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Piece In G Minor
Guitare notes et tablatures
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Sonata No. 1 in G Minor: IV. Presto BWV 1001
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.1397303 Composed by Johann Sebastian Bach. Arrang…
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Guitar - Digital Download SKU: A0.1397303 Composed by Johann Sebastian Bach. Arranged by Bronson Ferdinand Wright. Baroque,Classical,Instructional,Jazz,Rock. Guitar Tab. 4 pages. Bronson Ferdinand #980619. Published by Bronson Ferdinand (A0.1397303). BWV 1001Guitar tab arrangement of the fourth movement of Sonata I from J.S. Bach's Three Sonatas and Three Partitas for Solo Violin.This is an excellent study piece for serious modern guitar students. Detailed articulations are notated to assist in the development of speed and technique.
$2.49
2.25 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Bronson Ferdinand Wright
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Sonata No. 1 in G Minor: IV. Presto BWV 1001
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Bronson Ferdinand
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.47 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
Bourrée in E minor (Bach Bops Bourrée Busking by Birdland, Baroque)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1396458 By The Candlelight Guitarist. B…
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Guitar - Level 3 - Digital Download SKU: A0.1396458 By The Candlelight Guitarist. By Johann Sebastian Bach. Arranged by Brad Powell. Baroque,Blues,Classical,Instructional,Jazz. Guitar Tab. 4 pages. Geofonica Artistworks #979795. Published by Geofonica Artistworks (A0.1396458). Bach's classic Bourrée in E minor arranged for guitar in a jazz-swing-blues style, with walking bass lines on guitar, melody figures swung, and harmonic passages adapted towards a cool jazz and bluey idiom. It's actually a bit more difficult than the original--because the swung melody and bass lines are syncopated rather than matched... but it is very cool and fun to play, and a great showpiece for an intermediate level guitarist! A fun surprise addition to a recital! Listen to the performance by Brad in the link provided! Incidentally... Brad studied from and was mentored by jazz guitar giant Joe Pass, and took a master class from Andrés Segovia, so this arrangement bridges both musical worlds--jazz and classical--that he came up in.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.7 €
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Guitare notes et tablatures
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The Candlelight Guitarist
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Brad Powell
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Bourrée in E minor
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Geofonica Artistworks
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SheetMusicPlus
Classical Guitar Book in Open D Tuning - 45 Arrangements in DADF#AD Tuning
Guitare notes et tablatures
Guitar Tab - Early Intermediate - Digital Download Arranged by Brent Robitaille. Ro…
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Guitar Tab - Early Intermediate - Digital Download Arranged by Brent Robitaille. Romantic Period, Classical Period, Baroque Period, Renaissance, Repertoire. Solo Part, Tablature. 164 pages. Published by Brent C Robitaille
45 New Classical Guitar Arrangements in Open D Tuning<br> <br> Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.<br> <br> Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings. <br> <br> There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O’Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi. <br> <br> I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online. <br> <br> Look for the audio tracks on my website in the guitar bookssection:<br> <br> https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/<br> <br> or,<br> <br> https://brentrobitaille.com/product-category/guitar-books/<br> <br> or,<br> <br> https://brentrobitaille.com/
$18.99
17.13 €
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Guitare notes et tablatures
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Brent Robitaille
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Classical Guitar Book in Open D Tuning - 45 Arrangements in DADF#AD Tuning
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Brent C Robitaille
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.8 €
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Last Waltz To Dance Alone for solo guitar with TAB
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.922268 Composed by Omar Felipe Merchán. 20th C…
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Guitar - Digital Download SKU: A0.922268 Composed by Omar Felipe Merchán. 20th Century,Jazz,New Age. Guitar Tab. 3 pages. Omar Felipe #5852267. Published by Omar Felipe (A0.922268). Last waltz to dance alone is a little piece for solo guitar in the unusual key of G minor. Being a waltz it is impossible to avoid Chopin´s influence but you can also find reflects from the Impressionists like Debussy and Faure or from jazz musicians like Pat Metheny with a certain minimalist touch taken from the New Age.
