ISBN 9781513470375. 8.75x11.75 inches.

Intended as a sequel to 20 Flamenco Guitar Etudes, the longer, more developed exercises in 16 Studies for Flamenco Guitar further explore characteristic flamenco guitar techniques including: picado, arpeggio, tremolo, horquilla, the chop, ligado, and the thumb/index alzapua among others. These intermediate-level studies are written in standard notation and guitar tablature with online audio and video included for ease of learning.The pieces are designed and fingered pragmatically to enhance the students overall understanding of flamenco technique and encourage the use of a broader range of studies in daily practice. Left and right-hand digitation is provided throughout, along with occasional circled string numbers which clarify passages intended to be played higher on the fretboard, or on certain strings for a specific musical effect.This book is unique not only for its inclusion of the authors stellar online audio and video recordings, but also for insightful practice tips that vary according to the players years of experience and level of development. If youre thinking WOW! that is the appropriate response; this is flamenco instruction at its best.Includes access to online audio and video.

ISBN 9781619119529.

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitaraa.k.a., plectrum or flatpicking guitarain both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitaras capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.

Solo Fingerstyle Guitar

The guitar has become an incredibly versatile instrument, but the modern classical guitar repertoire does not reflects this instrument?s growing technical and artistic diversity: much of its repertoire consists of transcriptions of music written for other instruments, and most music written exclusively for classical guitar does not appeal to the tastes of many modern guitarists. My modern guitar songs incorporate many genres of guitar music and embody a style that is truly enjoyable to play. Their accessible nature makes them perfect for any occasion, while their technical structure make them satisfying for any guitarist.

The guitar has become an incredibly versatile instrument, but the modern classical guitar repertoire does not reflects this instrument?s growing technical and artistic diversity: much of its repertoire consists of transcriptions of music written for other instruments, and most music written exclusively for classical guitar does not appeal to the tastes of many modern guitarists. My modern guitar songs incorporate many genres of guitar music and embody a style that is truly enjoyable to play. Their accessible nature makes them perfect for any occasion, while their technical structure make them satisfying for any guitarist.

Item Number: S9.Q564325

Thomas Fellow, Autor des erfolgreichen Standardwerkes Fellow Guitar Book und weltweit konzertierender Gitarrist (European Guitar Quartet, Friend `n Fellow, Hands on Strings), erweitert seine Guitar Music Collection mit diesem und dem Folgeband um eine umfangreiche Menge Kompositionen in seiner ihm eigenen modernen, stilistisch offenen Klangsprache. Das vorliegende Heft mit 18 DELIGHTFUL CROSSOVER PIECES wendet sich an interessierte Studenten, konzertierende Gitarrist:innen ebenso wie an ambitionierte Laien. Die Stucke sind anspruchsvoll (Schwierigkeitsgrad 4 - schwer) und bilden durch die zusatzliche Notation in TABS auch fur nicht-notenkundige Spieler eine perfekte Erganzung fur ihr Repertoire an moderner Gitarrenliteratur. FINGERFOOD XXL Vol. 1 umfasst kurzere Kompositionen (STARTER) und eine ganze Reihe von Balladen (SWEET). Alle Stucke sind konzertant, aber jedes auf seine Weise. Und so lassen sich Fingerstyle-Einflusse ebenso erkennen wie brasilianische Klange, mal nahert sich Fellow dem Jazz, mal der Popmusik und vermittelt immer Spielfreude und Horgenuss.

Composed by Charlo - Cadicamo.Arranged by Roberto Pugliese, Argentine guitar master and performer.Sheets music for guitar tango concert composed of two parts: the first with standard notation and the second with guitar tablature. Watch the video: https://www.youtube.com/watch?v=crxsdeUhaTI.

Composed by Troilo - Manzi. Arranged by Roberto Pugliese, Argentine guitar master and performer.Sheets music for guitar tango concert composed of two parts: the first with standard notation and the second with guitar tablature. Watch the video: https://www.youtube.com/watch?v=Ck67_SuDRs4.

ISBN 9781619119666.

Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and tremolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio.

ISBN 9781619119499.

In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADFa-AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 a 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 a 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

ISBN 9781619117396.

This edition features modern electric guitar transcriptions from the Baroque era. The first section features 17 short repeatable passages from Baroque literature. Other sections include 16 unaccompanied solos, 10 duets and 4 multi-movement arrangements for electric guitar and piano including Pachelbel's Canon and the Vivaldi Mandolin Concerto in its entirety. The final section includes guitar parts for the piano - guitar arrangements. The transcriptions are meant to be performed with a pick in a variety of techniques such as: alternate picking, economy and circle picking, sweep picking, hybrid picking, right handed tapping, string skipping, rest strokes, and palm muting. Many of the selections are available on video at www.youtube.com/johnkieferguitar in the electric baroque playlist.

ISBN 9781513455532. 8.75x11.75 inches.

The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan\'s solo playing is complemented by demonstrations of the guitar\'s role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.

This is another beautiful modern worship song which I hope I have done justice to in this guitar arrangement of majesty. It sits well under the fingers with a few stretches which are less severe due to the use of the capo.


This would sit nicely in amongst any repertoire as a nice, soft, thoughtful piece.

En Mi Corazón (In My Heart) a beautiful love piece in G-major and standard Tuning.

Empezar de Nuevo (A New Beginning) I composed this song for my brother who died a few years ago, to remember that we must star over and give the best of ourselves to get ahead.

Después de la Lluvia (After The Rain) when it stopped raining I went to the garden of my house and started to compose this song.

Aquí y Ahora (Here and now) i composed this piece to always remember the importance of the present moment. I hope you enjoy it!

Una Canción Para Tí (A Song for You) I composed this piece as a birthday present for my wife Estefanía.