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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Play Strings!
Non classifié
1 369
Piano & claviers
Piano seul
60
Accompagnement Piano
46
Orgue
27
Piano, Voix et Guitare
25
Piano, Voix
22
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano Trio: piano, violon, violoncelle
15
2 Pianos, 4 mains
14
Piano Facile
11
Piano Quintette: piano, 2 violons, alto, violoncelle
6
1 Piano, 4 mains
4
Orgue, Piano (duo)
2
Instruments en Do
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Clavecin
1
Clavier
1
+ 12 instrumentations
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Guitares
Ukulele
109
Guitare
87
Guitare notes et tablatures
71
Basse electrique
18
2 Guitares (duo)
8
Dulcimer
4
Mandoline
4
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3
Ensemble de guitares
2
Banjo
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
+ 8 instrumentations
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Voix
Chorale SATB
33
Chorale Unison
11
Chorale TTBB
6
Voix duo
4
Chorale 3 parties
3
Chorale 2 parties
2
Chorale SSATTB
1
Voix Soprano, Piano
1
+ 3 instrumentations
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Vents
Clarinette (partie séparée)
65
Hautbois (partie séparée)
54
Flûte traversière et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
Clarinette
36
Saxophone Alto
32
Saxophone Tenor
32
Flûte traversière
29
Clarinette et Piano
19
Quatuor de Saxophones: 4 saxophones
17
Quintette de Saxophone: 5 saxophones
15
Flute (partie séparée)
14
Ensemble de saxophones
13
Saxophone Alto et Piano
13
2 Saxophones (duo)
12
Hautbois, Piano (duo)
11
Saxophone Tenor et Piano
10
3 Saxophones (trio)
10
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone (partie séparée)
9
Saxophone Baryton, Piano
8
Flûte et Guitare
8
Saxophone Soprano et Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Cor anglais, Piano
7
Ensemble de Clarinettes
6
Flûte, Violon et Violoncelle
6
3 Clarinettes (trio)
6
2 Clarinettes (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
2 Flûtes traversières (duo)
5
Flûte, Clarinette (duo)
4
2 Flûte à bec (duo)
4
Flûte et Trio à cordes
4
Quintette de Flûte : 5 flûtes
4
Clarinette Basse, Piano
3
Ensemble de Flûtes
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes, Basson
2
3 Flûtes à bec (trio)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flute, harpe et violon
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Flûte, Violoncelle
1
Clarinette Basse
1
Hautbois, Violoncelle et Piano
1
Clarinette, Guitare (duo)
1
Hautbois, Harpe
1
Clarinette, Orgue
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte, Violon, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo, Piano
1
Flûte à bec Soprano, Piano
1
Ensemble de Hautbois
1
4 Hautbois
1
Ensemble à vent
1
Saxophone, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
+ 64 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
46
Trombone (partie séparée)
39
Trompette
32
Cor (partie séparée)
31
Trombone
26
Tuba (partie séparée)
25
Cor
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone et Piano
12
Cor et Piano
9
Euphonium, Piano (duo)
7
Trompette, Piano
7
Cor anglais, Piano
7
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Ensemble de Cors
2
Ensemble de Trompettes
2
Tuba
2
Ensemble de Trombones
2
Euphonium
2
3 Trompettes (trio)
2
Tuba et Orgue
1
3 Cors (trio)
1
Trompette, Harpe
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
2 Cors (duo)
1
Trombone, Cor (duo)
1
2 Tubas (duo)
1
2 Trombones (duo)
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
+ 32 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
549
Harpe
500
Trio à Cordes: violon, alto, violoncelle
169
Violon
160
Violon, Violoncelle (duo)
147
Violoncelle
131
Violon (partie séparée)
93
Trio à Cordes: 2 violons, violoncelle
83
2 Harpes (duo)
72
2 Violons (duo)
68
Violon et Piano
57
Violon, Alto (duo)
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Alto (partie séparée)
43
Alto seul
42
Contrebasse (partie séparée)
32
2 Violoncelles (duo)
27
Alto, Piano
26
Violoncelle, Piano
20
Alto, Violoncelle (duo)
14
2 Altos (duo)
12
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
10
Harpe, Violon (duo)
8
Trio à cordes: 3 altos
7
4 Violoncelles
7
Violoncelle (partie séparée)
7
Contre Basse
6
Violon, Guitare (duo)
6
Violoncelle, Contrebasse (duo)
5
Trio à Cordes: 2 violons, alto
5
Contrebasse, Piano (duo)
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 3 violoncelles
3
4 Contrebasses
2
Ensemble de Violoncelles
2
2 Contrebasses (duo)
2
Violoncelle, Orchestre
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
3 Harpes
1
Violon, Orgue
1
Harpe et Piano
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
444
Orchestre
336
Orchestre de chambre
128
Ensemble Jazz
108
Orchestre d'harmonie
76
Percussion (partie séparée)
35
Ensemble d'École
9
Ensemble de Percussions
4
Ensemble de cuivres
4
Cloches
3
Jazz combo
2
Xylophone
2
Batterie
1
Timbales (partie séparée)
1
Piano et Orchestre
1
Vibraphone
1
+ 11 instrumentations
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Autres
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Play Strings!