$2.40
2.16 €
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Guitare notes et tablatures
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Omar Felipe Merchán
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Last Waltz To Dance Alone for solo guitar with TAB
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Omar Felipe
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SheetMusicPlus
Study: Dynamics
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1163698 Composed by Bri…
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1163698 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Tablature. 1 pages. Brian Streckfus #764039. Published by Brian Streckfus (A0.1163698). It is rare to find something that tests someones dynamics knowledge while relating to guitar, so I composed such a piece. Its genre is modern, classical and romantic. It personally reminds me of Chopin in harmonic language. Tips:1. I believe the volume indicated reflects the chord quality quite well. For example, a Gmaj7 or augmented chord sounds bad loud because they are sleepy and dreamy chords.2. The Ab/C chord in measure 15 is a Neopolitan chord in the key of G major. 3. This piece takes advantage of a key well suited for guitar: E minor. 4. This piece is a good example of a composing technique where you keep notes the same between chords, having little concern for how complex of a chord name that results.5. Rolling the chords is okay and often sounds quite good.
$1.99
1.8 €
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Guitare notes et tablatures
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Brian Streckfus
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Study: Dynamics
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Brian Streckfus
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SheetMusicPlus
D Egyptian Etude
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1136061 Composed by Brian Streckfus. In…
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Guitar - Level 3 - Digital Download SKU: A0.1136061 Composed by Brian Streckfus. Instructional,Jewish,Multicultural,Religious,Sacred,World. Guitar Tab. 1 pages. Brian Streckfus #736086. Published by Brian Streckfus (A0.1136061). If someone is yawning saying, I'm sick and tired of playing music in the key of C Major, I want to use a scale hardly anyone uses. Then this piece is for you.1. Guitar Arrangement2. Guitar Tab3. Less stereotypical chords 4. Fingerings and letter names added to aid in sight-reading 5. Voice leading considerationsThe Scale I used is: D Eb F# G A Bb D. The name of it would be something bizarre. These names include: Jewish, harmonic major, or a mode of G harmonic minor. If I included a C#, it would be a symmetrical scale that can't be retrograded, adding to the mathematical mystique. An exotic sounding atmosphere was what I was going for.Tips:1. Since it is exotic, microtonal pre-bends seem appropriate to make it even more exotic sounding. That is what the upwards pointing swoosh means. Perhaps the sound of a sitar was what I was going for.2. Slides also make it sound more exotic.3. Exotic music uses drone tones more often than American music. Therefor, droning a low D made sense.4. The naming of chords would be quite difficult since it is more of an alien music language than a western one. I just left them out this time. Names would happen such as Dadd4(b9)omit3. Pretty alien chords if you ask me, and you can see that the western chord nomenclature is struggling to name it elegantly. Anytime chords are build in 4th and 5ths rather than 3rds, usually the name that results is quite complex.5. I added unisons because it makes it sound more mysterious in my opinion.
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Guitare notes et tablatures
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Brian Streckfus
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D Egyptian Etude
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Brian Streckfus
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SheetMusicPlus
Venetian Gondola Song (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Felix Bartholdy Mendelssohn …
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Guitar Tab - Intermediate - Digital Download Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Kenneth Pasciak. Romantic Period, Repertoire, Recital. Individual Part, Score, Tablature. 8 pages. Published by Kenneth Pasciak
Venetianisches Gondellied (Venetian Gondola Song), Opus 30, No. 6 from Songs Without Words, one of five gondola pieces that Felix Mendelssohn wrote throughout his career, depicts in music his fascination with Venice and its centuries-old means of transportation. This arrangement for guitar in E minor includes a 3-page score with guitar tablature, plus 2-page guitar part without tab.<br> <br> Note: Retuning of G string to F# required.
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1.8 €
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Guitare notes et tablatures
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Felix Bartholdy Mendelssohn
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Kenneth Pasciak
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Venetian Gondola Song
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Kenneth Pasciak
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SheetMusicPlus
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