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Rhythms in 7 8
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--INSTRUMENTS--
ACCORDEON
ALTO
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Vous avez sélectionné:
Rhythms in 7 8
Guitare notes et tablatures
Partitions à imprimer
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10 Ways to Play a Common Chord Progression (in the key of G Major)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Danny Crocome
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Danny Crocome
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10 Ways to Play a Common Chord
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1393936 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. ...
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Guitar - Level 3 - SKU: A0.1393936 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Pop,Singer/Songwriter. Guitar Tab. 3 pages. Danny Crocome Music #977403. Published by Danny Crocome Music (A0.1393936). These info sheets show guitarists 10 different ways to approach playing a I V vi IV chord progression:1. The basic pattern2. Strumming pattern3. Arpeggios4. Embellishing the chords5. Rhythmic twists6. Power chords7. Barre chords and funkier rhythms8. Fingerpicking with alternating bass and chord inversions9. Syncopated reggae-style rhythms and chord voicings10. Higher chord voicings, open strings and passing chords.A really useful resource for guitarists looking for fresh ways to play old patterns. Also, a handy reference resource for classroom and guitar teachers working with guitar students.
$5.00
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Have Yourself A Merry Little Christmas
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Guitare notes et tablatures
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FACILE
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Noël
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Barry Manilow
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Brian Streckfus
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Have Yourself A Merry Little C
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1314329 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Brian Streckfus. 20th Century,Children,...
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Easy Guitar (with TAB) - Level 2 - SKU: A0.1314329 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Brian Streckfus. 20th Century,Children,Holiday,Instructional,Religious. Tablature. 4 pages. Brian Streckfus #903073. Published by Brian Streckfus (A0.1314329). Key: C MajorPages: 2 + 2There are two versions in this pdf, one with tab and one without. So rather than charging you twice, you just have to be careful about your printer settings. That way this version is more inclusive to anyone's agenda. 1. Tablature with rhythms2. Fingerings3. Some harmonies altered to be idiomatic for guitar4. Lyrics5. Chord charts6. Chord Nomenclature7. Slurs8. Fonts made larger and more appealing9. Composer indications such as dynamics.
$4.99
Montgomery, Wes - Jazz Guitar Artistry
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Jazz
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Montgomery, Wes - Jazz Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate- Advanced - Classic. E-book. 88 pages. Mel Bay Publications - Digital Sheet Music #95314EB. Published by Mel Bay Publications -...
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Guitar - Intermediate- Advanced - Classic. E-book. 88 pages. Mel Bay Publications - Digital Sheet Music #95314EB. Published by Mel Bay Publications - Digital Sheet Music
8.75 x 11.75 inches.
A collection of 14 of Wes Montgomery's great jazz guitar solos transcribed directly from recorded performances. Included are such landmark solos as Work Song; Sack o' Woe; Unit 7; Fallout; Jeanine; Blue Roz; Full House; Mi Cosa; Doujie; Missile; Blues; and others. All solos are in notation and tablature. Most of the pieces can be heard on Riverside's Wes Montgomery: The Complete Riverside Recordings. The new revised edition matches the recordings much more closely than the first edition, with more detailed rhythms in several pieces. All of Wes' original solos are faithfully transcribed here in notation and tablature for your study. The book also contains general performance notes, a chronological discography, and a touching biographical essay.
$17.99
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