Guitare notes et tablatures
Partitions à imprimer
71 partitions trouvées
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51
In the Bleak Midwinter - with strings trio play along
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Guitare notes et tablatures
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DÉBUTANT
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Noël
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Contemporain
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Gustav Holst
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Samuel Sequeira
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In the Bleak Midwinter - with
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Samuel Sequeira
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1148571 Composed by Gustav Holst. Arranged by Samuel Sequeira. 19th Century,Christmas,Classical,Traditional. Guitar Tab. 4 pa...
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Guitar - Level 1 - SKU: A0.1148571 Composed by Gustav Holst. Arranged by Samuel Sequeira. 19th Century,Christmas,Classical,Traditional. Guitar Tab. 4 pages. Samuel Sequeira #748733. Published by Samuel Sequeira (A0.1148571). In the Bleak MidWinter - Gustav Holst - ScorePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.More arrangements on the link: Sam'S arrangementsIn the Bleak Midwinter - with strings trio play along. Guitar TAB part score avaiable on this sale. Strings trio play along avaiable on the youtube linkContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
$1.99
10 Ways to Play a Common Chord Progression (in the key of G Major)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Danny Crocome
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Danny Crocome
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10 Ways to Play a Common Chord
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1393936 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. ...
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Guitar - Level 3 - SKU: A0.1393936 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Guitar Tab. 3 pages. Danny Crocome Music #977403. Published by Danny Crocome Music (A0.1393936). These info sheets show guitarists 10 different ways to approach playing a I V vi IV chord progression:1. The basic pattern2. Strumming pattern3. Arpeggios4. Embellishing the chords5. Rhythmic twists6. Power chords7. Barre chords and funkier rhythms8. Fingerpicking with alternating bass and chord inversions9. Syncopated reggae-style rhythms and chord voicings10. Higher chord voicings, open strings and passing chords.A really useful resource for guitarists looking for fresh ways to play old patterns. Also, a handy reference resource for classroom and guitar teachers working with guitar students.
$5.00
Weird Ways to Play The C Major Scale
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Weird Ways to Play The C Major
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1335754 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guit...
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Guitar - Level 3 - SKU: A0.1335754 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #921579. Published by Danny Crocome Music (A0.1335754). This info sheet shows guitarists 4 weird ways to play the notes of a 2-octave C Major Scale:1. Blending higher fretted notes with open strings2. 3-notes-per-string legato (sequences of hammer-ons and pull-offs)3. Repeating pattern across string sets4. Each scale note on a different string.These unusual ways of playing an ascending and descending major scale give that familiar sound a wholly unfamiliar feel. These patterns also function well as warmup exercises, as they require a different level of left and right hand synchronization than the standard major scale patterns.
$3.99
Weird Ways to Play The G Major Scale
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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Weird Ways to Play The G Major
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1335171 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guit...
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Guitar - Level 3 - SKU: A0.1335171 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #921018. Published by Danny Crocome Music (A0.1335171). This info sheet shows guitarists 4 weird ways to play the notes of a 2-octave G Major Scale:1. Blending higher fretted notes with open strings2. 3-notes-per-string legato (sequences of hammer-ons and pull-offs)3. Repeating pattern across string sets4. Each scale note on a different string.These unusual ways of playing an ascending and descending major scale give that familiar sound a wholly unfamiliar feel. These patterns also function well as warmup exercises, as they require a different level of left and right hand synchronization than the standard major scale patterns.
$3.99
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Fingerfood XXL Vol. 1
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Methodes
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Methodes Etudes
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Thomas Fellow
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Fingerfood XXL Vol. 1
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Schott Music - Digital
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SheetMusicPlus
18 Crossover Pieces For Advanced Players. Composed by Thomas Fellow. Fellow Guitar Music Collection. 18 opulente Happen fur Konzertgitarre und Steelst...
