This is a simple, short arrangement of the lovely Scottish song 'Annie Laurie' for solo guitar.

The technical and musical level is suitable for early-years guitarists. The ABRSM grade level is approximately Grade 2 and for other boards, where the technical requirements are more relaxed, Grade 3.

Exam boards across the world are now offering online video submissions to replace existing grades. Candidates are required to perform some set repertoire but also free choice music. This piece is ideal for Grade 2-3 standard players (2nd-3rd year). Annie Laurie also makes an excellent piece of repertoire and the addition of chords makes it a possible ensemble piece. I will upload a YouTube video before the end of September 2020.

For a wealth of repertoire choices for solo and ensemble guitar, please see www.danjonesguitarist.com.

La Llorona is an iconic Spanish melody which tells of the supernatural 'weeping woman'. The melody has been used in films, animated and with real actors.

You will receive two versions with your single download - one in just notes and the other in notes and TAB.

Recently many exam boards allow candidates to submit their own choice of published music for performance. I would recommend this for ABRSM (or other boards) approximately Grade 3 level.

This version eliminates some of the advanced technical challenges found in other arrangements such as full barré shapes for extended periods and five-fret spreads. It adds other elements of musical interest such as dynamics, articulation and cross rhythms.

A recording and YouTube tutorial video will be uploaded before the end of September 2020.

This famous Scottish melody exists in sources from 16th Century in Celtic traditions. It is best known today when sung on New Year's Eve using a text by the great Scottish poet Robert 'Rabbie' Burns.

I will upload a YouTube video lesson before the end of November 2020.

The arrangement has been made with early-level guitarists in mind. The score is provided in notes with TAB below and just notes on a separate sheet in the single download. That way, teachers who wish to avoid TAB can do so easily.

Technically, the piece can be played in second position throughout. There is also the option of finishing a performance after the first G major section. Those wanting a more substantial piece can play the second page which modulates to A major.

The arrangement avoids unnecessary technical difficulties and therefore will make a great concert or repertoire piece for all learners. For a wide range of scores for solo guitar or guitar in ensemble, please visit www.danjonesguitarist.com.

Thank you

Soleá is one of the oldest flamenco forms (palos). Falsetas and paseo from soleá are the best musical elements for flamenco guitar beginners. All the elements are traditional, transcription and variations by Eugen Sedko.

ISBN 9781513455440. 8.75 x 11.75 inches.

Presents the Contradanzas Habaneras of Manuel Saumell (1817-1870), who has been called a Pioneer of the Cuban danza. Originally written for the piano, this collection of contradanzas is a good example of Saumell's innate sensitivity to the rhythms characteristic of Cuban Music. Written in standard notation and tablature.

ISBN 9781619119062.

An outstanding collection of 33 classic guitar solos transcribed from piano works by Manuel Saumell, Ignacio Cervantes, and many others. Cuban song and dance rhythms have had a global impact. These arrangements capture the rhythms, styles, and moods of the Cuban contradanza, danza, vals, cancion and criolla of the 19th to early 20th centuries. The available online audio features Segovia student and Tulane University professor Elias Barreiro performing his arrangements of the multi-faceted music of Cuba. Written in notation and tablature. Includes access to online audio.

Ae Fond Kiss ? RabbieBurns (Robert Burns)

'Mo run an diugh mar an dé thu' (MyLove Today as Heretofore)

Arranged for solo Guitar by Dan Jones

Ae Fond Kiss is perhaps the most popular love song by the great Scottish poetRobert ?Rabbie? Burns.

The poem (its fulltitle being Ae Fond Kiss and then we sever) is usually sung to themelody set here; the traditional Scottish tune 'Mo run an diugh mar an déthu'.

The text of the poem was inspiredby Burns? friendship with Agnes Maclehose of Edinburgh. Burns wrote the poemfor her in 1791 when she left Edinburgh to join her husband in Jamaica.

The beautiful words tell of thesadness of parting, and it is this sentiment that the player should try tocommunicate when performing Ae Fond Kiss.

A video of the arranger performing the piece will be uploaded before the end of May 2021.

