ISBN 9781619115316. 8.5 X 11 inches. Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two-string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes an audio download available online which provides play-along demonstrations of many of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player.

Scarborough Fair - arranged for solo guitar by Dan Jones

This download includestwo versions of the score: one with notes only and the second, notes with TABbelow. Full fingering suggestions (as used by the arranger) are given.

Scarborough Fair is a much-lovedtraditional English ballad, the text of which dates back to medieval times. Ithas been recorded many times by contemporary artists, most famously, Simon andGarfunkel.

In making thisarrangement I am attempting to create a work suitable for the more-advanced orconcert player. My intention has been to use the original theme to construct apiece with structure and harmonic depth.

Scarborough Fair iscomposed in the beautiful, ambient Dorian mode. It is firstly presented in ADorian and midway, modulates to D Dorian before returning to the original modewith a coda. By adjusting the sixth degree of the scale the theme is also heardin Aeolian mode.

I am excited at theidea of using well-known themes to create a concert repertoire suitable for allenvironments and which will appeal to guitarists and non-guitarists alike.

I have also triedperforming the piece with a capo placed at the second fret when I have felt myprogramme needed more harmonic variety.

A film and recordingof me performing the arrangement can be found in the link given on this page orat danjonesguitarist.com.

I hope very much you enjoy playingScarborough Fair.