels from the Realms of Glor
#
Bronson Ferdinand
#
SheetMusicPlus
Guitar - SKU: A0.1361843 Composed by Henry Smart and James Montgomery. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Holiday,Jazz. Gu...
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Guitar - SKU: A0.1361843 Composed by Henry Smart and James Montgomery. Arranged by Bronson Ferdinand Wright. Advent,Christian,Christmas,Holiday,Jazz. Guitar Tab. 1 pages. Bronson Ferdinand #946300. Published by Bronson Ferdinand (A0.1361843). Chord melody arrangement of Angels from the Realms of GloryThis arrangement is a straight ahead chord melody with no frills. A great one for those starting to get into the chord melody style.
$4.99
Where Is My Mind?
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Pixies
#
Seamus McDaniel
#
Where Is My Mind?
#
Seamus McDaniel
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1323380 By Pixies. By Frank Black. Arranged by Seamus McDaniel. 20th Century,Rock. Guitar Tab. 4 pages. Seamus McDaniel #9116...
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Guitar - Level 3 - SKU: A0.1323380 By Pixies. By Frank Black. Arranged by Seamus McDaniel. 20th Century,Rock. Guitar Tab. 4 pages. Seamus McDaniel #911610. Published by Seamus McDaniel (A0.1323380). This is my arrangement/transcription of Where Is My Mind? by the Pixies! I've included left hand fingering and really aimed for note-by-note accuracy in this one. There is standard notation as well as tabature in the PDF!If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99
Soup Is Good Food
#
Guitare notes et tablatures
#
INTERMÉDIAIRE/AVANCÉ
#
D
#
Seamus McDaniel
#
Soup Is Good Food
#
Seamus McDaniel
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1323326 Composed by D. H. Peligro, East Bay Ray, Jello Biafra, and Klaus Fluoride. Arranged by Seamus McDaniel. 20th Century,...
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Guitar - Level 4 - SKU: A0.1323326 Composed by D. H. Peligro, East Bay Ray, Jello Biafra, and Klaus Fluoride. Arranged by Seamus McDaniel. 20th Century,Punk,Rock. Guitar Tab. 7 pages. Seamus McDaniel #911555. Published by Seamus McDaniel (A0.1323326). This is my arrangement/transcription of Soup Is Good Food by the Dead Kennedys! I've included left hand fingering, chord names above the staff, and really aimed for note-by-note accuracy in this one. There is standard notation as well as tabature in the PDF!If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99
Times Like This
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Edie Brickell And The New Bohe
#
Seamus McDaniel
#
Times Like This
#
Seamus McDaniel
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1323370 By Edie Brickell And The New Bohemians. By Edie Arlisa Brickell and Kenneth Neil Withrow. Arranged by Seamus McDaniel...
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Guitar - Level 3 - SKU: A0.1323370 By Edie Brickell And The New Bohemians. By Edie Arlisa Brickell and Kenneth Neil Withrow. Arranged by Seamus McDaniel. 20th Century,Folk. Guitar Tab. 4 pages. Seamus McDaniel #911599. Published by Seamus McDaniel (A0.1323370). This is my arrangement/transcription of Times Like This by Edie Brickell & The New Bohemians! I've included left and right hand fingering and really aimed for note-by-note accuracy in this one. There is standard notation as well as tabature in the PDF!If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99
There Is A Balm In Gilead (Guitar Solo - in standard notation with TABS)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Christian contemporain
#
Traditional African-American S
#
There Is A Balm In Gilead
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.948682 Composed by Traditional African-American Spiritual. Arranged by Bradley Powell (aka The Candlelight Guitarist). C...
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Solo Guitar - Level 3 - SKU: A0.948682 Composed by Traditional African-American Spiritual. Arranged by Bradley Powell (aka The Candlelight Guitarist). Christian,Contemporary,Praise and Worship,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #3637967. Published by Geofonica Artistworks (A0.948682). Traditional African-American spiritual, arranged as a Guitar Solo (Intermediate level, classical finger-style, with gospel, jazz and blues inflections). A very soulful and spiritual ballad! This sheet music is written in both standard notation and TABS (with standard guitar tuning), arranged by Bradley Powell, who records as The Candlelight Guitarist It's a slow and soulful piece, not too difficult for intermediate players with some finger-picking experience, but a more advanced player can really bring out their soulfulness playing it! You can hear Brad play it here: https://youtu.be/3e-wkYjTBysThe track appears on his CD Faith Mountain: Instrumentals for Inspiration. PREVIOUS COMMENTS FROM ESTABLISHED REVIEWERS...
$3.99
This Is Me (from The Greatest Showman)
#
Guitare notes et tablatures
#
DÉBUTANT
#
Film/TV
#
Comédie Musicale
#
Pasek and Paul
#
This Is Me
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.452498 By Pasek and Paul. Film/TV,Musical/Show. Really Easy Guitar. 2 pages. Published by Hal Leonard - Digital (HX.452498). ...
