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Still I Rise
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Still I Rise
Guitare notes et tablatures
Partitions à imprimer
6 partitions trouvées
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Still I Rise
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Guitare notes et tablatures
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Metal/Hard Rock
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Rock
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Shadows Fall
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Rock
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Still I Rise
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Shadows Fall. For guitar. Metal; Rock. Guitar TAB. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music...
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By Shadows Fall. For guitar. Metal; Rock. Guitar TAB. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Paul Romanko: Still I Rise for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Metal/Hard Rock
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Paul Romanko
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Virtualsheetmusic
Instantly printable sheet music by Shadows Fall for guitar (tablature) of MEDIUM skill level. / metal,rock
Instantly printable sheet music by Shadows Fall for guitar (tablature) of MEDIUM skill level. / metal,rock
$8.97
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
We Three Kings of Orient Are
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Guitare notes et tablatures
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DÉBUTANT
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Noël
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John Henry Hopkins Jr
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Tracy Dean McCallum
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We Three Kings of Orient Are
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Tracy Dean McCallum
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1497066 By John Henry Hopkins Jr. By John Henry Hopkins Jr. Arranged by Tracy Dean McCallum. Christmas. Tabla...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1497066 By John Henry Hopkins Jr. By John Henry Hopkins Jr. Arranged by Tracy Dean McCallum. Christmas. Tablature. 1 pages. Tracy Dean McCallum #1073484. Published by Tracy Dean McCallum (A0.1497066). https://tracymccallum.com 1 We three kings of Orient are; bearing gifts we traverse afar, field and fountain, moor and mountain, following yonder star. Refrain: O star of wonder, star of light, star with royal beauty bright, westward leading, still proceeding, guide us to thy perfect light. 2 Born a King on Bethlehem's plain, gold I bring to crown him again, King forever, ceasing never, over us all to reign. [Refrain] 3 Frankincense to offer have I; incense owns a Deity nigh; prayer and praising, voices raising, worshiping God on high. [Refrain] 4 Myrrh is mine; its bitter perfume breathes a life of gathering gloom; sorrowing, sighing, bleeding, dying, sealed in the stone-cold tomb. [Refrain] 5 Glorious now behold him arise; King and God and sacrifice: Alleluia, Alleluia, sounds through the earth and skies. [Refrain] United Methodist Hymnal, 1989
$7.77
Wiegenlied (Lullaby) - Brahms - different kind of solo guitar arrangement!
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Guitare notes et tablatures
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FACILE
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Classique
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Johannes Brahms
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Andre Maaker
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Cradle Song), Op
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Wiegenlied
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SheetMusicHub
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.597707 Composed by Johannes Brahms. Arranged by Andre Maaker. 20th Century,Children,Romantic Period. Guitar Tab. 5 pages. She...
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Guitar - Level 2 - SKU: A0.597707 Composed by Johannes Brahms. Arranged by Andre Maaker. 20th Century,Children,Romantic Period. Guitar Tab. 5 pages. SheetMusicHub #5360073. Published by SheetMusicHub (A0.597707). Surprise your audience with different kind of guitar arrangement of this beloved lullaby! I've changed the key, the mood and time signature, but you can still fall asleep...Standard notation (2 pages) and TAB (3 pages) included in this file.Johannes Brahms's Wiegenlied (Lullaby; Cradle Song), Op. 49, No. 4, is a lied for voice and piano which was first published in 1868. It is one of the composer's most popular songs.
$7.00
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