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18 Crossover Pieces For Advanced Players. Composed by Thomas Fellow. Fellow Guitar Music Collection. 18 opulente Happen fur Konzertgitarre und Steelstrings: Vol. 1 von Fellows umfangreicher Sammlung bietet anspruchsvollen Gitarrist:innen kurzere Stucke (STARTER) zusammen mit einer ganzen Reihe von Balladen (SWEET) an. Inkl. TABs. Downloadable, Tune book. Op. 5. Schott Music - Digital #Q564325. Published by Schott Music - Digital
Item Number: S9.Q564325
Thomas Fellow, Autor des erfolgreichen Standardwerkes Fellow Guitar Book und weltweit konzertierender Gitarrist (European Guitar Quartet, Friend `n Fellow, Hands on Strings), erweitert seine Guitar Music Collection mit diesem und dem Folgeband um eine umfangreiche Menge Kompositionen in seiner ihm eigenen modernen, stilistisch offenen Klangsprache. Das vorliegende Heft mit 18 DELIGHTFUL CROSSOVER PIECES wendet sich an interessierte Studenten, konzertierende Gitarrist:innen ebenso wie an ambitionierte Laien. Die Stucke sind anspruchsvoll (Schwierigkeitsgrad 4 - schwer) und bilden durch die zusatzliche Notation in TABS auch fur nicht-notenkundige Spieler eine perfekte Erganzung fur ihr Repertoire an moderner Gitarrenliteratur. FINGERFOOD XXL Vol. 1 umfasst kurzere Kompositionen (STARTER) und eine ganze Reihe von Balladen (SWEET). Alle Stucke sind konzertant, aber jedes auf seine Weise. Und so lassen sich Fingerstyle-Einflusse ebenso erkennen wie brasilianische Klange, mal nahert sich Fellow dem Jazz, mal der Popmusik und vermittelt immer Spielfreude und Horgenuss.
$16.99
Fiddle Tunes in DADGAD
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Guitare notes et tablatures
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FACILE
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Fingerstyle/Fingerpicking
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Folklorique/Traditionel
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Doug Young
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Fiddle Tunes in DADGAD
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
PLAYING AND ARRANGING REELS, JIGS AND AIRS FOR FINGERSTYLE GUITAR. Composed by Doug Young. Study Books and Method Supplements. DADGAD and other Open Tuni...
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PLAYING AND ARRANGING REELS, JIGS AND AIRS FOR FINGERSTYLE GUITAR. Composed by Doug Young. Study Books and Method Supplements. DADGAD and other Open Tunings. Ebook and online audio. 72 pages. Published by Mel Bay Publications - Digital Sheet Music (M0. - ebook and online audio - DADGAD and other Open Tunings - Mel Bay Publications - Digital Sheet Music
ISBN 9781619114883. 11.75 x 8.75 inches. Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes, including twenty-four complete arrangements of common American, Irish and Scottish ballads, airs, jigs and reels. The book explores techniques and patterns for playing melodies across the strings, producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire, the material demonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and are looking for tunes to learn, or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes. Includes access to online audio.
$19.99
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Ta...
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Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
Chet Atkins: Dizzy Strings - guitar (tablature, play-along)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Country
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Chet Atkins
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Virtualsheetmusic
Instantly printable sheet music by Chet Atkins for guitar (tablature, play-along) of MEDIUM skill level. / country
Instantly printable sheet music by Chet Atkins for guitar (tablature, play-along) of MEDIUM skill level. / country
$8.97
Come Thou Almighty King
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Guitare notes et tablatures
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FACILE
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Musique Sacrée
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playing the tablature from sta
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traditional Italian tune
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Larry Ray
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Come Thou Almighty King
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Larry Ray
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.596287 Composed by traditional Italian tune. Arranged by Larry Ray. Sacred. Guitar Tab. 6 pages. Larry Ray #3248477. Publishe...