For a huge range of solos, lessonsand ensemble arrangements, please visit www.danjonesguitarist.com.

Dan is also an author and haswritten a popular memoir of life spent as a musician in rural France whichmakes the perfect read for any musician. Please see www.danjonesauthor.com for furtherdetails.

ISBN 9781619118393.

In the tradition of Django Reinhardt, Bireli Lagrene is one of most highly regarded Gypsy jazz, bebop, and fusion guitarists of recent decades. Once regarded as a child prodigy, he has performed with such legendary players as Benny Goodman, Stephan Grappelli, Al Di Meola, Paco de Lucia, John McLaughlin and countless others. Given that roster, one might assume that Lagrene is quite advanced in years, but this is not the case; the fact is, he was drawn to the guitar as a child of four, and after auditioning at the intermission, was invited onstage with Grapelli for the second half- when he was only ten years old. While Lagrene is primarily an ear player, he has collaborated with TAGA Publishing to produce an exceptional book filled with insightful tips on playing the Gypsy jazz style. Bireli Lagrene: Gypsy Jazz Guitar Artistry introduces the intermediate jazz guitarist to the essential rhythms used in Gypsy jazz accompaniment, as well as to the vocabulary needed to improvise in the Gypsy jazz style. Not for the faint of heart, the book includes online audio recordings of 33 rhythm exercises and licks to incorporate the right feel or panache in your own Gypsy jazz performance style. The musical examples are written in either chord symbols or standard notation and tablature. Includes access to online audio.

Scarborough Fair - arranged for solo guitar by Dan Jones

This download includestwo versions of the score: one with notes only and the second, notes with TABbelow. Full fingering suggestions (as used by the arranger) are given.

Scarborough Fair is a much-lovedtraditional English ballad, the text of which dates back to medieval times. Ithas been recorded many times by contemporary artists, most famously, Simon andGarfunkel.

In making thisarrangement I am attempting to create a work suitable for the more-advanced orconcert player. My intention has been to use the original theme to construct apiece with structure and harmonic depth.

Scarborough Fair iscomposed in the beautiful, ambient Dorian mode. It is firstly presented in ADorian and midway, modulates to D Dorian before returning to the original modewith a coda. By adjusting the sixth degree of the scale the theme is also heardin Aeolian mode.

I am excited at theidea of using well-known themes to create a concert repertoire suitable for allenvironments and which will appeal to guitarists and non-guitarists alike.

I have also triedperforming the piece with a capo placed at the second fret when I have felt myprogramme needed more harmonic variety.

A film and recordingof me performing the arrangement can be found in the link given on this page orat danjonesguitarist.com.

I hope very much you enjoy playingScarborough Fair.

ISBN 9781619118768.

A dozen of the most beautiful traditional melodies from the British Isles and North America are arranged here as concert pieces, with rich harmonies and variations. Carefully voiced and fingered for fluidity and effectiveness, the collection offers a wide range of style and expression. aBarbara Allena and aThe Three Ravensa are strongly influenced by the Elizabethan lute tradition, while aJohn Rileya and aCome All Ye Fair and Tender Ladiesa have a more contemporary feel. aBlack Is the Color of My True Loveas Haira and aLament for Owen Roe OaNeilla are studies in somber intensity, the modal aShe Moved Through the Faira sounds the ancient connection between Arabic and Celtic music, and aBanks of the Ohioa provides an interlude of gentle bluegrass swing, with a hint of gospel.

ISBN 9781513459646. 8.75x11.75 inches.

A collection of thirty guitar solos for the plectrum or flatpick guitarist drawn from the early American shape-note tradition. These songs reflect the rugged faith of Americas early settlers and range from joyous, rhythmic pieces to somber, contemplative melodies. The arrangements are of medium difficulty and present a broad palate of harmonic colors. Written in standard notation and tablature. Includes access to online audio, recorded by the author.

Argentine milonga for classic solo guitar. This composition respects the rhythmic tradition of the Argentine style for the milonga but with a melodic treatment and harmonic modernization that transports us to the suggestion of the green fields of the gaucho and the Argentine pampas.