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SKU: HX.452498 By Pasek and Paul. Film/TV,Musical/Show. Really Easy Guitar. 2 pages. Published by Hal Leonard - Digital (HX.452498).
$2.99
This Little Light of Mine (Solo Guitar)
#
Guitare notes et tablatures
#
Traditional
#
Christopher Bell
#
This Little Light of Mine
#
Silent Home Records
#
SheetMusicPlus
Guitar - SKU: A0.812470 Composed by Traditional. Arranged by Christopher Bell. Children,Gospel,Spiritual. Guitar Tab. 2 pages. Silent Home Records #5969...
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Guitar - SKU: A0.812470 Composed by Traditional. Arranged by Christopher Bell. Children,Gospel,Spiritual. Guitar Tab. 2 pages. Silent Home Records #5969711. Published by Silent Home Records (A0.812470). This Little Light of Mine, these two versions will really let your students shine. Both versions have the same melody, but Version A has a beginner level accompaniment part, while Version B has a bit more complicated part. A great way to teach your students about arrangements as well as letting them 'upgrade' to the harder part. Key of D Major. Each version is approximately 45 seconds long. They can be placed together for 1.5 minutes long total.
$2.99
Gnossienne No. 3 (Tablature +)
#
Guitare notes et tablatures
#
FACILE
#
Classique
#
Contemporain
#
Erik Satie
#
Brian Streckfus
#
Gnossienne No. 3
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Bri...
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Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99
12 Christmas Songs - Beginner guitar
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Guitare notes et tablatures
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DÉBUTANT
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Noël
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Various
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12 Christmas Songs - Beginner
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The Real Boss Hos
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SheetMusicPlus
Composed by Various. Arranged by The Real Boss Hos Publishing. Christmas. Guitar Tab. 18 pages. The Real Boss Hos #6191181. Published by The Real Boss...
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Composed by Various. Arranged by The Real Boss Hos Publishing. Christmas. Guitar Tab. 18 pages. The Real Boss Hos #6191181. Published by The Real Boss Hos
12 Songs of Christmas!
This beginner-friendly book is a great & simple set of arrangements for learning the chords & melody!
Made by a guitarist, for guitarists in mind!
Perfect for students wanting to play all their favorites for the holiday season.
$9.99
Let All Mortal Flesh Be Silent
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Guitare notes et tablatures
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FACILE
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Ron k Wiggins
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Ron k Wiggins
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Let All Mortal Flesh Be Silent
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WigMusic
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1313790 By Ron k Wiggins. By Gerald Moultie. Arranged by Ron k Wiggins. Christian,Christmas,Classical,Religious. Guitar Tab. ...
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Guitar - Level 2 - SKU: A0.1313790 By Ron k Wiggins. By Gerald Moultie. Arranged by Ron k Wiggins. Christian,Christmas,Classical,Religious. Guitar Tab. 2 pages. WigMusic #902505. Published by WigMusic (A0.1313790). The words to “Let All Mortal Flesh Keep Silence†is based on the Old Testament book of “Habakkuk 2:20 and became part of the “Divine Liturgy of St James†in the fifth century and was chanted.  The melody had its origins by Gerald Moultie 1829-1885 who based it on a medieval French folk melody called Picardy. There have been other translations and arrangements, most notably by Ralph Vaughan Williams 1872-1958.This relatively easy arrangement for Classical Guitar is first in D minor with the melody in the treble and then a very creative version with the melody in the Bass.  It wraps up in E minor with a lot of open strings and going all the way up to the 12th fret.  The overall result is beautiful and if you can play the basic “F†type bar chord it is not real difficult to play.Note that the YouTube video has a slightly different arrangement (actually a performance error) but I doubt you can find it.  The audio file provided here is correct.
$1.99
Always Look On The Bright Side Of Life
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Comédie Musicale
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Monty Python
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Peter Miklitz
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Always Look On The Bright Side
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Peter Miklitz
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.781814 By Monty Python. By Eric Idle. Arranged by Peter Miklitz. Broadway. Individual part. 2 pages. Peter Miklitz #5287...
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Solo Guitar - Level 3 - SKU: A0.781814 By Monty Python. By Eric Idle. Arranged by Peter Miklitz. Broadway. Individual part. 2 pages. Peter Miklitz #5287439. Published by Peter Miklitz (A0.781814). Eric Idle's Always Look On The Bright Side Of Life from Monthy Python's Life of Brian arranged for finger-style Guitar solo in standard notation and TAB. I hope this will cheer you up when the world just seems to be in a mess again, which is always, really!