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Guitar - Level 2 - SKU: A0.596287 Composed by traditional Italian tune. Arranged by Larry Ray. Sacred. Guitar Tab. 6 pages. Larry Ray #3248477. Published by Larry Ray (A0.596287). This arrangement of the familiar old hymn tune is in tablature form and is intended for the advancing beginner or intermediate level guitar player with a solid knowledge of basic guitar chords. It is best attempted with a finger style but could just as easily be performed with a flat pick. The tab is intentionally simplified to provide a basic roadmap for the player by including only the melody notes and chords. The player is encouraged to embellish the main melody by picking additional strings within the structure of the chord in a rhythmic fashion to create his/her own unique arrangement. The arrangement is tabbed in four different guitar friendly keys-Key of A, key of D, key of G and key of C. By playing the tablature from start to finish, each key progresses naturally from one page to the other, making for a fun and interesting arrangement that is perfect for preludes and offertories where an exact stopping point cannot always be determined. If one or two sections are too difficult, keep in mind that each page can stand alone as a solo piece. So, it is not necessary to play all four pages.Four pages. Standard tuning.
$4.99
Holly's Lullaby
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Steve Martin
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Holly's Lullaby
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Steve Martin, Rainy Night Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.973000 Composed by Steve Martin. Rainy Night Music. 20th Century,Contemporary,Standards. Guitar Tab. 8 pages. Steve Martin, R...
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Guitar - Level 3 - SKU: A0.973000 Composed by Steve Martin. Rainy Night Music. 20th Century,Contemporary,Standards. Guitar Tab. 8 pages. Steve Martin, Rainy Night Music #6436833. Published by Steve Martin, Rainy Night Music (A0.973000). This is the lullaby that I wrote for my first-born niece when she was a baby. It was composed specifically for guitar, and this copy comes complete with guitar tab as well as traditional notation. I've used an interesting tuning combination for the piece, which is why it also comes with tab, to make everything clearer. Both of the E strings are tuned up by 1 semitone to F, and the B string is de-tuned by 1 semitone to Bb. The resulting sound is pleasant, and unlike most other music out there on the classical guitar market, making it a lovely little piece to learn - and of course to serenade an infant with! It's approximately Grade 4 in standard (ABRSM), so the tuning doesn't make the piece any more difficult to play, and of course, the tab is there to make it crystal clear during the learning process how it is to be played. I hope you enjoy playing it as much as I did writing it. Please do take a look at another of my classical guitar compositions, Summer Sunset, which would work really well with Holly's Lullaby as a pair. Thank you for your interest in my music. .
$3.99
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Electric Bass (Tablature) and piano with chor
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Guitare notes et tablatures
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964512 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacre...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.964512 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 4 pages. Leyandder Trustworthy #6331245. Published by Leyandder Trustworthy (A0.964512). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Electric Bass (Tablature), along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
Auld Lang Syne
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Guitare notes et tablatures
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DÉBUTANT
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Tradition...
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Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
Silver Clouds Chasing The Moon
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Guitare notes et tablatures
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AVANCÉ
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Contemporain
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Peng Xiuwen and Ren Guang
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Evans, Jack
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Silver Clouds Chasing The Moon
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Jack Stanley Evans
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.964305 Composed by Peng Xiuwen and Ren Guang. Arranged by Evans, Jack. Contemporary. Guitar Tab. 7 pages. Jack Stanley Evans ...
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Guitar - Level 5 - SKU: A0.964305 Composed by Peng Xiuwen and Ren Guang. Arranged by Evans, Jack. Contemporary. Guitar Tab. 7 pages. Jack Stanley Evans #5899581. Published by Jack Stanley Evans (A0.964305). Silver Clouds Chasing the MoonSilver Clouds Chasing the Moon was composed in 1935 for the EMI Chinese orchestra by Ren Guang and Nie Er. It is also known by the title: Colourful Clouds Chasing the Moon, which creates the image of a colourful (or silver) night sky, in which the clouds and moon chase each other. The moon is an important symbol for Chinese people, who have a custom of worshipping it, dating back 3,000 years. Every year, the mid-autumn festival is held in China, on the fifteenth day of the eighth lunar month, which usually falls in September. During this festival, Chinese people celebrate with their families and admire the full moon whilst eating ‘moon cakes’. Colourful Clouds Chasing the Moon is commonly performed during this festival and is also used by Chinese cake shops to advertise moon cakes, which increases its association with the mid-autumn festival and popularity amongst Chinese people. As well as being used to sell cakes, this piece is a staple of Chinese instrumental repertoire and has been arranged for a number of different instruments and ensembles, including solo piano, solo guzheng, guitar duo, harp duo, and wine glasses.This guitar arrangement is quite challenging; it includes a lot of intricate lines and arpeggios. Play the semiquaver sextuplets in the intro by dragging the thumb across the bottom three strings and quickly plucking each of the top three strings individually with the first three fingers. Most of this piece is played with standard classical fingerpicking technique, apart from the tapped arpeggios in bars 36 and 37.
