Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Milonga sentimental - milonga (Piana-Manzi) - Afiches - tango (Mores- Contursi) - Barrio de tango - tango (Troilo) - El ultimo organito - tango (Manzi) La gayola - tango (Di Cicco) - La luz de un fosforo - tango (Canaro-Amadori) - Mi Bs As querido - tango (Gardel-Lepera) - Pompa de jabon - tango (Goyoneche-Cadicamo) - Tres esquinas - vals (D'agostino-Cadicamo) - 9 puntos - tango (Canaro) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y3OTS_KdIuq3WhvzIEhL0IL

Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Adios muchachos - tango (Vedani-Sanders) - Corazón de oro - vals (Canaro) - El once - tango (Fresedo) - Fruta amarga - tango (Guitierrez-Manzi) Mañana zarpa un barco - tango (Demare - Manzi) - Mañanitas de Montmartre - tango (Demare) - Golondrinas - tango (Gardel-Lepera) - Tabaco - tango (Pontier-Contursi) - Milonguita - tango (Delfino-Linning) - Vida mia - tango (Fresedo) ***Watch the playlist_ https://www.youtube.com/playlist?list=PL47FhQjMw3y0GHDjiE1VCWs5-VB7NsePU

Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Volver - tango (Gardel-Lepera) - Clavel del aire - tango (Filiberto) - Como dos extraños - tango (Laurenz-Contursi) - Cristal - tango (Mores-Contursi) El adios - tango (Huergo) - Farolito de papel - tango (Lespes) - Gotitas little dots - milonga (Pugliese) - La pulpera de Santa Lucia - vals (Maciel) - Sollosos - tango (Fresedo) - Poema - tango (Bianco-Melfi) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y0Wk_UhS9mgTVwrwXUm_0wn

Tangos made in traditional Flamenco style, a composition by flamenco guitarist and teacher Eugen Sedko, "La Piedra Que No Se Pierda". Good composition for those who love traditional flamenco guitar music and want to have something new for their repertoire. Exact right and left hand fingering is included. Enjoy!

ISBN 9781609743918. The tangos of Brazilian pianist/composer Ernesto Julio de Nazareth combine elements of European dances such as the polka and Latin-American forms including the maxixe. There are unmistakable syncopations of Scott Joplin's ragtime and, of cource, the cosmopolitan choros of his native Rio. These diverse sources of Nazareth melded into a style that is both uniquely personal and quintessentially of his time and place. Written in standard notation and tablature.

ISBN 9781619115682. 8.5 X 11 inches. This 176-page book/online audio contains six full-length contemporary Flamenco guitar compositions by Ioannis Anastassakis, MA, best-selling Mel Bay author of the Art of Rasgueado and one of the few people to have obtained a Graduate Degree in Flamenco Guitar. Selections include Veridiana (Rumba Flamenca), Angelika (Granadinas), Maestro Serrano (Tangos), as well as 3 more solos based on the Flamenco forms of the Farucca, the Soleares and the Malaguena. Presented in standard notation and tablature, with extensive performance notes for each selection. Video duration 64 min. Access to video online.

ISBN 9781610651783. As one can easily imagine, it would be very hard for a guitar student to start reading the scores of the traditional choro repertoire, most of them with large number of technical difficulties. It would be much better if they could start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner. That is the main goal of this book. It has 13 studies (in the 13 more commonly used keys for the choro guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros, there are polkas, maxixes, Brazilian tangos and xotis. The more used and characteristic rhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution, all studies were composed with only two voices (melody and bass) and with no chords (although harmonies are quite evident due to the choro melodic particularities). Audio with all 13 studies is included.

ISBN 9781513455532. 8.75x11.75 inches.

The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan\'s solo playing is complemented by demonstrations of the guitar\'s role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.

La Cumparsita (Fingerstyle Arrangement). This is an arrangement for solo guitar of one of the most famous tangos in the world.