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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Problem
Non classifié
204
Piano & claviers
Piano seul
146
Piano, Voix et Guitare
54
Piano, Voix
45
Piano Facile
37
1 Piano, 4 mains
9
Instruments en Do
7
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
3
Orgue
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
24
Guitare
18
Paroles et Accords
12
Ligne De Mélodie, (Paroles) et Accords
11
Ukulele
6
Guitare (partie séparée)
4
Basse electrique
4
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale TTBB
52
Chorale SATB
43
Chorale SSAA
16
Chorale 2 parties
10
Chorale 3 parties
7
Chorale Unison
5
Voix haute
2
Voix duo
1
Voix basse, Piano
1
+ 4 instrumentations
Retracter
Vents
Flûte traversière et Piano
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone (partie séparée)
12
Hautbois, Piano (duo)
12
Flûte traversière
11
Saxophone Alto
10
Clarinette et Piano
9
Clarinette
9
2 Saxophones (duo)
6
3 Saxophones (trio)
5
Saxophone Tenor
5
2 Flûtes traversières (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette, Violon (duo)
3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Hautbois
3
Saxophone Tenor et Piano
2
Flûte, Violon et Violoncelle
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Ensemble de Clarinettes
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Clarinette (duo)
2
Clarinette (partie séparée)
2
Clarinette et Alto
2
Saxophone Alto et Piano
2
Hautbois, Basson (duo)
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violon
2
Hautbois (partie séparée)
1
Flûte à bec Soprano
1
Hautbois, Violoncelle
1
Flûte, Alto et Piano
1
Hautbois, violon (duo)
1
Cor Anglais
1
Flûte, Violon, Piano
1
Clarinette Basse, Piano
1
Hautbois, Violon, Piano
1
Clarinette, Basson (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Baryton
1
Saxophone
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette, Basson, Piano (trio)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de saxophones
1
Flûte et Guitare
1
Flûte à Bec
1
Saxophone Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois et alto (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Cor anglais, Piano
1
Flûte à bec Alto
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violoncelle
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Trombone
5
Trompette, Piano
3
Cor et Piano
3
Trombone et Piano
3
Tuba (partie séparée)
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
Cor (partie séparée)
2
Tuba et Piano
2
2 Tubas (duo)
2
Tuba
1
Trombone basse
1
Cor
1
Cor Anglais
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone, Piano
1
Cor anglais, Piano
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon
26
Violoncelle
24
Trio à Cordes: violon, alto, violoncelle
19
Violon et Piano
15
Alto, Piano
14
Alto seul
10
Violoncelle, Piano
10
Contre Basse
5
Violon, Alto (duo)
4
2 Violons (duo)
3
Alto, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Harpe
3
Contrebasse (partie séparée)
2
Violon, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Contrebasse (duo)
1
Flûte, Contrebasse (duo)
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Autoharp
1
2 Altos (duo)
1
Violon, Basson (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
48
Fanfare
27
Ensemble Jazz
17
Orchestre
14
Orchestre à Cordes
11
Batterie
9
Jazz combo
6
Ensemble de cuivres
5
Cloches
4
Orchestre de chambre
4
Vibraphone
2
Batterie (partie séparée)
2
Vibraphone et Marimba
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Problem
Guitare notes et tablatures
Partitions à imprimer
24 partitions trouvées
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1
A CRY O AFRICA
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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A CRY O AFRICA
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THEMIS KOUTRAS
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1012326 Composed by THEMIS KOUTRAS. Christian,Gospel,Sacred,Spiritual. Individual part. 12 pages. THEMIS KOUTRAS #411138...
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Solo Guitar - Level 3 - SKU: A0.1012326 Composed by THEMIS KOUTRAS. Christian,Gospel,Sacred,Spiritual. Individual part. 12 pages. THEMIS KOUTRAS #4111387. Published by THEMIS KOUTRAS (A0.1012326). This is a song about the 3rd world hugry people it's perpose is to raise more of awareness of the problem so more people will remember to give genourously to the poor and needy this is a charity song inspired by the HOLY SPIRIT .
$5.00
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Study: 7 Modes
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Guitare notes et tablatures
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DÉBUTANT
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Brian Streckfus
#
Study: 7 Modes
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #76...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #764016. Published by Brian Streckfus (A0.1163675). This study/etude makes modes a much more fun and practical exploration, rather than feeling like abstract theory. Also, since all seven are used in the key of C major, this study/etude allows someone to quickly memorize how modes work. The modes are diffucult to memorize because of their foreign names. This makes this piece have great replay value since it will take a few run throughs to memorize them. Tips:1. Each mode has one special note. It is a great exercise to figure them out. For example, the B natural in D dorian sections is the special note. This B natural should have been a Bb in the key of regular D minor.2. This piece is a good example of what I like to call half step gravity. For example, in measure 12, the B has more gravity to go to C than A because C is closer. B to C would be a half step. B to A would be a whole step.3. This piece is a good example of bass notes setting the tone and vibe. I invite performers to change the bass notes to see what I mean. For example, a constant C bass note would lead to a problem free sound, whereas a constant B bass note leads to a more uncomfortable metal music sound.4. This piece is a good example of how we hear a chord from the bass note on up. For example, an E minor chord with a B in the bass might actually function more like a B7 with suspended notes.5. This piece is a good example of a perfect authentic cadence (PAC) with a final A minor chord tonic (home) chord with an A in the bass and soprano voices.