$4.99
Moonlit Night on the Spring River - solo guitar
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Guitare notes et tablatures
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AVANCÉ
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Chinese traditional
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Jack Evans
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Moonlit Night on the Spring Ri
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Jack Stanley Evans
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.964321 Composed by Chinese traditional. Arranged by Jack Evans. Folk,World. Guitar Tab. 9 pages. Jack Stanley Evans #6274353....
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Guitar - Level 5 - SKU: A0.964321 Composed by Chinese traditional. Arranged by Jack Evans. Folk,World. Guitar Tab. 9 pages. Jack Stanley Evans #6274353. Published by Jack Stanley Evans (A0.964321). One of the most famous pieces of Chinese classical music, this composition was originally written for solo Pipa and has been popular since the Ming Dynasty (1368-1644). It was previously known as Pipa of Xunyang, and Flute and Drum Music at Dusk, before it was given its current name in 1925. The name Moonlit Night on the Spring River is derived from a Tang Dynasty (618-907) poem by Zhang Ruoxu, which is very well regarded in China. The poem describes a scene of moonlight reflecting on the surface of a river in spring.Moonlit Night on Spring River is written in a multi-sectional form, with each section noticeably different to the others but with some recurring phrases which tie the whole composition together. Although it was originally composed for pipa, this guitar arrangement is based on a version for guzheng, which is a relative of the guqin, but with 21 strings and moveable bridges. The tuning for this arrangement is DGBEAD, from the lowest to highest string. As with Moon Over Guan Mountain, this arrangement is scored one tone higher, as if the third and fourth strings have been detuned by a semitone. I used a mixture pick, fingers, and hybrid picking to play this arrangement, with the fast, single note lines played with a pick and the loud chordal passages with hybrid picking. The quieter sections use fingers only.
$6.99
Famous 5 Types of Chords
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Guitare notes et tablatures
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DÉBUTANT
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Brian Streckfus
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Famous 5 Types of Chords
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Brian Streckfus #95...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Brian Streckfus #954402. Published by Brian Streckfus (A0.1370027). I created this to make learning the most common chords on guitar easier. Learning chords on guitar is quite difficult; fret numbers are quite arbitary to what the chord is. There are patterns to follow, but they are buried in a convoluted foggy swamp. The tuning of guitar strings essentially puts the music theory in a blender and one has to study for a long time to decode it. It is my hope that this PDF will shine some light on how chords are built, and why some of them have a lot of clarity in how they are working, and why others seem completely random. This PDF shows chords that commonly happen in pop music, so it is by no means an exhaustive list. For knowing how to use chords, see my chord progression generator uploads.Tips:1. There is redundacy for a reason; this pdf shows multiple ways of playing the same chord.2. The first two pages are for the music theory purists in that there is hardly ever an uneccesary note to mantain the name of the chord. This is useful for understanding what notes are needed for a chord (it's a cliche for guitarists to have overly large chords).3. Pages 3 and 4 are the famous voicings. 4. Pages 5 and 6 are the bar chord versions. These versions are physically harder to play, but they can add a lot of clarity and simplicity to your playing (the famous voicings on pages 3 and 4 are seemingly random). They are much easier to slide to any key you want and much easier to see similiarities and patterns between chords.
$1.99
Silent Night: From Austria to Africa
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz Xaver Gruber
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Richard Hirsch
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Silent Night: From Austria to
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditio...
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Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
Molly Malone
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Irish Folk Song
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Tom Godfrey
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Molly Malone
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Tom Godfrey
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.977933 Composed by Irish Folk Song. Arranged by Tom Godfrey. Celtic,Folk,World. Guitar Tab. 4 pages. Tom Godfrey #5769495. Pu...
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Guitar - Level 3 - SKU: A0.977933 Composed by Irish Folk Song. Arranged by Tom Godfrey. Celtic,Folk,World. Guitar Tab. 4 pages. Tom Godfrey #5769495. Published by Tom Godfrey (A0.977933). Also known as Cockles and Mussels, this Irish classic is arranged for the intermediate guitarist who is beginning to explore fingerstyle guitar. In the first verse, the melody is played on the upper strings with simple arpeggios in the bass, giving the player an opportunity to develop finger independence. The second verse features a lively, flowing 8th note picking pattern. The music is written in both standard and TAB notation. Need help learning this music? Visit https://youtu.be/u88fnOpqMxQ for a free video demo and lesson, and visit www.godfreyguitarlessons.com for online lesson information.
