Complete transcription of Trinity piece Nostalgia including TAB.

ISBN 9781619117396.

This edition features modern electric guitar transcriptions from the Baroque era. The first section features 17 short repeatable passages from Baroque literature. Other sections include 16 unaccompanied solos, 10 duets and 4 multi-movement arrangements for electric guitar and piano including Pachelbel's Canon and the Vivaldi Mandolin Concerto in its entirety. The final section includes guitar parts for the piano - guitar arrangements. The transcriptions are meant to be performed with a pick in a variety of techniques such as: alternate picking, economy and circle picking, sweep picking, hybrid picking, right handed tapping, string skipping, rest strokes, and palm muting. Many of the selections are available on video at www.youtube.com/johnkieferguitar in the electric baroque playlist.

Baroque suite I by Ludovico Roncalli (1654?1713) arranged for classical Guitar solo.
This is the first suite from the set of 9 suites published in 1692 by the name "Capricci armonici sopra la chitarra spagnola ("Harmonic caprices for the Spanish guitar").
Contents:
Gavotta 1:00 min easy, 1 page
Sarabanda 1:27 min easy, 1 page
Preludio 1:00 min easy, 2 pages
Gigue 1:25 min early intermediate, 2 pages
Alemanda 1:35 min early intermediate, 2 pages
Corrente 0:52 min early intermediate. 2 pages

11 pages (10 pages guitar score 1 page cover)
This edition is with standard guitar notation and tablature and downloadable mp3 for audio help.

Romantic Baroque Guitar, selected music by Giuseppe Antonio Brescianello (ca. 1690, Bologna - 4 October 1758, Stuttgart).

For Guitar solo.
With finger position suggestions.
With standard notation and tablature.
With downloadable mp3 just for audio help.
Early intermediate.
Entree 1 page 2 min, Menuet 1 page 1:25 min, Siciliana 1 page 3 min, Gigue 2 pages 2:15 min.
Pages: Six pages (1 page cover, 5 pages music score).

Turlough O'Carolan, (Irish: Toirdhealbhach Ó Cearbhalláin) (1670 ? 25 March 1738) was a blind Celtic harper, composer and singer in Ireland whose great fame is due to his gift for melodic composition.
Seven selected works for Guitar solo.
1 Beauty in Tears 1 page, 1:10' min.
2 Squire Woods 1 page, 1:55' min.
3 Planxty Browne 1 page, 0:50' min.
4 The Princess Royal 1 page, 1:20' min.
5 c. O'Kane 2 pages, 1:55' min.
6 c. Magan 2 pages, 1:25' min.
7 Blind Mary 2 pages, 1:57' min.

Pages : Total 10 pages.
Early intermediate.
With downloadable mp3 just for audio help.
With tablature. With finger position suggestions.

Selections from Notebook for Anna Magdalena Bach for Guitar features 10 pieces from Bach's famous notebook arranged for guitar. The Notebook itself provides a glimpse of German music of the 18th century and provides a glimpse into the traditions of Baroque style. The selected pieces engage the beginner/intermediate guitarist in the art of two-voice counterpoint and develop a foundation for effectively interpreting the music of J.S. Bach. Includes 17-page score with tablature, plus 10-page guitar part without tab.

Contents

Menuet, BWV Anh. 114
Menuet, BWV Anh. 115
Menuet, BWV Anh. 118
Polonaise, BWV Anh. 119
Menuet, BWV Anh. 120
Menuet, BWV Anh. 121
Marche, BWV Anh. 122
Menuet, BWV Anh. 132
Menuet fait par Mons. Böhm
Aria, So oft ich meine Tobackspfeife, BWV 515a

ISBN 9781619119499.

In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADFa-AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick. During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 a 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 a 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland. Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio.

Le Tombeau de Couperin, by Maurice Ravel, completed in 1917 for piano is modeled after a Baroque suite. This arrangement of the Menuet from this influential piece maintains the key and features of the original while taking full advantage of the range and timbres of the guitar. Includes 6-page score with tablature, plus 4-page guitar part without tab.

Gigue en Mi by Jean-Baptiste Loeillet of London (18 November 1680 ? 19 July 1730, baroque composer and performer on the recorder, flute, oboe, and harpsichord).

Guitar solo. Early Intermediate to Intermediate.
With standard notation and tablature. With downloadable mp3 just for audio help.
Pages: Five (5) pages, 3:15' min.

ISBN 9781619119529.

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitaraa.k.a., plectrum or flatpicking guitarain both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitaras capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.

The famous Adagio in G minor (here in E minor) for violin, strings, and organ continuo is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni (1671-1751) and to Albinoni biographer Remo Giazotto.

For classical Guitar solo.
Intermediate.
With Guitar tablature. With some finger position suggestions.
Pages: 4 pages.