$1.99
Auld Lang Syne
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Guitare notes et tablatures
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DÉBUTANT
#
Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Tradition...
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Guitar - Level 1 - SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
Map of the Problematique by Muse - Guitar TAB
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Guitare notes et tablatures
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Muse
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Map of the Problematique
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Musicnotes
Performed by: Muse: Map of the Problematique Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
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Performed by: Muse: Map of the Problematique Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Strum;Voice;Guitar 1;Guitar 2;Guitar 3;Backup Vocals; 9 pages -- Rock~~Alternative Pop/Rock~~Brit-Pop~~Experimental
$5.50
Gnossienne No. 3 (Tablature +)
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Guitare notes et tablatures
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FACILE
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Classique
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Contemporain
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Erik Satie
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Brian Streckfus
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Gnossienne No. 3
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Bri...
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Guitar - Level 2 - SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99
Draw Me Nearer - Classical Guitar
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Guitare notes et tablatures
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FACILE
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Ron k Wiggins
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Ron k Wiggins
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Draw Me Nearer - Classical Gui
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WigMusic
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1502491 By Ron k Wiggins. By Fanny Crosby 1875. Arranged by Ron k Wiggins. Christian,Classical,Religious,Sacred,Spiritual. Ta...
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Guitar - Level 2 - SKU: A0.1502491 By Ron k Wiggins. By Fanny Crosby 1875. Arranged by Ron k Wiggins. Christian,Classical,Religious,Sacred,Spiritual. Tablature. 2 pages. WigMusic #1077941. Published by WigMusic (A0.1502491). A beautiful melody. We stay in the key of E for its entirety first with the melody in the treble and then in the bass. But it is more than that . It is like two very different arrangements. If you can already play basic bar chords like B7 and F#m in the second position this should present no technical problems.
$5.99
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Killing Me Softly With His Song
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Soul/R&B
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Roberta Flack
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Killing Me Softly With His Son
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Carlos Martinez
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.900466 By Roberta Flack. By Charles Fox. Arranged by Carlos Alberto Muñoz Martinez. Soul. Guitar Tab. 3 pages. Carlos Mart...
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Guitar - Level 3 - SKU: A0.900466 By Roberta Flack. By Charles Fox. Arranged by Carlos Alberto Muñoz Martinez. Soul. Guitar Tab. 3 pages. Carlos Martinez #4897637. Published by Carlos Martinez (A0.900466). This is an arrangement of a song, famous for Roberta Flack and the band The Fugees was inspired by the slightly more funk version of The Fugees. It is a bit difficult arrangement since you have to keep the rhythm of the drums on the guitar even though I consider that guitarists with an intermediate level can play it without problems, I hope you enjoy playing.Contact Me: cxmusic264@gmail.com
$4.99
Fugue Study in Em
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Oliver Waterman
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Fugue Study in Em
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Oliver Waterman
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1017653 Composed by Oliver Waterman. 20th Century,Baroque,Contemporary. Guitar Tab. 5 pages. Oliver Waterman #6212365. Publis...
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Guitar - Level 4 - SKU: A0.1017653 Composed by Oliver Waterman. 20th Century,Baroque,Contemporary. Guitar Tab. 5 pages. Oliver Waterman #6212365. Published by Oliver Waterman (A0.1017653). My Fugue Study in Em, is a sneak peak into a collection of studies for guitar that I've composed called Classically Different. They are not meant for the beginner student, but they are pedagogical. They are the result of imagining what it would have been like to have the 6 string guitar a common place instrument during the 18th century. Would there have been powerhouse guitarist/composers like Sor and Giuliani of the 19th century? Would they have performed and composed like Bach Vivaldi and Weiss? Would Bach have composed a suite for it? I originally composed this Fugue for keyboard in my counterpoint class. As I started to arrange it for guitar and learn to play it, I realized that I was running into similar problems that guitarists have experienced since Tarrega first started transcribing Bach. I coincidentally rewrote a number of sequences and entrances of the subject to make it more guitar logical. There are still leaps by a 7th sprinkled in to continue a low melody an octave higher due to the range limitations of the 6 string guitar. I wonder if perhaps this would have been a useful mechanism for the hypothetical guitarists of the 18th century, or if they would have just composed for the instruments range. It is quite apparent to me that a great deal of Baroque music arranged for guitar makes great use of this without degradation to the original line. I use both tablature and standard notation for my scores with perhaps an overabundance of fingerings. I want to make it as easy as possible to understand the music for as many players as possible. .
$1.99
Jolly Vibes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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JoeL
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Jolly Vibes
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Manuel Orlando
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1132052 By JoeL. By Manuel Orlando. 20th Century,Contemporary,Contest,Festival,Opera. Guitar Tab. 6 pages. Manuel Orlando #73...