$3.00
Sarabande BWV 1009 for guitar grade 6
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Pete Downes
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Sarabande BWV 1009 for guitar
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Pete Downes
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.975726 Composed by Johann Sebastian Bach. Arranged by Pete Downes. Baroque,Concert,Sacred,Standards. Guitar Tab. 5 pages. Pet...
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Guitar - Level 4 - SKU: A0.975726 Composed by Johann Sebastian Bach. Arranged by Pete Downes. Baroque,Concert,Sacred,Standards. Guitar Tab. 5 pages. Pete Downes #6410737. Published by Pete Downes (A0.975726). This is an arrangement of the Sarabande from Bach's Cello Suite III BWV 1009. It is considered a Grade 6 piece by ABRSM. Notation, tab and chord symbols are included plus the original cello score for comparison.Origin and additionsThis has been built from scratch using original cello score sources but transposed to G Major for guitar. Where possible, additional chord notes have been added up to 5 strings. Additional bass notes have been added to get a richer cello-like range, in particular E bass note added in bars 13-14 and octave lower bass notes added to bar 15, an A bass note added to bar 18.A transcription of the original cello score is included for comparison and understanding of the additions. This allows a player to create their own alternatives if desired. Approach to performingListen to cellists such as Yo-Yo Ma and Rostropovich performing this piece to get a sense of it's slow, majestic nature on the original instrument. On guitar we can't get the length of expression on a single string but we can use dynamics and space.If the additional bass notes are excluded, it can also be played with a plectrum.
$3.49
Tico tico no fuba
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Zequinha Abreu
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Tim Rushworth
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Tico tico no fuba
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Tim Rushworth
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1379767 Composed by Zequinha Abreu. Arranged by Tim Rushworth. 20th Century,Latin. Guitar Tab. 4 pages. Tim Rushworth #964469...
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Guitar - Level 4 - SKU: A0.1379767 Composed by Zequinha Abreu. Arranged by Tim Rushworth. 20th Century,Latin. Guitar Tab. 4 pages. Tim Rushworth #964469. Published by Tim Rushworth (A0.1379767). This arrangement is for 8 string guitar with the 7th and 8th strings tuned to low C and low A (an octave below string 5).It can also be played on the 7 string guitar, as only the last chord employs string 8!I have enjoyed learning to play this immensley, so I hope you do too!
$7.99
Honky Tonk Guitars - +TAB
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Evzen Burda
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Honky Tonk Guitars - +TAB
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EBTunes
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.974359 Composed by Evzen Burda. Blues,Folk,Jazz,R & B. Guitar Tab. 7 pages. EBTunes #5828369. Published by EBTunes (A0.974359...
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Guitar - Level 3 - SKU: A0.974359 Composed by Evzen Burda. Blues,Folk,Jazz,R & B. Guitar Tab. 7 pages. EBTunes #5828369. Published by EBTunes (A0.974359). Easy going tune for 2 Guitars. Any type of guitars could be used - Spanish / Acoustic / Electric. Solo part is easy to play. The piece is suitable for student and a teacher. Attached MP3 is generated by music software. Music played in the video clip is on nylon strings guitar. Guitar score + TAB included.
$3.49
Are You Sleeping? (Frére Jacques) (two string melody)
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Guitare notes et tablatures
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DÉBUTANT
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Traditional
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Danny Crocome
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Are You Sleeping?
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1298225 Composed by Traditional. Arranged by Danny Crocome. Children,Early Music,Film/TV,Multicultural,Traditional,World. Gui...
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Guitar - Level 1 - SKU: A0.1298225 Composed by Traditional. Arranged by Danny Crocome. Children,Early Music,Film/TV,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888202. Published by Danny Crocome Music (A0.1298225). This is a simple arrangement of Are You Sleeping (Frére Jacques) aimed at beginner guitarists. The melody is played using only the first 2 strings. Picking and fingering suggestions written in score, with chords and chord diagrams included for teacher accompaniment purposes. The arrangement also requires the student to slide from fret 7 to fret 9 (bars 9 and 11), and to use natural harmonics at the 12th fret to replicate the sound of bells ringing (bars 15 and 16). A good teaching piece for incorporating these expressive techniques into a guitarists repertoire. A gentle and fun way for beginner guitarists to learn how to play this well-known tune.
$4.49
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