ISBN 9781619117068. 8.75 x 11.75 inches.

This comprehensive book/audio set presents some of the first contemporary blues guitarists! Features Muriel Anderson, Duck Baker, Mickey Baker, Carlos Barbosa-Lima, William Bay, Larry Bolles, Ben Bolt, Dan Bowden, Dix Bruce, Mike Christiansen, Alan de Mause, Craig Dobbins, Steven Eckels, Jim Ferguson, Buddy Fite, Tommy Flint, John Griggs, Stefan Grossman, Ole Halen, Al Hendrickson, Roger Hudson, Jean-Felix Lalanne, Paul Lolax, Larry McCabe, Dale Miller, Franco Morone, Ronald Muldrow, Paul Musso, Bill Piburn, Bucky Pizzarelli, Paul Rishell, Vincent Sadovsky, Felix Schell, Jerry Silverman, Martin Simpson, Fred Sokolow, Stanley Solow, Tim Sparks, John Standefer, Jay Umble, Phil Upchurch, Paul Yandell and John Zaradin. These selections include both new pieces and some of the best previously published pieces from the latter half of the 20th century. Standard notation and tablature are offered for most of the pieces, along with a biographical sketch of each performer. Includes extensive online audio, making this an ideal sourcebook for serious students and professionals alike. Includes access to online audio.

ISBN 9781610652117.

Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as 'The Wind Cries Mary', Little Wing', and 'Castles Made of Sand'), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, RandB, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to 'stand alone'; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. Audio download available online. Standard notation and tablature.