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Guitar - Level 3 - SKU: A0.1132052 By JoeL. By Manuel Orlando. 20th Century,Contemporary,Contest,Festival,Opera. Guitar Tab. 6 pages. Manuel Orlando #732293. Published by Manuel Orlando (A0.1132052). And this instrument wanna tell you how the joyful one can handle every problems (well-going).
$7.00
Problem Child
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Guitare notes et tablatures
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Metal/Hard Rock
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Rock
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AC/DC
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Rock
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Problem Child
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By AC/DC. By Angus Young, Malcolm Young, and Bon Scott. For guitar. Metal; Rock. Guitar TAB. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music...
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By AC/DC. By Angus Young, Malcolm Young, and Bon Scott. For guitar. Metal; Rock. Guitar TAB. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Living Is A Problem Because Everything Dies
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Guitare notes et tablatures
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Rock
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Biffy Clyro
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Living Is A Problem Because Ev
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Biffy Clyro. By Simon Neil. For guitar. Rock. Guitar TAB. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By Biffy Clyro. By Simon Neil. For guitar. Rock. Guitar TAB. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Bitch We Got A Problem
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Guitare notes et tablatures
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Metal/Hard Rock
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Korn
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Pop
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Bitch We Got A Problem
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Korn. For guitar. Metal; Pop; Rock. Guitar TAB. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music...
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By Korn. For guitar. Metal; Pop; Rock. Guitar TAB. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Angus Young: Problem Child for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Metal/Hard Rock
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Angus Young
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Virtualsheetmusic
Instantly printable sheet music by AC/DC for guitar (tablature) of MEDIUM skill level. / metal,rock
Instantly printable sheet music by AC/DC for guitar (tablature) of MEDIUM skill level. / metal,rock
$8.97
Zak Baird: Bitch We Got A Problem for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Zak Baird
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Virtualsheetmusic
Instantly printable sheet music by Korn for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
Instantly printable sheet music by Korn for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
$8.97
Simon Neil: Living Is A Problem Because Everything Dies for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Simon Neil
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Virtualsheetmusic
Instantly printable sheet music by Biffy Clyro for guitar (tablature) of MEDIUM skill level. / rock
Instantly printable sheet music by Biffy Clyro for guitar (tablature) of MEDIUM skill level. / rock
$8.97
Map Of The Problematique
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Guitare notes et tablatures
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Rock
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Muse
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Map Of The Problematique
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Muse. Pop; Rock. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.324872). - Guitar TAB - Pop; Rock - Hal Leonard - Digital Sheet Musi...
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By Muse. Pop; Rock. Guitar TAB. 9 pages. Published by Hal Leonard - Digital Sheet Music (HX.324872). - Guitar TAB - Pop; Rock - Hal Leonard - Digital Sheet Music
$4.99
Rock Problems
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Guitare notes et tablatures
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Rock
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The Hold Steady
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Rock Problems
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By The Hold Steady. By Craig Finn, Tad Kubler, and John Reis. For Authentic Guitar TAB. Pop/Rock. 6 pages. Published by Alfred Music. Digital Sheet Music...
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By The Hold Steady. By Craig Finn, Tad Kubler, and John Reis. For Authentic Guitar TAB. Pop/Rock. 6 pages. Published by Alfred Music. Digital Sheet Music
$2.99
Craig Finn: Rock Problems - guitar solo (authentic tablature)
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Guitare notes et tablatures
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FACILE
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Rock
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Craig Finn
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Virtualsheetmusic
Instantly printable sheet music by Craig Finn for guitar solo (authentic tablature) of EASY/MEDIUM skill level. / pop,rock
Instantly printable sheet music by Craig Finn for guitar solo (authentic tablature) of EASY/MEDIUM skill level. / pop,rock
$5.97
Jeff Linsky Fingerstyle Jazz Guitar Solos
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Guitare notes et tablatures
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AVANCÉ
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Jazz
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Jeffrey Linsky
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Jeff Linsky Fingerstyle Jazz G
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerstyle) - Intermediate-Advanced - Composed by Jeffrey Linsky. Edited by Lenny Carlson. Jazz. E-book and online video. 72 pages. Mel Bay...
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Guitar (fingerstyle) - Intermediate-Advanced - Composed by Jeffrey Linsky. Edited by Lenny Carlson. Jazz. E-book and online video. 72 pages. Mel Bay Publications - Digital Sheet Music #97340MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619116375. 8.5 X 11 inches.
This book and online video package brings together Jeff Linsky's Mel Bay Artist Series Video, Latin Guitar Jazz, with music for all the pieces in notation and tablature. There are some direct transcriptions, but there are also arrangements of the pieces and analysis of Linsky's style, his techniques and his approaches to certain musical problems. Jeff Linsky is one of the finest guitarists on the contemporary jazz scene. He is well respected for his polyphonic solo guitar improvisation and for his fun and lively compositions. Just Jazz Guitar Magazine has commented, In this collection of Linsky originals, you will hear plenty of imagination, melodic and harmonic inventiveness and sheer joy. Jeff's ability to create memorable melodies and dazzling improvisation is a joy to experience. Includes access to online video.
$17.99
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