ISBN 9781619119499.

In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADFa-AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 a 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 a 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

Scarborough Fair - arranged for solo guitar by Dan Jones

This download includestwo versions of the score: one with notes only and the second, notes with TABbelow. Full fingering suggestions (as used by the arranger) are given.

Scarborough Fair is a much-lovedtraditional English ballad, the text of which dates back to medieval times. Ithas been recorded many times by contemporary artists, most famously, Simon andGarfunkel.

In making thisarrangement I am attempting to create a work suitable for the more-advanced orconcert player. My intention has been to use the original theme to construct apiece with structure and harmonic depth.

Scarborough Fair iscomposed in the beautiful, ambient Dorian mode. It is firstly presented in ADorian and midway, modulates to D Dorian before returning to the original modewith a coda. By adjusting the sixth degree of the scale the theme is also heardin Aeolian mode.

I am excited at theidea of using well-known themes to create a concert repertoire suitable for allenvironments and which will appeal to guitarists and non-guitarists alike.

I have also triedperforming the piece with a capo placed at the second fret when I have felt myprogramme needed more harmonic variety.

A film and recordingof me performing the arrangement can be found in the link given on this page orat danjonesguitarist.com.

I hope very much you enjoy playingScarborough Fair.