$8.00
A Guide to Non-Jazz Improvisation: Guitar Edition
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Guitare notes et tablatures
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FACILE
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Methodes
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Dick Weissman
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A Guide to Non-Jazz Improvisat
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Dick Weissman. For Guitar (All). This edition: Guitar Edition. Acoustic Music. 136 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Dick Weissman. For Guitar (All). This edition: Guitar Edition. Acoustic Music. 136 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652407. The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. Fingerstyle and flatpicking techniques demonstrate the use of the guitar as an incredibly versatile instrument that holds its own in a variety of musical genres. Various guitar tunings are included. All examples are written out in traditional and tablature notation.
$19.99
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Ta...
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Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
Triad Chord Worksheet
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
Auld Lang Syne
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Guitare notes et tablatures
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DÉBUTANT
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Tradition...
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Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
I Love to Tell the Story - classical guitar
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Guitare notes et tablatures
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FACILE
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Ron k Wiggins
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Ron k Wiggins
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I Love to Tell the Story - cla
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WigMusic
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1495724 By Ron k Wiggins. By William G Fischer 1867. Arranged by Ron k Wiggins. Christian,Classical,Religious,Sacred,Spiritua...
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Guitar - Level 2 - SKU: A0.1495724 By Ron k Wiggins. By William G Fischer 1867. Arranged by Ron k Wiggins. Christian,Classical,Religious,Sacred,Spiritual. Tablature. 2 pages. WigMusic #1072246. Published by WigMusic (A0.1495724). Katheryn Hankey in 1866 wrote a long poem with over fifty stanzas. A few of the verses were used to create this hymn where William G Fischer wrote the music;This is an easy arrangement for classical guitar that is just melody and a bass line. The bass notes are chord tones. It is arranged first in the key of C and then D.There is a bar F chord at the first fret but nothing else real challengingThe audio file is played on a Heritage 575 electric guitar.
$5.99
Humpty Dumpty
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Guitare notes et tablatures
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AVANCÉ
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Jazz
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Pat Metheny
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Andrew Pattinson
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Humpty Dumpty
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Andrew Pattinson
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.978640 By Pat Metheny. By Ornette Coleman. Arranged by Andrew Pattinson. Jazz. Guitar Tab. 2 pages. Andrew Pattinson #6659781...
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Guitar - Level 5 - SKU: A0.978640 By Pat Metheny. By Ornette Coleman. Arranged by Andrew Pattinson. Jazz. Guitar Tab. 2 pages. Andrew Pattinson #6659781. Published by Andrew Pattinson (A0.978640). Humpty Dumpty by Ornette Coleman transcribed from the album This Is Our Music 1961.This arrangement is for Guitar and contains full notation and accurate Guitar TABsPlease note: This is an advanced level piece with difficult rhythms. Try playing along with Ornette for a real challenge!
$5.99
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
"Danza" for solo classical fingerstyle guitar (+TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Keith Gehle
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"Danza" for solo cla
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Keith Gehle
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1412809 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Guitar Tab. 5 pages. Keith Gehle #994813. Published by Keith Ge...
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Guitar - Level 3 - SKU: A0.1412809 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Guitar Tab. 5 pages. Keith Gehle #994813. Published by Keith Gehle (A0.1412809). “Danza†(or Dance) was recorded as part of Keith’s album of 20 original guitar solos entitled Wintersong released in 2002. With its use of rasqueado (strumming), the piece has a distinct Spanish/flamenco sound and is fun to play and a real crowd pleaser. This PDF includes standard notation with tablature for ease of learning. Here’s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've bought… very pure acoustic sound... beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.
$1.99
Silent Night: From Austria to Africa
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz Xaver Gruber
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Richard Hirsch
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Silent Night: From Austria to
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditio...
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Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
A Man's a Man for A' That (flatpicking solo guitar - with and without tablature)
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Guitare notes et tablatures
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FACILE
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Traditional
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Frank Nordberg
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A Man's a Man for A' That
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Frank Nordberg
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.993647 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283713. ...
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Guitar - Level 2 - SKU: A0.993647 Composed by Traditional. Arranged by Frank Nordberg. Celtic,Folk,World. Guitar Tab. 4 pages. Frank Nordberg #4283713. Published by Frank Nordberg (A0.993647). An easy solo guitar arrangement of Robert Burns' ode to the freedom of man that has become the unofficial national anthem in Scotland and is also known elsewhere in the world.This arrangement is specially made for flatpicking. It can be played classical/fingerpicking style too but there are two other arrangements available that are more suitable for that.Alternative titles include:Is There For Honest PovertyFor a' That and a' Thatand in Germany:Trotz alledem und alledemLevel: Fairly easy.The mp3 file is a converted midi file. The music will sound even better when you play it on a real guitar. :-)https://nordbergpublishing.blogspot.com
$1.99
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